Charles Eliot

Originally published in 1999. James Turner's biography offers the first modern account of Norton's life and its significance, following him from his perilous travels across India as a young merchant to his role as his country's preeminent cultural critic. Turner shows how Norton developed the key ideas that still underlie the humanities—historicism and culture—and how his influence endures in America's colleges and universities because of institutions he developed and models he devised.

Author, translator, social critic and Harvard professor of art, Charles Eliot Norton was widely regarded in his own day as the most cultivated man in America. In modern times, by contrast, he has been condemned as the supercilious representative of an embattled patrician caste. This revisionary study argues that Norton’s genuine significance for American culture and politics today can only be grasped by recovering the vanished contexts in which his life and work took shape. In a wide-ranging analysis, Linda Dowling demonstrates the effects upon Norton’s thought of the great transatlantic humanitarian reform movement of the 1840s, the Pre-Raphaelite and Ruskinian revolution in art and architecture of the 1850s and the surging liberal optimism that emerged from the Civil War. Drawing on numerous deleted passages from Norton’s manuscript journals, Dowling probes beneath the imperturbable mask of the public Norton, bringing to light the elusive private man. Returning from Europe in 1873, bereft of his wife and stripped of his religious belief, Norton was compelled to confront the painful contradictions within his own liberal political faith. In a land given to celebrating freedom of speech, Norton would become a speaker subjected to physical threats for opposing the Spanish-American War. Among a people given to glorying in its superiority to other civilizations, he would become a social critic reviled for arguing that the nation was failing to live up to its own most cherished ideals. It would be Norton’s misfortune, shared with others of his generation, to watch the golden promise of a victorious war for the Union fade into the unrepentant cynicism of the Gilded Age. Yet Norton’s militant idealism and heroic citizenship, Dowling argues, survive now as a vital parable for American civic liberalism in the present day.

Meyer Schapiro (1904-96), renowned for his critical essays on 19th and 20th century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. This is a transcribed and edited version of his Charles Eliot Norton Lectures.

"A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists."--

Accompanied by a sound disc (digital; 4 3/4 in.) by the same name which is available in Multimedia : CD 6.

What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.

Ruskin's letters to Norton reflect and express, often more vividly than his own public prose, the spiritual, amatory, artistic, and cultural preoccupations of Ruskin's life. This 1987 volume presents a complete and accurate record of the exchanges, which comprise 333 from Ruskin to Norton and 63 in return.