Choe Suun

The notion of qi/gi (氣) is one of the most pervasive notions found within the various areas of the East Asian intellectual and cultural traditions. While the pervasiveness of the notion provides us with an opportunity to observe the commonalities amongst the East Asian intellectual and cultural traditions, it also allows us to observe the differences. This book focuses more on understanding the different meanings and logics that the notion of qi/gi has acquired within the East Asian traditions for the purpose of understanding the diversity of these traditions. This volume begins to fulfill this task by inquiring into how the notion was understood by traditional Korean philosophers, in addition to investigating how the notion was understood by traditional Chinese philosophers.

Won Buddhism, one of the major religions of modern Korea, was established in 1916 by Pak Chung-bin (1891–1943), later known as Sot’aesan. In 1943 Sot’aesan published a collection of Buddhist writings, the Correct Canon of Buddhism (Pulgyo chongjon), which included the doctrine of his new order. Four years later, the second patriarch, Chongsan (1900–1962), had the order compile a new canon, which was published in 1962. This work, translated here as The Scriptures of Won Buddhism (Wonbulgyo kyojon), consists of the Canon (a redaction of the first part of the Pulgyo chongjon) and the analects and chronicle of the founder known as the Scripture of Sot’aesan. The present translation incorporates critical tenets from the 1943 Canon that were altered in the redaction process and offers persuasive arguments for their re-inclusion.

Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.

This comprehensive and balanced history of modern Korea explores the social, economic, and political issues it has faced since being catapulted into the wider world at the end of the nineteenth century. Placing this formerly insular society in a global context, Michael J. Seth describes how this ancient, culturally and ethnically homogeneous society first fell victim to Japanese imperialist expansionism, and then was arbitrarily divided in half after World War II. Seth traces the postwar paths of the two Koreas with different political and social systems and different geopolitical orientations as they evolved into sharply contrasting societies. South Korea, after an unpromising start, became one of the few postcolonial developing states to enter the ranks of the first world, with a globally competitive economy, a democratic political system, and a cosmopolitan and dynamic culture. By contrast, North Korea became one of the world's most totalitarian and isolated societies, a nuclear power with an impoverished and famine-stricken population. Considering the radically different and historically unprecedented trajectories of the two Koreas, Seth assesses the insights they offer for understanding not only modern Korea but the broader perspective of world history."

A wide-ranging collection of concise essays, Past Forward introduces core features of Korean history that illuminate current issues and pressing concerns, including recent political upheavals, social developments and cultural shifts. Adapted from Kyung Moon Hwang’s regular columns in the Korea Times of Seoul, the essays present interpretative points concerning historical debates and controversies to generate thinking about the ongoing impact of the past on the present and vice versa: how Korea’s present circumstances reflect and shape the evolving understanding of its past. In taking the reader on a compelling journey through history, Past Forward paints a distinctive, fascinating portrait of Korea and Koreans both yesterday and today.