Classic Readings In Semiotics

This anthology of classic readings, in semiotic theory and practice is intended to provide supplementary resource designed to give a first-hand glimpse into a selection of those texts that have either laid the foundation of the semiotic theoretical edifice or else helped shape its contemporary form.

This book is designed to usher the reader into the realm of semiotic studies. It analyzes the most important approaches to semiotics as they have developed over the last hundred years out of philosophy, linguistics, psychology, and biology. As a science of sign processes, semiotics investigates all types of com munication and information exchange among human beings, animals, plants, internal systems of organisms, and machines. Thus it encompasses most of the subject areas of the arts and the social sciences, as well as those of biology and medicine. Semiotic inquiry into the conditions, functions, and structures of sign processes is older than anyone scientific discipline. As a result, it is able to make the underlying unity of these disciplines apparent once again without impairing their function as specializations. Semiotics is, above all, research into the theoretical foundations of sign oriented disciplines: that is, it is General Semiotics. Under the name of Zei chenlehre, it has been pursued in the German-speaking countries since the age of the Enlightenment. During the nineteenth century, the systematic inquiry into the functioning of signs was superseded by historical investigations into the origins of signs. This opposition was overcome in the first half of the twentieth century by American Semiotic as well as by various directions of European structuralism working in the tradition of Semiology. Present-day General Semiot ics builds on all these developments.

History and Classics of Modern Semiotics -- Sign and Meaning -- Semiotics, Code, and the Semiotic Field -- Language and Language-Based Codes -- From Structuralism to Text Semiotics: Schools and Major Figures -- Text Semiotics: The Field -- Nonverbal Communication -- Aesthetics and Visual Communication.

The book is the first annotated reader to focus specifically on the discipline of zoosemiotics. Zoosemiotics can be defined today as the study of signification, communication and representation within and across animal species. The name for the field was proposed in 1963 by the American semiotician Thomas A. Sebeok. He also established the framework for the paradigm by finding and tightening connections to predecessors, describing terminology, developing methodology and setting directions for possible future studies. The volume includes a wide selection of original texts accompanied by editorial introductions. An extensive opening introduction discusses the place of zoosemiotics among other sciences as well as its inner dimensions; the understanding of the concept of communication in zoosemiotics, the heritage of biologist Jakob v. Uexküll; contemporary developments in zoosemiotics and other issues. Chapter introductions discuss the background of the authors and selected texts, as well as other relevant texts. The selected texts cover a wide range of topics, such as semiotic constitution of nature, cognitive capabilities of animals, typology of animal expression and many other issues. The roots of zoosemiotics can be traced back to the works of David Hume and John Locke. Great emphasis is placed on the heritage of Thomas A. Sebeok, and a total of four of his essays are included. The Reader also includes influential studies in animal communication (honey bee dance language, vervet monkey alarm calls) as well as theory elaborations by Gregory Bateson and others. The reader concludes with a section dedicated to contemporary research. Readings in Zoosemiotics is intended as a primary source of information about zoosemiotics, and also provides additional readings for students of cognitive ethology and animal communication studies.

"... fifteen texts which are essential reading for anyone interested in semiotics... This collection will surely become a standard text for those who teach semiotics, aesthetics or philosophy of language." -- International Philosophical Quarterly This volume presents the classic statements in semiotics and touches on a vast set of problems and themes -- philosophical, aesthetic, literary, cultural, biological, and anthropological.

In this regard, semiotics is of relevance to a wide spectrum of scholars and professionals, including social scientists, psychologists, artists, graphic designers, and students of literature.".

"Introducing Semiotics" outlines the development of sign study from its classical precursors to contemporary post-structuralism. Through Paul Cobley's incisive text and Litza Jansz's brilliant illustrations, it identifies the key semioticians and their work and explains the simple concepts behind difficult terms. For anybody who wishes to know why signs are crucial to human existence and how we can begin to study systems of signification, this book is the place to start.

The purpose of this anthology is to provide students taking semiotics for the first time, as well as the general reader, with material that will give them an overview of what semiotics is and does. Classic works, such as R. Jakobson, Linguistics and Poetics, C.S. Peirce, Logic as Semiotic: The Theory of Signs, and S.K. Langer, Discursive and Presentational Forms, as well as original pieces written specifically for this anthology, allow the student a glimpse into what semiotics is, who some of its founders and practitioners are, and how to think semiotically. Introducing Semiotics is an innovative text that provides a glossary of terms to facilitate comprehension.

"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotics and language theory of the period. In so doing, Rumph challenges and reappraises current orthodoxies. These challenges are extremely valuable, bravely offered, and intuitively right as well as convincingly argued." —Matthew Head, author of Orientalism, Masquerade and Mozart's Turkish Music "Stephen Rumph’s book is, to my knowledge, the first successful attempt to ground classical music in its contemporaneous intellectual context. In this respect, Rumph’s book is a great achievement. It is an imaginative tour-de-force bursting with dazzling insights, and with an apparently encyclopedic range of intellectual reference in several languages." —Michael Spitzer, author of Metaphor and Musical Thought “By keeping so many things in focus at the same time, Stephen Rumph has really written several books in one: an introduction to Enlightenment theories of the sign for scholars of music; a much-needed historical context for modern musical semiotics; a sensitive new exploration of the circulation of meanings in and through Mozart’s music; and an important contribution to the ongoing integration of musicology into cultural studies. I suspect that in the course of several readings, one would come away each time with a different set of equally valuable revelations.” —Elisabeth LeGuin, author of Boccherini's Body: An Essay in Carnal Musicology