Christianity In Bakhtin

The work of the great Russian theorist Mikhail Bakhtin has been examined from a wide variety of literary and theoretical perspectives. None of the many studies of Bakhtin begins to do justice, however, to the Christian dimension of his work. Christianity in Bakhtin for the first time fills this important gap. Having established the strong presence of a Christian framework in his early philosophical essays, Ruth Coates explores the way in which Christian motifs, though suppressed, continue to find expression in the work of Bakhtin's period of exile, and re-emerge in texts written during the time of his rehabilitation. Particular attention is paid to the themes of Creation, Fall, Incarnation and Christian love operating within metaphors of silence and exile, concepts which inform Bakhtin's world view as profoundly as they influence his biography.

This work investigates the role of religious thought in shaping and framing Bakhtin's writings. The authors explore Bakhtin's idea of faith - an abstract codification of a belief system - and a feeling for faith which involves the active participation of persons, both human and divine.

This book examines the significance of religion in the work of the twentieth century philosopher Mikhail Bakhtin. Exploring Bakhtin’s contribution to debates on methodology in the study of religion, this book argues that his use of religious terminology is derived from his source material in philosophy of religion and not from his confessional commitment to Russian Orthodox Christianity. Critiquing Gavin Flood’s important work Beyond Phenomenology, Hilary Bagshaw explains how Bakhtin’s work on ’outsideness’ presents invaluable insights for scholars of religion, particularly pertinent to the contemporary insider/outsider debate.

Drawing on the theory of language developed by the Soviet critic Mikhail Bakhtin, this book argues that the historically diverse writings of the Bible have been organized according to a concept of dialogue. The overriding concern with an ongoing communication between God and his people has been formally embodied, Reed shows, in the continuous conversation between one part of the Bible and another. Reed looks beyond the close readings of recent accounts of the Bible as literature to larger paradigms of communication in the Hebrew Bible and the Christian New Testament. He considers the Bible in its different canonical states, distinguishing the genres of law, prophecy, and wisdom in the Hebrew Bible and describing how these earlier forms of divine and human communication are appropriated and answered by the New Testament genre of gospel. The dialogic character of the Bible is also discovered within individual books: patriarchal answers to primeval failures in Genesis, cross-talk between justice and providence in Job, and orchestration of judgment and worship in Revelation. Throughout this wide-ranging study, Reed demonstrates the surprising relevance of Bakhtin's ideas of literature and language to the biblical writings as they assume formal coherence within the canon.

This volume offers a meeting between genre theory in biblical studies and the work of Mikhail Bakhtin, who continues to be immensely influential in literary criticism. Here Bakhtin comes face to face with a central area of biblical studies: the question of genre. The essays range from general discussions of genre through the reading of specific biblical texts to an engagement with Toni Morrison and the Bible. --From publisher's description.

"Dialogical Preaching - Bakhtin, Otherness and Homiletics" explores the genre of preaching in light of theories of dialogicity and carnivalization developed by Mikhail Bakhtin. The Bakhtinian approach to preaching evokes ways in which historical acts and embodied experiences are transcribed in literary genres. The theories of carnivalization manifest the dynamic, other-oriented, interaction between reflexive texts and embodied acts. Experiences of otherness and difference play a central role in human communication as well as in theological descriptions of the relationship between God and humans. One of the central aims of this book is to explore ways in which 'others', different from the designated preacher, influence contemporary preaching practices and in that sense can be seen as co-authors. As material for this investigation the book provides analyses of four theologians who have contributed significantly to contemporary homiletical developments, namely those of the American homileticians Charles Campbell, John S. McClure, and James H. Harris and the Danish Systematic Theologian, Svend Bjerg.The homiletical analyses lead to the thesis, that the dialogical encounter between author, and addressees, analyzer and analyzed, is one of the conditions of interpretation and communication rather than a disturbance. The communication theoretical and practical theological analyses are discussed in light of Kierkegaard`s, Barth`s and Jüngel's emphasis on the 'qualitative difference' between God and humans. These concluding reflections suggest ways in which inter-human otherness can function as a dynamically conjoining rather than mutually exclusive difference between God as the 'Wholly Other' and 'other-wise' humans.

Following Bakhtin's theory of language as dialogue, Reed shows how the Hebrew Bible and the Christian New Testament dramatize a set of verbal encounters between God and his people. His analysis of dialogic patterns frames discussion of prophecy, wisdom and gospel as models of divine communication.

Presenting a commentary on Bakhtin’s texts, this book focuses on the influence of Eastern Orthodox Christianity upon his thinking and Bakhtin’s use of literary criticism and hermeneutics as ways of ‘doing philosophy by other means’.

This text explores Mikhail Bakhtin's reliance on the terms and concepts of theology. It begins with an identification of the theological categories and terms recalling Christology in general and Trinitarianism in particular that emerge throughout Bakhtin's long and varied career. Alexander Mihailovic discusses the elaborately wrought subtextual imagery, wordplay, and palpable orality of Bakhtin's theology of discourse, and explores the role that theology plays in supporting Bakhtin's ideas about the anti-hierarchical drift of language and culture.