Clint Eastwoods America

The steady rise of Clint Eastwood’s career parallels a pressing desire in American society over the past five decades for a figure and story of purpose, meaning, and redemption. Eastwood has not only told and filmed that story, he has come to embody it for many in his public image and film persona. Eastwood responds to a national yearning for a vision of individual action and initiative, personal responsibility, and potential for renewal. An iconic director and star for his westerns, urban thrillers, and adventure stories, Eastwood has taken film art to new horizons of meaning in a series of masterpieces that engage the ethical and moral consciousness of our times, including Unforgiven, Million Dollar Baby, and Mystic River. He revolutionized the war film with the unprecedented achievement of filming the opposing sides of the same historic battle in Flags of Our Fathers and Letters from Iwo Jima, using this saga to present a sharply critical representation of the new America that emerged out of the war, a society of images and spectacles. This timely examination of Clint Eastwood’s oeuvre against the backdrop of contemporary America will be fascinating reading for students of film and popular culture, as well as readers with interests in Eastwood’s work, American film and culture.

In American Rebel, bestselling author and acclaimed film historian Marc Eliot examines the ever-exciting, often-tumultuous arc of Clint Eastwood's life and career. As a Hollywood icon, Clint Eastwood--one of film's greatest living legends--represents some of the finest cinematic achievements in the history of American cinema. Eliot writes with unflinching candor about Eastwood's highs and lows, his artistic successes and failures, and the fascinating, complex relationship between his life and his craft. Eliot's prodigious research reveals how a college dropout and unambitious playboy rose to fame as Hollywood's "sexy rebel," eventually and against all odds becoming a star in the Academy pantheon as a multiple Oscar winner. Spanning decades, American Rebel covers the best of Eastwood's oeuvre, films that have fast become American classics: Fistful of Dollars, Dirty Harry, Unforgiven, Mystic River, Million Dollar Baby, and Gran Torino. Filled with remarkable insights into Eastwood's personal life and public work, American Rebel is highly entertaining and the most complete biography of one of Hollywood's truly respected and beloved stars–-an actor who, despite being the Man with No Name, has left his indelible mark on the world of motion pictures.

The steady rise of Clint Eastwood’s career parallels a pressing desire in American society over the past five decades for a figure and story of purpose, meaning, and redemption. Eastwood has not only told and filmed that story, he has come to embody it for many in his public image and film persona. Eastwood responds to a national yearning for a vision of individual action and initiative, personal responsibility, and potential for renewal. An iconic director and star for his westerns, urban thrillers, and adventure stories, Eastwood has taken film art to new horizons of meaning in a series of masterpieces that engage the ethical and moral consciousness of our times, including Unforgiven, Million Dollar Baby, and Mystic River. He revolutionized the war film with the unprecedented achievement of filming the opposing sides of the same historic battle in Flags of Our Fathers and Letters from Iwo Jima, using this saga to present a sharply critical representation of the new America that emerged out of the war, a society of images and spectacles. This timely examination of Clint Eastwood’s oeuvre against the backdrop of contemporary America will be fascinating reading for students of film and popular culture, as well as readers with interests in Eastwood’s work, American film and culture.

"Authoritative . . . highly nuanced . . . gives the reader a palpable sense of Mr. Eastwood's career." --The New York Times From the moment The Man With No Name first fixed the screen with his murderous squint, from the first time audiences heard Dirty Harry Callahan growl "Make my day," Clint Eastwood has been an icon of American manhood in all its coolness and ferocity. But that icon is also an actor of surprising subtlety, a filmmaker of vast intelligence and originality--and an intensely private man who eludes the stereotypes with which his fans and critics try to label him. In this in-depth biography, the distinguished film critic Richard Schickel talks with Eastwood's family, friends, and colleagues--and, above all, with his notoriously reticent subject--to produce a portrait more astute and revealing than any we have ever had. Following Eastwood from his unstable childhood through his turbulent love affairs, assessing films from A Fistful of Dollars to the Oscar-winning The Unforgiven, and locating the subversive streak of rage and solitude that runs through all his work, Clint Eastwood is candid and endlessly fascinating, an unerring closeup of one of our brightest stars. "Exhilarating . . . substantial, insightful, and right." --Newsday

This book is a large extent to show concern with the way such images have resonated in and with American culture and history during the last twenty or thirty years.Clint Eastwood and his films are in part because of their popularity and their significance role in this cultural discourse.

