Carolingian Medical Knowledge And Practice C775 900

Carolingian Medical Knowledge and Practice casts fresh light the practicality and applicability of medical knowledge recorded in early medieval manuscripts, considering not only the written record but also the skeletal remains of individuals from the period.

Carolingian Medical Knowledge and Practice explores the practicality and applicability of the medical recipes recorded in early medieval manuscripts. It takes an original, dual approach to these overlooked and understudied texts by not only analysing their practical usability, but by also re-evaluating these writings in the light of osteological evidence. Could those individuals with access to the manuscripts have used them in the context of therapy? And would they have wanted to do so? In asking these questions, this book unpacks longstanding assumptions about the intended purposes of medical texts, offering a new perspective on the relationship between medical knowledge and practice.

Embodying the Soul argues that classical medicine was reconfigured as a sacred Christian art across the Carolingian Empire in the ninth century, becoming not simply a method of physical rehabilitation but also a tool of spiritual transformation.

However much the three great traditions of medicine-- Galenic, Chinese and Ayurvedic--differed from each other, they had one thing in common: scholarship. The foundational knowledge of each could only be acquired by careful study under teachers relying on ancient texts. The ways in which practitioners used these texts varied among historical periods and cultures, providing a rich field for the study of different cultural practices in the legitimation of knowledge. The essays in this volume, contributed by specialists in the history and anthropology of these traditions, range from historical investigations to studies of present-day practices.

Medical historians are already familiar with medieval southern Italy through research into its famed medical school at Salerno. This volume takes a broader view of healthcare, seeking to illuminate the experience of sickness, attitudes towards the ill and infirm and the provision of care up to the twelfth century. Combining information from hagiography and chronicles with less well-known charters and archaeology, it deals with the provision of food, the environment, women's health, individual and collective disease and varieties of cure. A final chapter assesses the interaction between intellectual and practical medicine, as well as re-examining the early life of the medical school at Salerno. The book's importance lies in its wide-ranging approach and detailed analysis, which will appeal to historians of medicine and medieval culture alike.

Caring for the Living Soul identifies the fundamental role played by emotions in the development of learned medicine and in the formation of the social role of the "physicians of the body" in the western Mediterranean between 1200 and 1500.

This volume contributes to medical history in Antiquity and the Middle Ages by significantly widening our understandings of health and treatment through the theme of space . The fundamental question about how space was conceived by different groups of people in these periods has been used to demonstrate the multi-variant understandings of the body and its functions, illness and treatment, and the surrounding natural and built environments in relation to health. The subject is approached from a variety of source materials: medical, philosophical and religious literature, archaeological remains and artistic reproductions. By taking a multi-disciplinary approach to the subject the volume offers new interpretations and methodologies to medical history in the periods in question. Contributors are Helen King, Michael McVaugh, Maithe Hulskamp, Glenda McDonald, Roberto Lo Presti, Fabiola van Dam, Catrien Santing, Ralph Rosen, and Irina Metzler.

This volume of collected essays deals with medicine in the university world of thirteenth to sixteenth century Italy, discussing both the internal academic milieu of teaching and learning and its relation to the surrounding culture of medieval and Renaissance Italian cities.

Selection of the works of Hrotsvit, the first-known woman dramatist, containing legends, dramas, and epics. Hrotsvit of Gandersheim (c.935 - c.975), almost certainly of noble Saxon parentage, was a canoness of the Saxon imperial abbey of Gandersheim, living and working there during its time of greatest material prosperity and cultural and intellectual pre-eminence. Her importance cannot be overestimated: she is the first poet of Saxony; the first known dramatist of Christianity (indeed the first known woman dramatist of any time); and a woman displaying erudition and wit in an essentially patriarchal age, a female author in a literary field dominated by men who insisted on re-evaluating and redrawing the literary depiction of women. Discovered in the late fifteenth century, her extraordinary oeuvre, written in medieval Latin, comprises a wide variety of genres: eight legends, six dramas, and two epics, organised into three books. The present volume contains a selection of Hrotsvit's works in Englishtranslation, together with an interpretative essay, critical introduction, and scholarly apparatus. Professor KATHARINA WILSONteaches at the University of Georgia.