Cant Go Home

George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.

When You Can't Go Home tells the story refugees and their families alongside breath-taking portraits by artist, Karisa Keasey. For every book sold, Karisa will donate 50% of the profits to World Relief to help in their efforts with refugees. In addition to raising funds, awareness and compassion for refugees, Karisa hopes that this book will inspire readers to use their own unique gifts to make a positive impact for others in their own communities.

Being an outsider is tough.Being an outsider in your own home and not knowing why is soul-crushing. It is isolating, painful, and confusing. Loneliness and longing are your reality. You're consumed with guilt, self-deprecating inner dialogue, and worst of all, the fear of doing even the smallest thing wrong. You spend a lot of time alone...even when you're not. You watch a lot of TV.Obviously, this is all your fault. Obviously, the reason you are living this way is because of something you did to warrant it. If they beat you, you deserved it. If they punish you, you asked for it. You never want to go home, but you don't have a choice because you've never had a choice. This is it. This is what you have. This is all you know.And yet, you still smile when you sometimes catch a glimpse of the sweeter things and treasure the smallest kindness. Inside, you know life isn't supposed to be like this, but it is. Your life is like a bubble of poison gas that could burst at any moment...you know that. You live that. But how are you supposed to make sense of any of this? How do you make it stop?You can't. You are powerless. You haven't even reached kindergarten yet.From a severely abusive childhood in the inner city of Baltimore, a string of unsatisfying relationships and several broken marriages, to a six-figure income from the multi-million dollar business I built out of my home, this is my story in my own words.I was stolen as a baby when my mother died. I was lied to by my kidnapper and used as a Cinderella punching bag by his never-ending parade of "step-mothers" and girlfriends, and much worse when he didn't have one.This memoir covers the good, the bad, and the ugly.As this story unfolds, my hope is that you, the reader, will discover a little girl who survived that abusive childhood, healed, and empowered herself through discipline and hard work. I hope you see a girl who became a woman who learned from her mistakes and a whole human being who loves her newfound family with all her heart.I am no longer an outsider. I can go home now.

“Do you remember Savannah?” How could she forget? Two decades ago, Trinity Calhoun's best friend—18-year-old Savannah Stuart—went missing. Just weeks later, Savannah’s body was found brutally slain outside the mountain town. With no suspects or leads, the local authorities dismissed the murder as a tragic one-off, likely perpetrated by a tourist. But Trinity wasn’t convinced. Determined to do better for other victims, she left town and settled in Vancouver, rising through the ranks to become a detective. She’s never looked back. But now, an unexpected phone call from her former lover has her barreling down the highway to face the past. Another young woman has disappeared under eerily similar circumstances. Allegedly. But the local police are disinterested. Trinity’s ex has a tenuous—at best—hold on his mental and physical health. And Savannah’s secretive and handsome brother is in town, asking an awful lot of questions. Trinity’s focus is clouded. Maybe her judgment, too. As she wades through her past, she needs to answer a potentially life-threatening question: is there a dangerous, repeat criminal on the loose, or is she just desperate for closure?

Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.

What if your path forward leads you back home? When Toronto party girl Kylie is fired from her perfect job, she's forced to do the one thing she never wanted to do: go home. Returning to her sleepy hometown is her definition of failure. She drags herself back to the lakeside town of Camden with her tail between her legs, and she'll do whatever it takes to get back to the big city. When Derek runs a routine traffic stop on a speeder, the one person he never expects to see in Camden again is Kylie. In fact, he barely recognizes her. She doesn't look like the quiet, sweet girl he had a crush on in high school. Kylie's brother offers her a job back in the city if she can prove she’s changed her ways. She finds the perfect opportunity, but it means working with Derek to save the town’s waterfront. Can she look past their feud and get the job done? Can she avoid falling in love with him and complicating her plans to return to the big city?

