Carl S Dentzel

Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.

The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh’s diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings became known as ledger art. This volume presents in full color the Lansburgh collection in its entirety. The drawings are narratives depicting Plains lifeways through Plains eyes. They include landscapes and scenes of battle, hunting, courting, ceremony, incarceration, and travel by foot, horse, train, and boat. Ledger art also served to prompt memories of horse raids and heroic exploits in battle. In addition to showcasing the Lansburgh collection, Ledger Narratives augments the growing literature on this art form by providing seven new essays that suggest some of the many stories the drawings contain and that look at them from innovative perspectives. The authors—scholars of art history, anthropology, history, and Native American studies—touch on such themes as gender, social status, sovereignty, tribal and intertribal politics, economic exchange, and confinement and space in a changing world. The Lansburgh collection includes some of the most arresting examples of Plains Indian art, and the essays in this volume help us see and hear the multiple narratives these drawings relate.

Of the three physicians at the Battle of the Little Big Horn, Doctor George Edwin Lord (1846–76) was the lone commissioned medical officer, an assistant surgeon with the United States Army’s 7th Cavalry—one more soldier caught up in the U.S. government’s efforts to fulfill what many people believed was the young country’s “Manifest Destiny.” A Life Cut Short at the Little Big Horn tells Lord’s story for the first time. Notable for its unique angle on Custer’s last stand and for its depiction of frontier-era medicine, the book is above all a compelling portrait of the making of an army medical professional in mid-nineteenth-century America. Drawing on newly discovered documents, Todd E. Harburn describes Lord’s education and training at Bowdoin College in Maine and the Chicago Medical College, detailing what the study of medicine entailed at the time for “a young man of promise . . . held in universal esteem.” Lord’s time as a contract physician with the army took him in 1874 to the U.S. Northern Boundary Survey. From there Harburn recounts how, after a failed romance and the rigors of the U.S. Army Medical Board examination, the young doctor proceeded to his first—and only—appointment as a post surgeon, at Fort Buford in Dakota Territory. What followed, of course, was Lord’s service, and his death, in the Little Big Horn campaign, which this book shows us for the first time from the unique perspective of the surgeon. A portrait of a singular figure in the milieu of the American military’s nineteenth-century medical elite, A Life Cut Short at the Little Big Horn offers a close look at a familiar chapter in U.S. history, and a reminder of the humanity lost in a battle that resonates to this day.