Chivalry And Violence In Late Medieval Castile

First full investigation in English into the role played by chivalric ideology, and its violent results, in late medieval Castile.

Knighthood and chivalry are commonly associated with courtly aristocracy and military prowess. Instead of focusing on the relationship between chivalry and nobility, Jesús D. Rodríguez-Velasco asks different questions. Does chivalry have anything to do with the emergence of an urban bourgeoisie? If so, how? And in a more general sense, what is the importance of chivalry in inventing and modifying a social class? In Order and Chivalry, Rodríguez-Velasco explores the role of chivalry in the emergence of the middle class in an increasingly urbanized fourteenth-century Castile. The book considers how secular, urban knighthood organizations came to life and created their own rules, which differed from martial and religiously oriented ideas of chivalry and knighthood. It delves into the cultural and legal processes that created orders of society as well as orders of knights. The first of these chivalric orders was the exclusively noble Castilian Orden de la Banda, or Order of the Sash, established by King Alfonso XI. Soon after that order was created, others appeared that drew membership from city-dwelling, bourgeois commoners. City institutions with ties to monarchy—including the Brotherhood of Knights and the Confraternities of Santa María de Gamonal and Santiago de Burgos—produced chivalric rules and statutes that redefined the privileges and political structures of urban society. By analyzing these foundational documents, such as Libro de la Banda, Order and Chivalry reveals how the poetics of order operated within the medieval Iberian world and beyond to transform the idea of the city and the practice of citizenship.

"This dissertation examines elite violence in late medieval Castile from an ideological perspective, asking not simply how violence was perpetrated by the knightly class, but what these practitioners of violence thought about the violence they were perpetrating. By looking at sources such as imaginative literature, chronicles, and treatises, this dissertation seeks to recover the voices and the thought processes of the knights of Trastm̀ara Castile. As part of this process, the dissertation also asks what others in Castilian society thought about knightly violence. Calls for reform came from clergymen and peasants while the Trastm̀ara kings attempted to direct knightly violence to their own ends. Sometimes we have evidence that knights heard and thought about these criticisms of their violent profession; at other times they appear to have simply ignored calls for reform. This dissertation insists that those who constituted the chivalric elite were violent, were aware that they were violent, and embraced their violence through the construction of an ideology that largely supported their actions. Concepts of chivalry, violence, and religion were not simply ex post facto justifications for actions taken, but were informed by and helped to inform those actions. Particularly on the question of violence, we as historians need to acknowledge that ideas about violence, when placed in the context of a violent society, had real and serious effects in the world. Medieval knights were not automatons who wielded their swords only when a king or pope commanded it. They thought about their actions and built an ideology dealing with them, an ideology that continued to inform their violent deeds. In a larger sense, this dissertation seeks an answer to the question of how Castile moved from a medieval kingdom wracked by civil war and foreign invasion in 1369 to the precipice of a global empire in the late 15th century. How is it that the Catholic Monarchs and the Spanish Empire emerged out of the late Middle Ages? What would be the ideology that formed the foundation for a world empire and why was it such a challenge for the Trastm̀ara kings?"--Pages vi-vii.

Medieval Europe was a rapidly developing society with a problem of violent disorder. Professor Kaeuper's original and authoritative study reveals that chivalry was just as much a part of this problem as it was its solution. Chivalry praised heroic violence by knights, and fused such displaysof prowess with honour, piety, high-status, and attractiveness to women. Though the vast body of chivalric literature praised chivalry as necessary to civilization, most texts also worried over knightly violence, criticized the ideals and practices of chivalry, and often proposed reforms. Theknights themselves joined the debate, absorbing some reforms, ignoring others, sometimes proposing their own. The interaction of chivalry with major governing institutions ("church" and "state") emerging at that time was similarly complex: kings and clerics both needed and feared the force of theknighthood. This fascinating book lays bare these conflicts and paradoxes which surrounded the concept of chivalry in medieval Europe.