In this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical “man’s man” to pushing the boundaries of the very genres—the Western, the police thriller, the war or boxing movie—most associated with American masculinity. Cornell’s highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions “What is it to be a good man?” and “What is it to be, not just an ethical person, but specifically an ethical man?” Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life’s work. In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war—perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. Cornell discusses films from across Eastwood’s career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Cornell’s book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood’s films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today.

Clint Eastwood is one of the world's most popular action stars, who has matured into a fine American producer-director. Entertaining, illuminating and packed with information, up to and including "The Changeling", this is the first book to cover his full life in the movies, from his beginnings in 1950s B-movies and in TV's "Rawhide" to "Gran Torino" showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Howard Hughes follows Eastwood's craft through over 50 movies. He looks at his launch into superstardom in Sergio Leone's 1960s spaghetti westerns. Back in America, he built on his success as western hero with such films as "High Plains Drifter" and "The Outlaw Josey Wales", winning an Oscar for "Unforgiven" in 1992. He blasted his way through the seventies and eighties as Inspector Harry Francis Callahan, the last hope for law enforcement in San Francisco. He also monkeyed around in two phenomenally popular films with Clyde the orang-utan, which brought tough-guy Eastwood to a whole new audience and made him the biggest box office star of his generation. "Aim for the Heart" also looks at Eastwood's more unusual roles, including "The Beguiled", "The Bridges of Madison County" and "Million Dollar Baby". Since 1970, he has enjoyed parallel success as director-producer of his own Malpaso Productions, with "Bird", "Mystic River" and "Letters from Iwo Jima", demonstrating formidable directing credentials. "Aim for the Heart" covers all Eastwood's movies of many genres in detail, and Eastwood's story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. "Aim for the Heart" also includes the most comprehensive credits filmography has ever compiled on Eastwood's work, as star and director.

*Includes pictures. *Includes some of Eastwood's most colorful quotes. *Includes a Bibliography for further reading. "The roles that Eastwood has played, and the films that he has directed, cannot be disentangled from the nature of the American culture of the last quarter century, its fantasies and its realities." - Edward Gallafent A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand. Even if he is no longer the most prominent star in Hollywood, he is assuredly the most decorated octogenarian in the industry. In addition to his acting, two of his pictures, Unforgiven (1992) and Million Dollar Baby (2004), garnered Oscars for Best Director and Best Picture. Eastwood's acting and directing abilities have long appealed to both high classes and mass audiences, although it is true that his early works were skewed more toward the popular while the later ones reflect the opposite dynamic. Debuting in the 1950s, Eastwood's career has now spanned over 50 years, and he has been involved in over 75 films, not to mention his appearances in television and other media. The sheer volume of films is especially impressive considering that he has also directed a significant number of them. As such a prolific figure of Hollywood, it is clear that Eastwood has approached his career with diligence and persistence, working hard through both success and failure. This work ethic has lent him an aura of accessibility that is relatively rare among Hollywood stars, as has his willingness to put himself out there on issues beyond the silver screen. Today, Eastwood is just as likely to evoke images of his speech at the 2012 Republican National Convention as he is images of the Western vigilante. American Legends: The Life of Clint Eastwood profiles the life and career of one of Hollywood's greatest icons, both on and off the screen. Along with pictures of important people, places, and events, you will learn about Eastwood like you never have before, in no time at all.

The indefatigable Clint Eastwood, the great old man of American film, is still controversial after all these years. Many of the critical essays in this collection focus on Eastwood’s 2014 American Sniper, a particularly controversial film and a devastating personal account of the horrors of war. Additional essays within the collection address his films that deserve more recognition than they have received to date. The chapters vary by topic and identify themes ranging from aging, race, and gender to uses of Western conventions and myth to the subtleties of quieter themes and stylistic choices in Eastwood’s body of cinematic work. As a collection, these essays show that none of these themes account for Eastwood’s entire vision, which is multifaceted and often contradictory, dramatizing complex issues in powerful, character-driven narratives.