Chinese Buddhists American Death Rituals

They have looked to individual beliefs, customs, religion, and environment for this resolution. This volume expertly describes and analyzes cultural retention and transformation in the after-death rituals of Chinese American communities."--Jacket.

A brief comparison of the rituals and ceremonies surrounding death and funerals in China and the United States.

Death rituals and Buddhist imagery of the afterlife have been central to the development and spread of Buddhism as a social and textual tradition. Bringing together ethnographic, historical and theoretically informed accounts, the book presents in-depth studies of the Buddhist funeral cultures of mainland Southeast Asia and China.

During the late imperial era (1500-1911), China, though divided by ethnic, linguistic, and regional differences at least as great as those prevailing in Europe, enjoyed a remarkable solidarity. What held Chinese society together for so many centuries? Some scholars have pointed to the institutional control over the written word as instrumental in promoting cultural homogenization; others, the manipulation of the performing arts. This volume, comprised of essays by both anthropologists and historians, furthers this important discussion by examining the role of death rituals in the unification of Chinese culture.

In its teachings, practices, and institutions, Buddhism in its varied Asian forms has been—and continues to be—centrally concerned with death and the dead. Yet surprisingly "death in Buddhism" has received little sustained scholarly attention. The Buddhist Dead offers the first comparative investigation of this topic across the major Buddhist cultures of India, Sri Lanka, China, Japan, Tibet, and Burma. Its individual essays, representing a range of methods, shed light on a rich array of traditional Buddhist practices for the dead and dying; the sophisticated but often paradoxical discourses about death and the dead in Buddhist texts; and the varied representations of the dead and the afterlife found in Buddhist funerary art and popular literature. This important collection moves beyond the largely text—and doctrine—centered approaches characterizing an earlier generation of Buddhist scholarship and expands its treatment of death to include ritual, devotional, and material culture. Contributors: James A. Benn, Raoul Birnbaum, Jason A. Carbine, Bryan J. Cuevas, Hank Glassman, John Clifford Holt, Matthew T. Kapstein, D. Max Moerman, Mark Rowe, Kurtis R. Schaeffer, Gregory Schopen, Koichi Shinohara, Jacqueline I. Stone, John S. Strong.13 illus.

Death is a topic that has fascinated people for centuries. In the English-speaking world, eulogies in poetic form could be traced back to the 1640s, but gained prominence with the 'graveyard school' of poets in the eighteenth century often stressing the finality of death. Chinese American Death Rituals examines Chinese American funerary rituals and cemeteries from the late nineteenth century until the present in order to understand the importance of Chinese funerary rites and their transformation through time. The authors in this volume discuss the meaning of funerary rituals and their normative dimension and the social practices that have been influenced by tradition. Shaped by individual beliefs, customs, religion, and environment, Chinese Americans have resolved the tensions between assimilation into the mainstream culture and their strong Chinese heritage in a variety of ways. This volume expertly describes and analyzes Chinese American cultural retention and transformation in rituals after death.

Learning How to Die Can Teach Us How to Live All of the world's religions refer to death in some way. Everyone is somewhat familiar with stories about where we go or what happens to us after death. From an early age, we have all heard stories of heaven or hell or some other version of paradise. Many of us believed such stories, and a great number of us still do. When considering that such stories manage to persist in modern times, an age of science and logic, we can be sure that death is an issue to which humans attach great importance. In a sense, the idea of an afterlife can be a great source of comfort to those whose death is imminent, as well as to their loved ones. Those who have led especially difficult lives can look forward to a more pleasant world, while those who have enjoyed happiness and abundance have the chance to experience more good fortune. To those left behind, the idea of an afterlife presents the chance to meet a loved one again. We may not be conscious of it, but such hopes and expectations stay with us throughout our lives. If such an afterlife does exist, then there is no reason to avoid or fear death. Moreover, if we believe that another life awaits us, then we would believe that we are only separated from our loved ones temporarily before being reunited with them later on.

