Catholica

Byung Soo Han intends to answer, by investigating the merger of patristic and contemporary sources in the theological method of Amandus Polanus, a significant question concerning the way in which the intellectual and methodological eclecticism of the Reformed was able to establish a coherent "system" of thought capable of defense as not only confessional but also orthodox in its theology and broadly catholic, drawing both on the thought of the Reformers and on the resources of the great tradition of Christian thought that extended back to the church fathers. From a methodological perspective, Polanus's development from the Ramistically-organized doctrinal framework of the early Partitiones, through the increasingly detailed and specialized efforts of the commentaries, disputations, and Symphonia, indicates a fairly clear, concerted effort to build toward a detailed systematic presentation – and in fact, each of these earlier efforts provided as it were building-blocks that would be incorporated into the Syntagma. This constructive labor itself serves to set aside the claim that Polanus based his theology on a deductive principle. The specific focus of the book is on the place and function of backgrounds and sources, traditional and contemporary, with particular emphasis on the place of the church fathers in Reformed orthodoxy. Polanus's patristic work, Symphonia, and its eventual impact on his full systematic work, the Syntagma, provides a singular case, within the sixteenth and seventeenth centuries, of the reformulation of patristic thought in a fully systematized form, suitable for combination with the results of biblical exegesis and contemporary doctrinal argumentation in the formulation of Reformed orthodox theology. This study attempts to assess the claim of catholicity and orthodoxy by Reformed theology, demonstrating the formative function of patristic thought in Polanus's theology. Further, the study illustrates the place of this traditionary exercise within the methodologically eclectic approach followed by Polanus and his contemporaries as they created a theology that drew not only on Scripture and contemporary philosophical assumptions but also on patristic, medieval, Reformation-era, traditionary Aristotelian, Platonic, and Ramist sources. This study, therefore, reappraises the development of Reformed orthodoxy. In Polanus's case, an older scholarship that read his theology as based on central dogmas or as an exercise of rationalism will be set aside in favor of a more nuanced view of his sources and method. Within this larger framework, Polanus's use of the fathers builds on and confirms the Reformers's assumption of catholicity in the face of the detailed polemics of Robert Bellarmine as well as confirming the point that his approach to formulation was traditionary and somewhat eclectic. Finally, the book identifies the theological cohesion of the early orthodox Reformed model, as exemplified by Polanus's thought, especially in its method of drawing together of traditionary materials from varied sources. In short, the book demonstrates the importance of the church fathers to the formulation of a Reformed orthodox and catholic theology in the context of showing, contrary to previous studies of Polanus's thought and contrary to the older stereotypes of "Calvinist" orthodoxy, that Reformed orthodoxy was neither a rigid monolith nor a matter of philosophical speculation but the product of a carefully conceived exercise in the compilation and assessment of biblical and traditionary materials.

This richly illustrated book provides the visual keys for any art lover to decode and understand the iconography, tenets, sites, and rituals of the Catholic faith through accessible analysis of its visual and material culture. Focusing on a carefully curated selection of Catholic art and artifacts, this volume explores the influence of iconography and the mystic power of a range of ritual objects. Expert Suzanna Ivanic identifies hidden visual symbols in paintings and examines them close-up, building a catalog of key symbols for readers to use to interpret Catholic art and culture. Catholica is organized into three sections—”Tenet,” “Locus,” and “Spiritus”—each with three themed subdivisions. Part one introduces the centerpieces of the faith, surveying symbolism in the artistic representation of the holy family, apostles, and saints in stories from scripture. The second part examines places of worship, identifying the essential elements of the cathedral and presenting evocative images of roadside shrines. The third part explores celebrations and traditions, in addition to personal devotional tools and jewelry. For each of the nine central themes of the faith, introductory text is followed by pages that look in-depth at paintings and artifacts, identifying and explaining the symbolism and stories depicted. As the book progresses, readers build up their knowledge of the entire Catholic visual code—the symbols that define Catholic practice, the attributes of the saints, the parts of the cathedral—allowing them to interpret all Catholic imagery and objects wherever they find them and consequently to better understand the tenets, sites, and rituals of this faith.

A contemporary theology of these three sacraments, surveying their historical development, their theology today, and liturgical and pastoral implications.

Netherlandish Books offers a unique overview of what was printed during the fifteenth and sixteenth centuries in the Low Countries. This bibliography lists descriptions of over 32,000 editions together with an introduction and indexes.