In Forged in the Shadow of Mars, Peter W. Sposato traces chivalry's powerful influence on the mentalitè and behavior of a sizeable segment of the elite in late medieval Florence. He finds that the strenuous knights and men-at-arms of the Florentine chivalric elite—a cultural community comprised of men from both traditional and newly emerged elite lineages—embraced a chivalric ideology that was fundamentally martial and violent. Chivalry helped to shape a common identity among these men based on the profession of arms and the ready use of violence against both their peers and those they perceived to be their social inferiors. This violence, often transgressive in nature, was not only crucial to asserting and defending personal, familial, and corporate honor, but was also inherently praiseworthy. In this way, Sposato highlights the sharp differences between chivalry and the more familiar civic ideology of the popolo grasso, the Florentine mercantile and banking elite who came to dominate Florence politically and economically during the thirteenth and fourteenth centuries. As a result, in Forged in the Shadow of Mars, Sposato challenges the traditional scholarly view of chivalry as foreign to the social and cultural landscape of Florence and contests its reputation as a civilizing force. By reexamining the connection between chivalric literature and actual practice and identity formation among historical knights and men-at-arms, he likewise provides an important corrective to assumptions about the nature of elite violence and identity in medieval Italian cities.

Introduction to Medieval Europe 300–1500 provides a comprehensive survey of this complex and varied formative period of European history within a global context, covering themes as diverse as barbarian migrations, the impact of Christianisation, the formation of nations and states, the emergence of an expansionist commercial economy, the growth of cities, the Crusades, the effects of plague and the intellectual and cultural dynamism of the Middle Ages. The book explores the driving forces behind the formation of medieval society and the directions in which it developed and changed. In doing this, the authors cover a wide geographic expanse, including Western interactions with the Byzantine Empire, the Islamic World, North Africa and Asia. This fourth edition has been fully updated to reflect moves toward teaching the Middle Ages in a global context and contains a wealth of new features and topics that help to bring this fascinating era to life, including: West Europe’s catching up through intensive exchange with the Mediterranean Islamic world growth of autonomous cities and civic liberties emergence of an empirical and rational worldview climate change and intercontinental pandemics European exchange with Africa and Asia chapter introductions to support students’ understanding of the topics a fully updated glossary to give modern students the confidence and language to discuss medieval history Clear and stimulating, the fourth edition of Introduction to Medieval Europe is the ideal companion to studying the entirety of medieval history at undergraduate level.

First extended survey of the subject, looking at the knights' activities, roles, background and service.

The motivations behind those who went on the Third Crusade examined through close investigation of their social networks.

Alfonso X (1221-84) ruled over the Crown of Castile from 1252 until his death. Known as "the Wise," he oversaw the production of a wealth of literature in his scriptorium. One of the most impressive of these literary outputs is the collection of songs known as the Cantigas de Santa Maria, which by most counts comprises 429 songs preserved in four manuscripts. The miracle songs (or cantigas de miragre) form the focus of this book. While the Cantigas have been the subject of much scholarly attention, only a handful of studies have looked at the repertory through an interdisciplinary lens. Fewer still have probed how the Cantigas use the power of song as a communicative medium, one that functions as a social tool within the erudite environment of the Alfonsine court. This book offers a new perspective to the song collection, probing how the Cantigas use their music and text, together with rhetorical devices, to communicate with their desired audience. Author Henry T. Drummond builds upon previous methodologies, adopting a novel and holistic assessment of the songs' melodies, poetic features, and narrative logic to assess a wide selection of songs. He presents a nuanced understanding of a song form that effectively conveys its narratives to its listeners via a diverse combination of tools, embracing medieval rhetoric, rhyme-based play, and song's inherent ludic potential. Such devices, Drummond argues, allow for the Cantigas to loom large as propaganda pieces, designed to dignify Alfonso X through an elaborately devised courtly ritual.