For more than a thousand years, Buddhism has dominated Japanese death rituals and concepts of the afterlife. The nine essays in this volume, ranging chronologically from the tenth century to the present, bring to light both continuity and change in death practices over time. They also explore the interrelated issues of how Buddhist death rites have addressed individual concerns about the afterlife while also filling social and institutional needs and how Buddhist death-related practices have assimilated and refigured elements from other traditions, bringing together disparate, even conflicting, ideas about the dead, their postmortem fate, and what constitutes normative Buddhist practice. The idea that death, ritually managed, can mediate an escape from deluded rebirth is treated in the first two essays. Sarah Horton traces the development in Heian Japan (794–1185) of images depicting the Buddha Amida descending to welcome devotees at the moment of death, while Jacqueline Stone analyzes the crucial role of monks who attended the dying as religious guides. Even while stressing themes of impermanence and non-attachment, Buddhist death rites worked to encourage the maintenance of emotional bonds with the deceased and, in so doing, helped structure the social world of the living. This theme is explored in the next four essays. Brian Ruppert examines the roles of relic worship in strengthening family lineage and political power; Mark Blum investigates the controversial issue of religious suicide to rejoin one’s teacher in the Pure Land; and Hank Glassman analyzes how late medieval rites for women who died in pregnancy and childbirth both reflected and helped shape changing gender norms. The rise of standardized funerals in Japan’s early modern period forms the subject of the chapter by Duncan Williams, who shows how the Soto Zen sect took the lead in establishing itself in rural communities by incorporating local religious culture into its death rites. The final three chapters deal with contemporary funerary and mortuary practices and the controversies surrounding them. Mariko Walter uncovers a "deep structure" informing Japanese Buddhist funerals across sectarian lines—a structure whose meaning, she argues, persists despite competition from a thriving secular funeral industry. Stephen Covell examines debates over the practice of conferring posthumous Buddhist names on the deceased and the threat posed to traditional Buddhist temples by changing ideas about funerals and the afterlife. Finally, George Tanabe shows how contemporary Buddhist sectarian intellectuals attempt to resolve conflicts between normative doctrine and on-the-ground funerary practice, and concludes that human affection for the deceased will always win out over the demands of orthodoxy. Death and the Afterlife in Japanese Buddhism constitutes a major step toward understanding how Buddhism in Japan has forged and retained its hold on death-related thought and practice, providing one of the most detailed and comprehensive accounts of the topic to date. Contributors: Mark L. Blum, Stephen G. Covell, Hank Glassman, Sarah Johanna Horton, Brian O. Ruppert, Jacqueline I. Stone, George J. Tanabe, Jr., Mariko Namba Walter, Duncan Ryuken Williams.

This thesis examines Buddhist rituals conducted (mainly) by monks for the wellbeing of deceased lay-persons in contemporary Fujian province in Southeast China. Research was conducted within the Bristol project on 'Buddhist Death Rituals in Southeast Asia and China' and sponsored by the AHRC. Based on fieldwork conducted from March-December 2008 in the three urban areas of Xiamen and Quanzhou in Southern Fujian, and the capital Fuzhou in Northern Fujian, and on written materials, such as Buddhist scriptures, monastic public announcements and ritual manuals, I describe and analyse a variety of post-burial rites. They range from small scale rites of offering to nourish and help the deceased during the liminal period of forty-nine days after death and rebirth, to one-to-three day funeral chaodu 'rites of ferrying across' sending off the departed to a better rebirth, ideally held before the end of the forty-nine days liminal period, to the large-scale public rituals of universal liberation held during the so-called 'Ghost Month' and the crown of Buddhist rituals the shuilu fahui or 'Grand Dharma Assembly of Liberation of all Land and Water Beings' .. The research presented here is more like a snapshot or survey of contemporary Buddhist rituals and practices for the dead in Southeast China than an in depth anthropological analysis; my hope is, through this overview, to provide inspiration and basic material for future research.

In traditional China, a funeral and the accompanying death rituals represented a critical moment for the immediate family of the deceased to show their filial piety, a core value of the society. At the same time, death rituals were social occasions, and channels for the outward demonstration of belief in a religiously pluralistic society. During the Northern Song period, however, death rituals increasingly became an arena for political contention as attempts were made to transform these practices from a private matter into one subject to state control. Death Rituals and Politics in Northern Song China examines how political confrontations over the proper conduct of death rituals during Northern Song dynasty (960-1127) inaugurated a period of Confucian revivalism. Mihwa Choi interprets Northern Song court politics, family ritual practices, burial practices, and the popular imagination of the afterlife as sites of contest between groups of varying social status, political vision, and religious belief. She demonstrates that the oversight of ritual affairs by scholar-officials helped them gain the political upper hand they sought, and, more broadly, fostered a revival of Confucianism as the dominant value system of Chinese society in the period that followed.