Chantress

"Fifteen-year-old Lucy discovers that she is a chantress who can perform magic by singing, and the only one who can save England from the control of the dangerous Lord Protector"--Provided by publisher.

Lucy’s Chantress magic will make her the most powerful—and most hunted—girl in England in this “richly and thoughtfully written” story (Publishers Weekly). “Sing, and the darkness will find you.” This warning has haunted Lucy ever since she was shipwrecked on a lonely island. Lucy’s guardian, Norrie, has lots of rules, but the most important is that Lucy must never sing. Not ever. But on All Hallows’ Eve, Lucy hears a tantalizing melody on the wind. She can’t help but sing along—and she is swept into darkness. When she awakes in England, Lucy hears powerful men discussing Chantresses—women who can sing magic into the world. They are hunting her, but she escapes and finds sanctuary with the Invisible College, an organization plotting to overthrow the nefarious Lord Protector. The only person powerful enough to bring about his downfall is a Chantress. And Lucy is the last one in England. Lucy struggles to master the song-spells and harness her power, but the Lord Protector is moving quickly. And her feelings for Nat, an Invisible College apprentice and scientist who deeply distrusts her magic, only add to her confusion… Time is running out, and the fate of England hangs in the balance in this entrancing novel that is atmospheric and lyrical, dangerous and romantic.

"Lucy, a chantress who works magic by singing, is called to court to find a lost instrument of Alchemy. But her magic isn't working properly"--

Power and politics, heartbreak and danger, magic and mermaids—Lucy must conquer it all in the compelling conclusion to the enchanting series that began with Chantress and continued with Chantress Alchemy. With a song, Lucy can control the wind and the water; she can bring castles and kingdoms to their feet. Since Lucy mastered her powers, King Henry has kept her close. And now he’s called her to investigate attempted murder—by a mermaid. All Lucy can glean from the creature they’ve captured is a warning: The sea is coming. We are coming. And we will drown you all. And then the floods begin. Swaths of London are submerged as the people scramble to defend themselves against the water, and the monsters, that are flooding their streets. As mistrust of Lucy’s magic grows, the king relies on Nat, Lucy’s great love, to guide them through the storm. But Nat is cold and distant to Lucy. He swore his love only a year before, but now he calls her “stranger.” Lucy is determined to defeat this powerful new magic alone if she must. But then she hears an eerie song within the water…can it mean that she is not the last Chantress after all?

The author's aim is to present a study which determines the role of a chantress in ancient Egypt. Although both men and women were known to hold the title, it is the women that form the focus of this study.

The wish to affiliate with a specific cultural, social, or ethnical group is as important today as it was in past societies, such as that of the ancient Egyptians. The same significance applies to the self-presentation of an individual within such a group. Although it is inevitable that we perceive ancient cultures through the lens of our time, place, and value systems, we can certainly try to look beyond these limitations. Questions of how the ancient Egyptians saw themselves and how individuals tried to establish and thus present themselves in society are central pieces of the puzzle of how we interpret this ancient culture. This volume focuses on the topic of identity and self-presentation, tackling the subject from many different angles: the ways in which social and personal identities are constructed and maintained; the manipulations of culture by individuals to reflect real or aspirational identities; and the methods modern scholars use to attempt to say something about ancient persons. Building on the work of Ronald J. Leprohon, to whom this volume is dedicated, contributions in this volume present an overview of our current state of understanding of patterns of identity and self-presentation in ancient Egypt. The contributions approach various aspects of identity and self-presentation through studies of gender, literature, material culture, mythology, names, and officialdom.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women’s burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

In this medical mystery thriller, Doctor Carson Hyll falls asleep and drives into a river and experiences one of the worst nightmares of his life. The young intern is knocked unconscious and has a negative near death experience so real, so frightening that he thinks he died and went to hell. When others in the highly-religious small town of Ocean Village have similar negative near death experiences and wake up with burnt skin, they believe God has abandoned them. Matters get worse when a Satanic cult emerges begins to win over the town residents. Will the heroine, Chantress, stop cult leader Kyle Mabus or will he destroy all known religions in the world? Bestselling author and psychic Sylvia Browne writes in her book, Prophecy, that, ..".our beliefs are the driving force behind our behavior, our opinions, our actions. Without faith, without our beliefs, we're lost." Get a FREE printed version. Post a review and I'll send you a free copy.

The Keepers, a race of people with magical abilities, are seeking a supposedly-dead princess to place her on the throne and end political turmoil but girls who look like the princess are being murdered and Johanna Von Arlo, forced to work for Lord Rafael DeSilva after her father's suspicious death, is a dead-ringer.