Childhoods End

In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times

Past or future, which path do you choose? Past, present and future collide as the Thirteenth Doctor meets classic Doctor Who companion Ace – in the first epic novel from the woman who played her, Sophie Aldred. Once, a girl called Ace travelled the universe with the Doctor – until, in the wake of a terrible tragedy they parted company. Decades later, she is known as Dorothy McShane, the reclusive millionaire philanthropist who heads global organisation A Charitable Earth. And Dorothy is haunted by terrible nightmares, vivid dreams that begin just as scores of young runaways are vanishing from the dark alleyways of London. Could the disappearances be linked to sightings of sinister creatures lurking in the city shadows? Why has an alien satellite entered a secret orbit around the Moon? Investigating the satellite with Ryan, Graham and Yaz, the Doctor is thrown together with Ace once more. Together they must unravel a malevolent plot that will cost thousands of lives. But can the Doctor atone for her past incarnation’s behaviour – and how much must Ace sacrifice to win victory not only for herself, but for the Earth?

Collecting New X-Men (2004) #16-32. A bold new direction for the Xavier Institute! In the mutant-controlled “House of M” reality, the New Mutants clash with S.H.I.E.L.D.’s Hellions over the fate of the human resistance. But when the real world is restored, almost all of Earth’s mutants find themselves depowered! With their species all but gone and emboldened enemies looming on all sides, the remaining New X-Men close ranks and form a new squad — but what about their suddenly human friends and classmates? And what happens when X-23 arrives at the mansion? The rules have changed, the safeties are off — and Reverend Stryker has found a terrifying new weapon in his holy crusade against mutants! The New X-Men will be battered, beaten and worse, and suffer assaults on all fronts. Can this untested new team summon the strength to survive and triumph?

During the twenty-second century, a space probe's investigation of a mysterious, cylindrical asteroid brings man into contact with an extra-galactic civilization

Long ago, The Lord Aiduel emerged from the deserts of the Holy Land, possessed with divine powers. He used these to forcibly unify the peoples of Angall, before His ascension to heaven.

"Summer is a perfectly ordinary 11 year old girl with a perfectly ordinary, needy, over protective single mother. Summer loves her mother and would never dream of running away, but wonders deep down if it wouldn't be nice to escape for a little while and do something adventurous...maybe? Baba Yaga comes along in her magical walking house and offers Summer her heart's desire. Summer has no idea what this might be, but with the lighting of a frog-shaped beeswax candle she finds herself transported to the strange would of Orcus with nothing but a weasel in her pocket. She's read a lot of fantasy books about people thrust into strange lands; but they usually seemed to have has some idea what they were supposed to do there." -- back cover

Fifty-two guests take turns filling a military father's chair at his family's dinner table while he serves his yearlong deployment. The week before Thanksgiving 2011, Dustin Smiley left for a yearlong military deployment. Soon after, his son Ford, eleven, invited Senator Susan Collins to fill his dad's chair at dinner. On January 3, 2012, Senator Collins came to dinner ... and brought brownies. So began Dinner with the Smileys, nationally syndicated columnist Sarah Smiley's fifty-two-week commitment to fill her husband's place at the family dinner table with interesting people--from schoolteachers to Olympians, professional athletes to famous authors, comedians to politicians--and unique role models for her three sons, even as she knows Dustin's seat cannot truly be "filled" until he is home again for the fifty-third dinner. Why dinner? Because dinnertime is often the loneliest time for people living alone. If houses and apartments were like dollhouses with one side totally exposed, Sarah says, we'd see plenty of people eating alone to the glow of a television. That was the fate Sarah feared for herself and her children during Dustin's absence. So she opened her home, and she and the kids sent invitations. And they found that a surprising number of people really are available for dinner. You just have to ask. In a time when popular culture leads us to believe that the family dinner table is dead, Dinner with the Smileys shows people that time spent with family, friends, and neighbors is still very much part of the American lifestyle.

The mysteries of the monoliths are revealed in this inspired conclusion to the Hugo Award–winning Space Odyssey series—“there are marvels aplenty” (The New York Times). On an ill-fated mission to Jupiter in 2001, the mutinous supercomputer HAL sent crewmembers David Bowman and Frank Poole into the frozen void of space. Bowman’s strange transformation into a Star Child is traced through the novels 2010 and 2061. But now, a thousand years after his death, Frank Poole is brought back to life—and thrust into a world far more technically advanced than the one he left behind. Poole discovers a world of human minds interfacing directly with computers, genetically engineered dinosaur servants, and massive space elevators built around the equator. He also discovers an impending threat to humanity lurking within the enigmatic monoliths. To fight it, Poole must join forces with Bowman and HAL, now fused into one corporeal consciousness—and the only being with the power to thwart the monoliths’ mysterious creators. “3001 is not just a page-turner, plugged in to the great icons of HAL and the monoliths, but a book of wisdom too, pithy and provocative.” —New Scientist

The definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke—“a tremendous explication of a tremendous film….Breathtaking” (TheWashington Post). Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ever made, 2001: A Space Odyssey depicted the first contacts between humanity and extraterrestrial intelligence. The movie was the product of a singular collaboration between Stanley Kubrick and science fiction visionary Arthur C. Clarke. Fresh off the success of his cold war satire Dr. Strangelove, Kubrick wanted to make the first truly first-rate science fiction film. Drawing from Clarke’s ideas and with one of the author’s short stories as the initial inspiration, their bold vision benefited from pioneering special effects that still look extraordinary today, even in an age of computer-generated images. In Space Odyssey, author, artist, and award-winning filmmaker Michael Benson “delivers expert inside stuff” (San Francisco Chronicle) from his extensive research of Kubrick’s and Clarke’s archives. He has had the cooperation of Kubrick’s widow, Christiane, and interviewed most of the key people still alive who worked on the film. Drawing also from other previously unpublished interviews, Space Odyssey provides a 360-degree view of the film from its genesis to its legacy, including many previously untold stories. And it features dozens of photos from the making of the film, most never previously published. “At last! The dense, intense, detailed, and authoritative saga of the making of the greatest motion picture I’ve ever seen…Michael Benson has done the Cosmos a great service” (Academy Award-winning actor Tom Hanks).

This classic work is an essential tool for collection development, research, reference, and readers' advisory work."--BOOK JACKET.