Colour Chemistry

This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful. The impressive breadth of coverage starts with a dip into the history of colour science. Colour Chemistry then goes on to look at the structure and synthesis of the various dyes and pigments, along with their applications in the traditional areas of textiles, coatings and plastics, and also the ever-expanding range of "high-tech" applications. Also discussed are some of the environmental issues associated with the manufacture and use of colour. The broad and balanced coverage presented in this book makes it ideal for students and graduates. In addition, many specialists in industry or academia will also benefit from the overview of the subject that is provided.

Students embarking upon a colour chemistry course usually approach it by way of a general introduction and proceed to more detailed treatment of the subject when they have acquired some knowledge of its character and scope. This book has been written with the twofold purpose of serving as a guide to such students during the introductory part of their course and of supplying the needs in this field of others whose main interest is in a related branch of technology or pure chemistry. An attempt has been made to present the main features of the subject in an easily assimilable form. The great amount of published information renders the choice of material for a short book somewhat difficult, and I am keenly conscious of topics that might be thought worthy of more extensive treatment. However, a concise account cannot be comprehensive, and suggestions for further reading are provided at the end of the book. The chemistry of colouring matters can be regarded as a branch of pure chemistry, but the development of knowledge in this field has followed a course determined chiefly by the applications of dyes and pigments. It has therefore appeared appropriate to treat the subject here as a branch of technology.

Chromic or colour related phenomena are produced in response to a chemical or physical stimulus. This new edition will update the information on all those areas where chemicals or materials interact with light to produce colour, a colour change, or luminescence especially in the imaging, analysis, lighting and display areas. The book has been restructured to show greater emphasis on applications where 'coloured' compounds are used to transfer energy or manipulate light in some way therefore reducing the details on classical dyes and pigments. In the past eight years, since the previous edition, there has been a remarkable increase in the number of papers and reviews being produced reflecting the growth of interest in this area. This ongoing research interest is matched by a large number of new technological applications gaining commercial value covering e.g. biomedical areas, energy, data storage, physical colour, bio-inspired materials and photonics. This book appeals to industrial chemists, professionals, postgraduates and as high level recommended reading for colour technology courses.

The foundations of the chemical dyestuffs industry were laid in 1856 when W. H. Perkin discovered the dye Mauveine. At approximately the same time modern chemistry was establishing itself as a major science. Thus, the chemistry of dyes became that branch of organic chemistry in which the early scientific theories were first used. This early eminence has now been largely lost. In fact, many of our academic and teaching institutions pay little attention to this vitally important branch of organic chemistry. We believe that this book will help to rectify this unfortunate situation. The majority of books that have been published on the subject of dyes have been technologically biased and, in our opinion, do not appeal to the mainstream organic chemist. We have, therefore, aimed at producing a book which emphasises the role of organic chemistry in dyestuffs and we have included appropriate modern theories, especially the modern molecular orbital approaches. We have assumed that the reader possesses a knowledge of the basic principles of organic chemistry;* the only other requirement is a general interest in organic chemistry.** The book should interest the newcomer to chemistry, the established academic, and the dyestuffs chemist himself.

This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful. The impressive breadth of coverage starts with a dip into the history of colour science. Colour Chemistry then goes on to look at the structure and synthesis of the various dyes and pigments, along with their applications in the traditional areas of textiles, coatings and plastics, and also the ever-expanding range of "high-tech" applications. Also discussed are some of the environmental issues associated with the manufacture and use of colour. The broad and balanced coverage presented in this book makes it ideal for students and graduates. In addition, many specialists in industry or academia will also benefit from the overview of the subject that is provided.

Carried in wallets and displayed in homes, photographs are a common, but often an overlooked feature of modern life. And, with the advent of digital technology many believe that the so called 'wet chemistry' behind old fashioned photography is a thing of the past - but is it? The Chemistry of Photography endeavours to unravel the mysteries of picture taking and reflects on the diversity and complexity of the science. It gives readers an insight into the chemistry needed to generate pictures, spanning all mediums including still and motion picture as well as digital imaging. Beginning with the components of conventional photography such as films and papers, the book also looks at light capture and amplification, negative films, processing solutions, colour transparencies, the chemistry of colour and motion picture films. The book concludes with a discussion of digital technology and new innovations in photography. This fascinating book will appeal to scientists and those with a general interest in both the new and the old science behind photography.

This revised and up-dated second edition provides a current insight into how the fundamental principles of the chemistry of colour are applied in dyes and pigments. The text has been expanded and re-written throughout, while largely maintaining the structure of the first edition. In particular, the chapter on functional dyes has been substantially re-written to embrace the significant developments in chemistry and technology that this area has experienced in the last decade. As industry and society have become increasingly sensitive towards environmental issues, the chapter describing how the colour industry has been responding is expanded to reflect this growing importance. A new chapter is introduced on colour in cosmetics, with particular emphasis on hair dyes, reflecting the growing international, industrial significance of this topic. This chapter is co-written with Dr Olivier Morel. Colour Chemistry will be of interest to academics and industrialists who are specialists in colour science or who have involvement with the diverse range of coloured materials, for example traditional application in textiles, paints, printing inks, plastics and cosmetics, and functional applications in electronics and biology. Broad and balanced in its coverage, this book provides an introduction to the chemistry of colour that is ideal for students, graduates and those in industry and academia seeking an introduction to the topic. Robert Christie is a Professor in Colour Chemistry and Technology at Heriot-Watt University, Scotland, and a Distinguished Adjunct Professor at the King Abdulaziz University, Saudi Arabia. He also acts as a consultant to the colour manufacturing and application industry worldwide.

A textbook that discusses the broad chemical principles underlying the application of dyes and pigments to a wide variety of substrates: textiles, surface coatings, plastics etc. It also discusses non-substrate uses of dyes and pigments and the use of colour measurement.