Camptown Ladies

The Santora family ride again in the side-splitting sequel to Greetings From Jamaica, Wish You Were Queer

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.

With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.

The third book in Marie Santora's search for true love finds her big Italian family still serving the up the fun, Italian style: Loud, lusty, and volatile—overflowing with lots of love and laughter. What's funny about losing everything you love? Plenty, if you're a member of the Santora family. Marie Santora has always suffered from an enormous case of good luck/bad luck when it comes to women, and the past six years have been no exception. When Marie's love life hits the skids—again—her irrepressible sister Lisa begins to wonder if this is the time that her sister's loss is too great for even their eccentric Italian family to heal. To help Marie escape the painful memories, Lisa ditches her gay campground for a family lake house, and Marie vows to be done with straight girls once and for all. But just as the Santora clan descends upon Marie to "help", a surprise house call changes her good luck to bad luck once again, putting Mari's willpower to the ultimate test. The family motto has always been "Either you're IN, or you're OUT!" and this newest family crisis means the Santora's are ALL IN—even though Marie wants them out!

THE STORY: THUNDER IN THE INDEX. The action takes place in the psychiatric ward of a large city hospital, where Joshua Noon, a hip young black man, lies bound in a straitjacket. His pleas to be unshackled lead to a sharp, funny and exacerbating ver

This volume contains 16 original essays on the aesthetics of the body and bodily experience. Contributors in philosophy, sociology, dance, disability theory, race studies, feminist theory, medicine and law explore topics from beauty and sexual attractiveness to national identity and the somatic aesthetics of racialised police violence.

Two bestselling novels in one volume! Puppet Living a no-strings-attached life in glamorous Palm Beach, beautiful, steely-nerved criminal attorney Amanda Travis knows exactly what she likes: spinning classes, the color black, and one-night stands. Here's what she dislikes: the color pink, nicknames . . . and memories. She has shut the door on two ex-husbands, her estranged mother, and her hometown of Toronto. Then comes the news that will shatter Amanda's untouchable world: her mother, who has always held a strange power over everyone she encounters, has shot and killed a complete stranger. Forced to return to Toronto, Amanda must confront her demons and unravel the truth behind her mother's violent act -- while the taunting, teasing name from her past dances in her head . . . Puppet . . . telling her that someone else is orchestrating her fate. Mad River Road After spending a year in prison, Ralph Fisher has explicit plans for his first night of freedom: tonight, someone will be held accountable. He goes to murderous lengths to obtain the address of his former wife--the woman he blames for his fate and against whom he has sworn vengeance. Determined to bring her to his idea of justice, Ralph's next step is to travel from Florida's sandy beaches to Dayton, Ohio, where his ex-wife is struggling to make ends meet on Mad River Road. As riveting and beguiling as Joy Fielding's previous bestselling novels, Mad River Road is a novel about courage, truth, and the strength that comes only when you believe in yourself.

In this new page-turner by New York Times bestselling author Joy Fielding, the life of a beautiful young defense attorney is thrown into turmoil when she is called back to her hometown to defend her disturbed, estranged mother, who publically shot and killed a man. High-powered, twenty-eight-year-old defense attorney Amanda Travis likes several things: the colour black, lunchtime Spinning classes at the fitness centre on Clematis Street in downtown Palm Beach; her all-white one-bedroom, oceanfront condo; a compliant jury; men whose wives don’t understand them. Some of the things she doesn’t: the colour pink; when the temperature outside her condo’s floor-to-ceiling windows falls below sixty-five degrees; clients who don’t follow her advice; being asked to show I.D. when she goes to a bar; nicknames of any shape or size. Something else Amanda Travis doesn’t like: memories. But when Ben, the first of her two ex-husbands, calls from her hometown of Toronto with the alarming news that her mother has shot and killed a man in the lobby of the Four Seasons Hotel, it becomes more and more difficult for Amanda to continue running from her past. Now she must return to face her demons and the life she left behind — a love that once consumed her and a mother who holds a strange, dark power over everyone she encounters. “Puppet” is the nickname Amanda’s mother once called her. But now Amanda is determined to fight her mother’s fatal whims — even if it kills her.