Colours Of Africa

Reflecting the vibrancy of its landscapes and the richness of its flora and fauna, the cultures and arts of Africa are marked by an appreciation of color that still pervades much of everyday life. African perspectives on color and the meanings of colors are explored and illustrated in Colors of Africa through accounts of the natural world, beads and jewelry, buildings and murals, textiles and dress, body painting and contemporary fashion.

THE BOOK: Africa: The Origin of Life is a 10-year painstaking research on the Bibles story of mankinds cosmogony of which 7 out of the 10 years spent on the research were on full time basis. The Bible says that God created one man in the beginning and went ahead to describe the location of the habitation of the first man. Two important issues in the Bibles story were of great interest to the Author for which he set out to research. These were: ? If the Bible story were taken to be true, it then means that the multi-races and colors in humanity today only came to be years after the creation of the first man, which means that originally, humanity only had one race and color from that man to a certain point in its history. That being so, what was the original color of that man? In other words, was he a Caucasian, a Mongolian, a Negro or an Amerindian and when did the multi-races and colors of people that we have today come to be? ? The earth has gone through so many changes through earthquakes, landslides, tumults, ocean drifts and desert encroachments, and etc., over the years since the creation of the first man. Taking all these into consideration, is it still possible to establish the location of Eden where our first parents lived? In other words, was Eden in America, Europe, Asia, or Africa? And if we are able to establish the continent which Eden was located, is it not correct to say that the first man was a native of that continent? ? Africa is poor and backward today, what are the causes of Africas backwardness? Is there any hope for Africa, or has God forsaken Africa? These and more are the salient questions that this book has biblically, scientifically and historically found answers to. The book is highly explosive and revealing. It would cause so much ripples and likely going to change some of your Biblical beliefs.

An account of the author's journey through Africa recounts his experiences as an observer during a big-game safari hunt, with local villagers, and in caves and overhangs, where he examined ancient cave paintings. (Travel)

Reflecting the vibrancy of its landscapes and the richness of its flora and fauna, the cultures and arts of Africa are marked by an appreciation of color that still pervades much of everyday life. African perspectives on color and the meanings of colors are explored and illustrated in Colors of Africa through accounts of the natural world, beads and jewelry, buildings and murals, textiles and dress, body painting and contemporary fashion.

An account of the author's journey through Africa recounts his experiences as an observer during a big-game safari hunt, with local villagers, and in caves and overhangs, where he examined ancient cave paintings. (Travel)

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Collected in one volume for the first time, The World and Africa and Color and Democracy are two of W E. B. Du Bois's most powerful essays on race. He explores how to tell the story of those left out of recorded history, the evils of colonialism worldwide, and Africa's and African's contributions to, and neglect from, world history. More than six decades after W. E. B. Du Bois wrote The World and Africa and Color and Democracy, they remain worthy guides for the twenty-first century. With a series introduction by editor Henry Louis Gates, Jr., and two introductions by top African scholars, this edition is essential for anyone interested in world history.

In Sensuous Knowledge, Minna Salami draws on Africa-centric, feminist-first and artistic traditions to help us rediscover inclusive and invigorating ways of experiencing the world afresh. Combining the playfulness of a storyteller with the insight of a social critic, the book pries apart the systems of power and privilege that have dominated ways of thinking for centuries – and which have led to so much division, prejudice and damage. And it puts forward a new, sensuous, approach to knowledge: one grounded in a host of global perspectives – from Black Feminism to personal narrative, pop culture to high art, Western philosophy to African mythology – together comprising a vision of hope for a fragmented world riven by crisis. Through the prism of this new knowledge, Salami offers fresh insights into the key cultural issues that affect women’s lives. How are we to view Sisterhood, Motherhood or even Womanhood itself? What is Power and why do we conceive of Beauty? How does one achieve Liberation? She asks women to break free of the prison made by ingrained male-centric biases, and build a house themselves – a home that can nurture us all. Sensuous Knowledge confirms Minna Salami as one the most important spokespeople of today, and the arrival of a blistering new literary voice.

Discover the exhilarating diversity of the African continent in storyteller Atinuke’s kaleidoscopic nonfiction guide to the people, flora, and fauna of all fifty-five countries. A Nigerian storyteller explores the continent of Africa country by country: its geography, peoples, animals, history, resources, and cultural diversity. The book is divided into five distinct sections—South, East, West, Central, and North—and each country is showcased on its own bright, energetic page brimming with friendly facts on science, industry, food, sports, music, wildlife, landscape features, even snippets of local languages. The richest king, the tallest sand dunes, and the planet’s largest waterfall all make appearances along with drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities, and nomads who use GPS! Atinuke’s lively and comprehensive introduction to all fifty-five African countries—a celebration scaled to dazzle and delight even very young readers—evokes the continent’s unique blend of modern and traditional. Complete with colorful maps, an index, and richly patterned and textured illustrations by debut children’s book artist Mouni Feddag, Africa, Amazing Africa is both a beautiful gift book and an essential classroom and social studies resource.

Of the books authored by Martin R. Delany (1812-1885), The Origin of Races and Color is perhaps the most obscure. Out-of-print until now, it has been available to the public only through select libraries. At the time of its publication in 1879, this valuable resource presented a bold challenge to racist views of African inferiority. Delany wrote in opposition to a developing oppressive intellectualism that used Darwin's thesis, "the survival of the fittest," to support its demented theories of Black inferiority. Skillfully blending biblical history, archaeology and anthropology, Delany offered evidence to the "serious inquirer" suggesting the first humans were African, and that these Africans were ". . . builders of the pyramids, sculptors of the sphinxes, and original god-kings. . . ." With such radical assertions, Delany advanced a model of ancient history that contradicted the very foundation of intellectual racism. He believed knowledge of one's past was essential, and that it could provide Black people with the regenerative force necessary to inspire their self-improvement. Were he alive today, Delany would certainly feel at home with the present generation of Africancentrists, especially since he developed and articulated so many of their arguments more than a century ago.