City Of Order

Interwar Halifax was a city in flux, a place where citizens debated adopting new ideas and technologies but agreed on one thing -- modernity was corrupting public morality and unleashing untold social problems on their fair city. To create a bulwark against further social dislocation, citizens, policy makers, and officials modernized the city’s machinery of order -- courts, prisons, and the police force -- and placed greater emphasis on crime control. These tough-on-crime measures, Boudreau argues, did not resolve problems but rather singled out ethnic minorities, working-class men, and female and juvenile offenders as problem figures in the eternal quest for order.

The Joker’s attack on Arkham Asylum left the long-standing Gotham establishment in ruin, most of the patients killed or missing, and only a handful of surviving staff-a few nurses, a gravely injured security guard, and one doctor. In the chaos of the assault, it is believed that several of the asylum’s patients escaped and scurried off into the dark nooks and crannies of Gotham City. Now, these Arkhamites walk among us, and it’s up to the Asylum’s one remaining doctor, Jocasta Joy, to round up her former patients. Meet these Arkhamites: a woman with no face, a pyggy in search of perfection, a man who feels nothing and burns everything, a woman who must devour life to save herself, a man unfit for the waking world who looks instead for Wonderland, a body with more than one soul, a being unbound from time who lives in the present and the past, a boy who seeks the comfort of vermin, and the twisted man who sees them all for who they are. And witness the avenging angel who stalks them. This fall, join writer Dan Watters and artist Dani on an odyssey through the deepest depths and darkest shadows of Gotham City and find all-new reasons to fear the night.

An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure. Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this book, the eminent urban planner Alain Bertaud argues that applying the theories of urban economics to the practice of urban planning would greatly improve both the productivity of cities and the welfare of urban citizens. Bertaud explains that markets provide the indispensable mechanism for cities’ development. He cites the experience of cities without markets for land or labor in pre-reform China and Russia; this “urban planners’ dream” created inefficiencies and waste. Drawing on five decades of urban planning experience in forty cities around the world, Bertaud links cities’ productivity to the size of their labor markets; argues that the design of infrastructure and markets can complement each other; examines the spatial distribution of land prices and densities; stresses the importance of mobility and affordability; and critiques the land use regulations in a number of cities that aim at redesigning existing cities instead of just trying to alleviate clear negative externalities. Bertaud concludes by describing the new role that joint teams of urban planners and economists could play to improve the way cities are managed.

"Why couldn't she get me?" "Magic doesn't work on you. You're impervious . . ." Meaghan Keele faces menopause with no husband, no kids, and a job she hates. At her brother's request, Meaghan moves from Arizona to Pennsylvania to help care for their dying father, taking over his job as lawyer for the tiny town of Eldrich. What Meaghan doesn't know is that law was merely her father's day job. Gateways to magical worlds riddle the forests surrounding Eldrich. Unaffected by magic-impervious-her father spent decades mediating magical disputes and guarding the human world. Without his imposing presence, old enemies are stirring. Impervious, like her father, Meaghan soon senses that everyone around her is keeping secrets. A shocking confrontation on her first day of work quickly clues her in to her new reality. Her office manager and her secretary are witches. Jamie, her handsome young assistant, isn't exactly human. Eldrich City Hall is haunted. And Meaghan is expected to take over both of her father's jobs. Struggling to accept her destiny, Meaghan is soon drawn into a brutal struggle in another world and a growing attaction to John Smith-exiled king, town drunk, and Jamie's estranged father. And she thought life in Eldrich would be dull . . .

This is a critical evaluation of the role of policing in maintaining public order and upholding civil and democratic rights. This is the first study based on systematic observation of how the police actually handle protest and potential or actual disorder. This book is intended for researchers and students in sociology, criminology, political science and law. It should also appeal to a professional market including the police, practising lawyers, civil liberties groups and trade unions.

The poor saw these public places as sites of play and livelihood. De Barros shows how these opposing views set the stage for a series of petty disputes and large-scale riots. By uncovering the popular cultural patterns that underlay much of this unrest, De Barros demonstrates both their place within a larger West Indian cultural paradigm and the emergence of a peculiarly Guianese ritual of protest."--BOOK JACKET.

(Applause Books). Today the late actor Jerry Orbach (1935-2004) is best remembered as the world-weary New York City Detective Lennie Briscoe from the Emmy Award-winning NBC television series Law and Order . But that work only accounts for 12 years of a 50-year career that spanned stage, screen, and television. From the moment he landed the role of the Street Singer in the 1955 off-Broadway revival of The Threepenny Opera , he distinguished himself as a major performer in popular musicals and plays, including The Fantasticks , Carnival , Scuba Duba , Promises, Promises , 6 RMS RIV VU , Chicago , and 42nd Street . Jerry Orbach also appeared in over 40 films, with Crimes and Misdemeanors ; Prince of the City ; Dirty Dancing ; and the voice of the candlestick, Lumiere, in Disney's Beauty and the Beast topping the list. From the '60s through the '90s, he was a guest or featured actor on major TV hits like The Defenders ; Love American Style ; Murder, She Wrote ; The Golden Girls ; and Frasier . Jerry Orbach, Prince of the City is the story of this versatile performer his triumphs and tragedies public and private. Most of all, it is a study of a gifted actor's craft as told through the observations, insights, and reminiscences of those who knew him best.