In Thomas Wolfe's monumental works 'Look Homeward, Angel,' 'Of Time and the River,' and 'You Can't Go Home Again,' the reader is taken on a journey through the American South during the early 20th century. Wolfe's poetic and atmospheric prose captures the essence of the time period with vivid descriptions and emotional depth. His stream-of-consciousness style allows for a deep dive into the minds of his complex characters, making the reader feel intimately connected to their struggles and triumphs. Through his exploration of themes such as nostalgia, identity, and the passage of time, Wolfe creates a rich tapestry of American life that resonates with readers to this day. As a prominent figure in American literature, Wolfe's masterful storytelling and lyrical language continue to captivate audiences with their timeless relevance and emotional impact.

I can state without hesitation, that there is, indeed, a national cult network including satanic, witchcraft, pedophile and occult groups, which is operating at full throttle within our society today. The activities of these groups include the kidnapping, molestation, torture and murder of children. Their favorite victims are children and newborn babies: the younger, the better. The cult thrives on drug sales, pornography and prostitution.The cult network is responsible for the recent rash of 'snuff' films, which are sold at high prices to people who crave this sick, degenerate material. Children are kidnapped and literally 'owned' by the cult and are sold on the open market to the highest bidder. These children are taken right off the streets of our cities, and traded through a national pedophile network.

An anthology of Asian diasporic writers musing on the notion of “home.” “Bold and devastating . . . the very definition of reclamation.” —The International Examiner Asian diasporic writers imagine “home” in the twenty-first century through an array of fiction, memoir, and poetry. Both urgent and meditative, this anthology moves beyond the model-minority myth and showcases the singular intimacies of individuals figuring out what it means to belong. “The notion of home has always been elusive. But as evidenced in these stories, poems, and testaments, perhaps home is not so much a place, but a feeling one embodies. I read this book and see my people—see us—and feel, in our collective outsiderhood, at home.” —Ocean Vuong, New York Times-bestselling author of On Earth We’re Briefly Gorgeous “To be from nowhere is the state of Asian diaspora, but there is also a wild humor and imagination that comes from being underestimated, rarely counted, hardly seen. Here, we begin to draw the hopeful outlines of a collective history for those so disparate yet often lumped together.” —Jenny Zhang, author of My Baby First Birthday “Language allows for many homes, and perhaps the writers—and readers of the anthology too—will succeed in returning home, or finding a home, through these words.” —NPR.org “Effectively dismantling all sorts of stereotypes, Buchanan’s anthology gives voice to notions of identity, belonging and displacement that are much more vast, complex and textually rich than mere geography.” —Shelf Awareness “Revolutionary for all the iterations of ‘home’ it shows through fiction, poetry, and memoir, sure to provoke a full range of emotions to swoon and clutch in my chest.” —Literary Hub

A refuge in good times and bad, there’s nothing the four very different Richardson sisters won’t do to sustain their family’s legacy—a historic bed-and-breakfast in Charleston, South Carolina. Now, as one sister celebrates new love, another’s heart is sorely tested . . . One night only—that's all Robin Richardson-Baptiste will give the husband she once adored. She thought nothing could shatter their storybook marriage—not illness or a life-saving operation that left her unable to have children. For her husband, Dr. Logan Baptiste, told her in a thousand unspoken ways their love was all he needed. But now, in the face of overwhelming evidence, his co-worker, Kamrie, claims Logan fathered her son. Logan can’t recall what happened with Kamrie—and DNA never lies. He does know he’s never stopped loving his gentle, courageous wife. But doing whatever it takes to uncover the truth, and save his marriage, not to mention his career, will challenge them like never before. And one night of undivided attention and desire may be the only thing to heal their hearts, reveal all—or shatter things beyond repair . . . PRAISE FOR OWNER OF A BROKEN HEART “A sexy romp with an undercurrent of emotion.” —Entertainment Weekly “Sizzling love scenes and a strong sense of family will have readers returning for the next in the series.” —Publishers Weekly