Cinema Lovers

Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.

Large screen TVs and full-line DVD services have liberated movie lovers from fear of parking and stale popcorn. Across the country, movie lovers are staying in and creating their own version of book clubs — but without the homework. The Movie Lovers’ Club — the only guide for movie nights with friends — motivates readers to form their own Lovers’ Club clubs to explore the more than 100 excellent film suggestions, summaries, critical reviews, and insider anecdotes. Author Cathleen Rountree offers a year’s worth of must-see classic, contemporary, independent, and foreign films and provocative discussion questions to keep the cinematic conversation lively. With everything readers need to know to start a Movie Lovers’ Club, the book’s selections run the gamut and include powerful films such as To Kill a Mockingbird, Henry and June, and Real Women Have Curves. Whether you need advice for a political group, a girls’ night out party, or a band of indie film devotees, movie watching reaches new depths with ideas on where, when, and how to launch a film group.

Picking your perfect flick can be an overwhelming experience. But fear not! Cinemastrology answers a question that has stumped even the most avid film buff for over a century: "What movie should I watch?" From contemporary comedies to Hollywood classics, from date movies to adrenaline fests, Cinemastrology is your guide to the art of selecting viewing based on your astrological sign. It includes profiles of all the sun signs and offers an extensive list of movie recommendations for each, complete with descriptions, behind-the-scenes stories, and insights into the unique qualities of each sign, from Aries to Pisces. Sections covering the stars that light up the screen and sign-compatible suggestions based on the sign of your partner or film-viewing friend round out Cinemastrology. Getting started is easy! All you need is a birthday and a passion for movies.

Movies are more than entertainment... They’re couples therapy! If you’ve ever wondered how to meet Mr. Right, boot Mr. Wrong, inspire Mr. Reluctant to propose, or ignite youthful passion in a middle-aged romance, then we’ve got some good news for you. The help you need is no farther away than your remote control. Sink into your sofa and discover the healing power of movies. From the bestselling duo who brought you Cinematherapy, Advanced Cinematherapy, and Bibliotherapy comes Cinematherapy for Lovers, a video guide guaranteed to help you find the perfect movie prescription to cure all your relationship woes. Trouble in your couple’s paradise? Watch a Rediscovering Your Dream movie like Pollock and rise above. Looking for the key to your guy’s psyche? Crack the code with an Understanding Your Man movie like Austin Powers: The Spy Who Shagged Me and unlock the secrets of your own international man of mystery! Ready to hear those magic words but your summer lover is terminally tongue-tied? Loosen his lips with a Hook, Line, and Sinker movie like All That Heaven Allows, then find the shortcut to his heart through his stomach with Bev’s Culinarytherapy recipe for meat loaf and mashed potatoes just like Mom used to make, and seal the deal. Feeling like a solo singer in a world full of duets? Discover a new happily-ever-after with a Make Your Own Music movie like Ghost World. Jam-packed with over 150 new reviews of classic and contemporary movies--and warnings about Happily Never After love stories that are recipes for relationship disasters--Cinematherapy for Lovers gives you the tools you’ll need to become your own couple’s cinematherapist. PLUS: Nancy’s Momentous Minutiae, Best Bodice-Ripping Lines, I Do I Do and Elvis Too, Always a Bridesmaid Never a Bride movies, Bods We Don’t Buy, the Shirley MacLaine Trilogy of Terror, Bev’s Culinarytherapy, and much, much more... From the Trade Paperback edition.

“Exceptional, moving, and not to be missed.”—Alice Hoffman “Gentle and fierce, heartbreaking without sacrificing its sense of humor . . . I have never read anything like it.”—Robert Jones, Jr. A staggering, tender epic about gay men in rural China and the women who marry them. For over thirty years, Old Second and Bao Mei have cobbled together a meager existence in New York City’s Chinatown. But unlike other couples, these two share an unusual past. In rural Fuzhou, before they emigrated, they frequented the Workers’ Cinema: a theater where gay men cruised for love. While classic war films played, Old Second and his countrymen found intimacy in the screening rooms. In the box office, Bao Mei sold movie tickets to closeted men, guarding their secrets and finding her own happiness with the projectionist. But when Old Second’s passion for his male lover is revealed, a series of haunting events unfold, propelling these characters toward an uncertain future in America. Spanning three timelines—post-socialist China, 1980s Chinatown, and contemporary New York—Cinema Love is an “exceptional" and "moving” (Alice Hoffman) epic about men and women who find themselves in forbidden relationships; the weight of secrets; and the way memory forever haunts the present.

Award-winning cine-maVRicks Eric R. Williams, Carrie Love and Matt Love introduce virtual reality cinema (also known as 360° video or cine-VR) in this comprehensive guide filled with insider tips and tested techniques for writing, directing and producing effectively in the new medium. Join these veteran cine-VR storytellers as they break down fundamental concepts from traditional media to demonstrate how cine-VR can connect with audiences in new ways. Examples from their professional work are provided to illustrate basic, intermediate and advanced approaches to crafting modern story in this unique narrative space where there’s no screen to contain an image and no specific stage upon which to perform. Virtual Reality Cinema will prepare you to approach your own cine-VR projects via: Tips and techniques for writing, directing and producing bleeding-edge narrative cine-VR projects; More than a hundred photos and illustrations to explain complex concepts; Access to more than two hours of on-line cine-VR examples that you can download to watch on your own HMD; New techniques developed at Ohio University’s Game Research and Immersive Design (GRID) Lab, including how to work with actors to embrace Gravity and avoid the Persona Gap, how to develop stories with the Story Engagement Matrix and how to balance directorial control and audience agency in this new medium. This book is an absolute must read for any student of filmmaking, media production, transmedia storytelling and game design, as well as anyone already working in these industries that wants to understand the new challenges and opportunities of virtual reality cinema.

An Esquire Best Book About Hollywood A USA TODAY Best Book of 2021 “A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club "I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment."—Mark Harris, New York Times bestselling author of Mike Nichols: A Life A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads. Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called "The Decade of the Actress." Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons.

Imagine the best pub quiz you've ever been to, but without suffering the hangover the next morning! From heroic heroines, famous final lines and award-winning directors, to Hollywood's golden age, memorable movie flops and the film world's biggest franchises, the book's over 1,600 questions cover every aspect of the movies. Thrown in among the brain-testing questions are a series of visual quizzes and challenges—including an It's a Wonderful Life spot-the-difference and the world premiere of a Jean-Claude van Damme-themed wordsearch! Put together by the team at indie film magazine Little White Lies, The Movie Quiz Book includes 120 movie quizzes, from seriously difficult text-based, to downright silly illustrated visual quizzes. The Movie Quiz Book is illustrated by Sophie Mo.

What role does love—of cinema, of cinema studies, of teaching and learning—play in teaching film? For the Love of Cinema brings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself; others reflect on how their own cinephilia informs the way they teach cinema; and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.

This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.