Chinese Ladies At Home

During the years spanning the late Qing dynasty and the early Republican era, the status of Chinese women changed in both subtle and decisive ways. As domestic seclusion ceased to be a sign of virtue, new opportunities emerged for a variety of women. Much scholarly attention has been given to the rise of the modern, independent “new women” during this period. However, far less is known about the stories of married nonprofessional women without modern educations and their public activities. In At Home in the World, Xia Shi unearths the history of how these women moved out of their sequestered domestic life; engaged in charitable, philanthropic, and religious activities; and repositioned themselves as effective public actors in urban Chinese society. Investigating the lives of individual women as well as organizations such as the YWCA and the Daoyuan, she shows how her protagonists built on the past rather than repudiating it, drawing on broader networks of family, marriage, and friendship and reconfiguring existing beliefs into essential components of modern Chinese gender roles. The book stresses the collective forms of agency these women exercised in their endeavors, highlighting the significance of charitable and philanthropic work as political, social, and civic engagement. Shi also analyzes how men—alive, dead, or absent—both empowered and constrained women’s public ventures. She offers a new perspective on how the public, private, and domestic realms were being remade and rethought in early twentieth-century China, in particular, how the women navigated these developing spheres. At Home in the World sheds new light on how women exerted their influence beyond the home and expands the field of Chinese women’s history.

Excerpt from Chinese Ladies at Home Nanking Road is the fashionable drive, and in the late afternoon it is thronged with people, both Chinese and foreign, showing-oh themselves and their carriages. Carriage attendants are called, Mafoo, and no matter how many there may be the coachman is No. I. Mafoo; these creatures are the most ludicrous to be seen in Shanghai. Picture, and keep from smiling if you can, a lady dressed in the latest Parisian fashion driving in a stylish dog cart with her Mafoo (footman) standing behind, dressed in a dirty white night shirt looking garment upon which lies his long black queue like a spinal column, and on his head a light brown Fedora.' This is not an exaggeration. I saw it. The Mafoo are miserable looking beings in a laughable uniform, but in a fine one they look worse, for then the dirt and general unattractiveness of the wearer is accentuated. The really correct dress for a Mafoo could not be told, for fancy seemed to run riot. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unearth the mysteries of the Mawangdui tombs and take a sneak peek at life in Han dynasty China! This middle-grade chapter book unearths one of China’s top archaeological finds of the last century. Miniature servants, mysterious silk paintings, scrolls of long-lost secrets, and the best preserved mummy in the world (the body of Lady Dai) are just some of the artifacts that shed light upon life in China 2200 years ago. Illustrations include archival photographs as well as gorgeously rendered illustrations of Lady Dai's life. Back matter includes historical notes on the Qin and Han Dynasties, a time line, glossary, author’s note, bibliography, quotation sources, and an index.

Originally published in 1914, this text describes L.T. Headland and his wife’s experience in China in the early twentieth century. With a focus on home life this study explores issues such as children, marriage and education as well as food, religion and concubinage as well as presenting anecdotes and personal stories from the families Headland interacted with. This title will be of interest to students of Asian Studies and Anthropology.

Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.

This is a true and touching story of one Chinese woman's search for home. It is also an inspiring book about human yearning for a better life. To escape poverty, Flora Li fought her way through the education system and became one of the few women to get into the prestigious Hong Kong University. When the Japanese invaded, she fled to unoccupied China, where she met her future husband, the son of China's finance minister (later deputy prime minister). She thought she had found the ideal husband, but soon discovered that he suffered from emotional disorders caused by family conflicts and the wars he had grown up in. Whenever he had a breakdown, Flora would move the family to another city, from Shanghai to Nanking to Hong Kong to Bangkok to Taipei and finally across the four seas to the U.S. Throughout her migrations, Flora kept her sight on one goal-providing her children with the best possible education. Author of a thriller, Nightfall in Mogadishu, Veronica Li grew up mostly in Hong Kong and moved to the U.S. with her parents at fifteen. She has a B.A. in English from University of California, Berkeley and a master's in International Affairs from Johns Hopkins University. Li was a journalist for seven years, working for the Asian Wall Street Journal and other news organizations. She later joined the World Bank, for which she traveled extensively and got her inspiration for her novel and other writings. Her most recent book is a novel called Confucius Says.

This book explores the use of literary fantasy in the construction of identity and ‘home’ in contemporary diasporic Chinese women’s literature. It argues that the use of fantasy acts as a way of undermining the power of patriarchy and unsettling fixed notions of home. The idea of home explored in this book relates to complicated struggles to gain a sense of belonging, as experienced by marginalized subjects in constructing their diasporic identities — which can best be understood as unstable, shifting, and shaped by historical conditions and power relations. Fantasy is seen to operate in the corpus of this book as a literary mode, as defined by Rosemary Jackson. Literary fantasy offers a way to rework ancient myths, fairy tales, ghost stories and legends; it also subverts conventional narratives and challenges the power of patriarchy and other dominant ideologies. Through a critical reading of four diasporic Chinese women authors, namely, Maxine Hong Kingston, Adeline Yen Mah, Ying Chen and Larissa Lai, this book aims to offer critical insights into how their works re-imagine a ‘home’ through literary fantasy which leads beyond nationalist and Orientalist stereotypes; and how essentialist conceptions of diasporic culture are challenged by global geopolitics and cultural interactions.