Chekhov And Katherine Mansfield

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2,3, Johannes Gutenberg University Mainz (Fachbereich Englische Philologie), course: Proseminar 'Katherine Mansfield', language: English, abstract: This paper will discuss differences and similarities of The Child-Who-Was-Tired first published on February 24 in the New Age and later, short after her return from Bavaria, in ‘In a German Pension’ published in 19112 by Katherine Mansfield and Anton Chekhov’s Sleepy, which was written nearly 20 years earlier3. The parallels between the characters and the plots, especially in the outcome of both short stories, make Katherine Mansfield suspicious of having committed plagiarism. “Anton Chekhov’s short stories were first welcomed in England and America just after the turn of the century as examples of late nineteenth-century realism [...].“ Characterised as ‘slices of life’ they could have served as patterns or examples for Mansfield’s stories, which are characterised in the same way. In so far she writes at least in Chekhov’s tradition. She “could have read Sleepy at Queen’s College as early as 1903, when [...] her literary interest was expending.” The question of plagiarism will be answered in the conclusion of this paper, when the differences and similarities are worked out properly.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2,3, Johannes Gutenberg University Mainz (Fachbereich Englische Philologie), course: Proseminar 'Katherine Mansfield', 10 entries in the bibliography, language: English, abstract: This paper will discuss differences and similarities of The Child-Who-Was-Tired first published on February 24 in the New Age and later, short after her return from Bavaria, in 'In a German Pension' published in 19112 by Katherine Mansfield and Anton Chekhov's Sleepy, which was written nearly 20 years earlier3. The parallels between the characters and the plots, especially in the outcome of both short stories, make Katherine Mansfield suspicious of having committed plagiarism. "Anton Chekhov's short stories were first welcomed in England and America just after the turn of the century as examples of late nineteenth-century realism [...]." Characterised as 'slices of life' they could have served as patterns or examples for Mansfield's stories, which are characterised in the same way. In so far she writes at least in Chekhov's tradition. She "could have read Sleepy at Queen's College as early as 1903, when [...] her literary interest was expending." The question of plagiarism will be answered in the conclusion of this paper, when the differences and similarities are worked out properly.

'the greatest short story writer who has ever lived' Raymond Carver's unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. They include well-known pieces such as 'The Lady with the Little Dog', as well as less familiar work like 'Gusev', inspired by Chekhov's travels in the Far East, and 'Rothschild's Violin', a haunting and darkly humorous tale about death and loss. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Analyzes the work of New-Zealand-born British writer Mansfield (1888-1923) in both her well known, less famous, and unfinished short stories. Concentrates on the various textures, themes, and issues of her writing, and the virtuosity of her point of view. No subject index. Paper edition (unseen), $10.95. Annotation copyright by Book News, Inc., Portland, OR

Reveals diverse notions of distributed cognition in the early Greek and Roman worlds

DigiCat Publishing presents to you this special edition of "Love and Other Stories" by Anton Pavlovich Chekhov. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.