Commemoration And Bloody Sunday

In this wide-ranging study of the politics of memory in Northern Ireland, Brian Conway examines the 'career' of the commemoration of Bloody Sunday, and looks at how and why the way this historic event is remembered has undergone change over time. Drawing on original empirical data, he provides new insights into the debate on collective memory.

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1.3, University of Regensburg (Institut für Amerikanistik und Anglistik), course: "Sunday, Bloody Sunday...": Roots, Present State and Literary Evaluation of the Troubles in Northern Ireland, language: English, abstract: In my paper which has the topic ‘Bloody Sunday and its evaluation in the press’ I intend to give a chronological summary of the events preceding and following Bloody Sunday in order to frame the historical background. Furthermore is it my purpose to show how the British Press, in particular The Times and The Observer, cope with this topic immediately after it occurred. Next I will analyse how the British and the Irish press deal with the anniversaries of the occurrence. In this case I will concentrate on The Irish Examiner, The Irish Independent, The Telegraph and The Guardian. Finally I will compare their representations in the next item.

After Bloody Sunday investigates the ways in which the events in Derry on January 30, 1972, have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Thirty-six years after the killing and wounding of twenty-six civil rights protestors in Derry, the new independent tribunal chaired by Lord Mark Saville of Newdigate is close to publishing its findings. The Report of the Bloody Sunday Inquiry promises to be the most comprehensive act of truth-recovery yet attempted in relation to the many atrocities that scarred the North of Ireland during the three decades of political conflict. Mark Saville has the formidable, and perhaps impossible, task of establishing the definitive truth of Bloody Sunday. His attempt comes in the wake of many other earlier versions of the events of 30th January 1972 that have also claimed to present the truth of what happened that day. After Bloody Sunday examines the portrayals of the events of January 30th, 1972, and its devastating repercussions in photography, film, theatre, poetry, television documentary, art installations, murals, commemorative events, and legal discourse. The authors consider their veracity, their mechanisms of authenticity, and their assumptions that a particular medium--be it film, or language, or visual art--can somehow articulate the truth of Bloody Sunday. In the course of six thematically-organized chapters, the authors analyze productions ranging from high-profile popular forms of entertainment--such as Paul Greengrass's feature film Bloody Sunday and Jimmy McGovern's made-for-television film, Sunday--through to lesser-known treatments in poetry (Thomas Kinsella's Butcher's Dozen), drama (Frank McGuinness's Carthaginians and Brian Friel's The Freedom of the City), and visual art (The Bogside Artists and Willie Doherty). They place special emphasis on the commemoration events held each year in Derry in which the families of the victims have--over many years--remembered their dead and injured, while at the same time building a highly-effective campaign that resulted, finally, in a new Inquiry. Drawing on their expertise in the fields of literature, cultural theory, media studies and visual art, the authors have produced a thoroughly interdisciplinary approach towards the many representations that claim, with varying degrees of confidence, to tell the story of what really happened on the streets of the Bogside on the afternoon of January 30, 1972.

First Published in 2015. Daily newspaper headlines, talk radio and cable television broadcasts, and Internet news web sites continuously highlight the relationship between religion and violence. These media contain stories about such diverse incidents as suicide attacks by Islamic fundamentalists in Afghanistan, Iraq, Israel, Pakistan, and elsewhere, and assassinations of doctors who perform abortions by white American Christian true believers in the United States. How does one make sense of the role of religion in violence, and of perpetrators of violence who cite religion as a motivation? This encyclopedia includes a wide range of entries: biographies of key figures, historical events, religious groups, countries and regions where religion and violence have intersected, and practices, rituals, and processes of religious violence.

Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.

Traditional explorations of war look through the lens of history and military science, focusing on big events, big battles, and big generals. By contrast, The SAGE Encyclopedia of War: Social Science Perspective views war through the lens of the social sciences, looking at the causes, processes and effects of war and drawing from a vast group of fields such as communication and mass media, economics, political science and law, psychology and sociology. Key features include: More than 650 entries organized in an A-to-Z format, authored and signed by key academics in the field Entries conclude with cross-references and further readings, aiding the researcher further in their research journeys An alternative Reader’s Guide table of contents groups articles by disciplinary areas and by broad themes A helpful Resource Guide directing researchers to classic books, journals and electronic resources for more in-depth study This important and distinctive work will be a key reference for all researchers in the fields of political science, international relations and sociology.

War memory and commemoration have had increasingly high profiles in public and academic debates in recent years. This volume examines some of the social changes that have led to this development, among them the passing of the two world wars from survivor into cultural memory. Focusing on the politics of war memory and commemoration, the book illuminates the struggle to install particular memories at the center of a cultural world, and offers an extensive argument about how the politics of commemoration practices should be understood. Commemorating War analyzes a range of forms of remembrance, from public commemorations orchestrated by nation-states to personal testimonies of war survivors; and from cultural memories of war represented in films, plays and novels to investigations of wartime atrocities in courts of human rights. It presents a wide range of international case studies, encompassing lesser-known national histories and wars beyond the well-trodden terrain of Vietnam and the two world wars in Europe. Emerging from this book is an important critique of both "state-centered" approaches to war memory and those that regard commemoration primarily as a human response to loss and grief. Offering a wealth of empirical research material, this book will be important for cultural and oral historians, sociologists, researchers in international relations and human rights, and anybody with an interest in the cultural construction of memory in contemporary society. Timothy G. Ashplant is a member of the Research Center for Literature and Cultural History at Liverpool John Moores University. He has published on psychoanalysis and history, and the life-writings of working-class men and women in Britain. Graham Dawson teaches cultural and historical studies at the University of Brighton. His publications include Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities, and Trauma and Life Stories (with Kim Lacy Rogers and Selma Leydesdorff). Michael Roper works as a social and cultural historian in the Department of Sociology at the University of Essex. His previous publications include Manful Assertions: Masculinities in Britain since 1800 (with John Tosh) and Masculinity and the British Organization Man since 1945.

On the morning of 21 November 1920, Jane Boyle walked to Sunday Mass in the church where she would be married five days later. That afternoon she went with her fiancé to watch Tipperary and Dublin play a Gaelic football match at Croke Park. Across the city fourteen men lay dead in their beds after a synchronised IRA attack designed to cripple British intelligence services in Ireland. Trucks of police and military rumbled through the city streets as hundreds of people clamoured at the metal gates of Dublin Castle seeking refuge. Some of them were headed for Croke Park. Award-winning journalist and author Michael Foley recounts the extraordinary story of Bloody Sunday in Croke Park and the 90 seconds of shooting that changed Ireland forever. In a deeply intimate portrait he tells for the first time the stories of those killed, the police and military personnel who were in Croke Park that day, and the families left shattered in its aftermath, all against the backdrop of a fierce conflict that stretched from the streets of Dublin and the hedgerows of Tipperary to the halls of Westminster. Updated with new information and photographs.