Cambodian Grrrl

In Cambodian Grrrl: Self-Publishing in Phnom Penh, writer and independent publisher Anne Elizabeth Moore brings her experience in the American cultural underground to Cambodia, a country known mostly for the savage extermination of around 2 million of its own under the four-year reign of the Khmer Rouge. Following the publication of her critically acclaimed book Unmarketable and the demise of the magazine she co-published, Punk Planet, and armed with the knowledge that the second generation of genocide survivors in Cambodia had little knowledge of their country’s brutal history, Moore disembarked to Southeast Asia hoping to teach young women how to make zines. What she learned instead were brutal truths about women’s rights, the politics of corruption, the failures of democracy, the mechanism of globalization, and a profound emotional connection that can only be called love. Moore’s fascinating story from the cusp of the global economic meltdown is a look at her time with the first all-women’s dormitory in the history of the country, just kilometers away from the notorious Killing Fields. Her tale is a noble one, as heartbreaking as it is hilarious; staunchly ethical yet conflicted and human.

The Cambodian Chbap Srei is a 17th-century book that intended to establish a code of conduct for young women. Staunchly traditional, but repressive and frustrating, the first large group of young women in Cambodia decide to rewrite it with Moore. The year-long process culminates in a grand discussion of human rights and gender equity, and a hand-bound book for all participants. Tragically, the completed book was banned and censored in both Cambodia and the U.S. But what these bold young women learn next about when they are allowed to speak, and to whom, is chilling.

The Cambodian Chbap Srei is a 17th-century book that intended to establish a code of conduct for young women. Staunchly traditional, but repressive and frustrating, the first large group of young women in Cambodia decide to rewrite it with Moore. The year-long process culminates in a grand discussion of human rights and gender equity, and a hand-bound book for all participants. Tragically, the completed book was banned and censored in both Cambodia and the U.S. But what these bold young women learn next about when they are allowed to speak, and to whom, is chilling.

Memoir of the author's experiences teaching self-publishing and writing to a group of young women in Cambodia.

Escape from the Killing Fields tells the true story of Ly Lorn, a young Cambodian woman caught up in the genocide that took place in the 1970s. The lone Christian in her Buddhist family, Ly Lorn's love of God illuminated her walk through that horrible valley of death that was Cambodia.

"I plotted to eliminate, erase, rid, burn, and kill her (my brown skin color). I used to hate myself... It took me a very long time to learn to love me."Khmer Girl" narrates Peuo Tuy's unique life struggles in her own poetic story-telling style. She will touch your heart taking you on a journey from the depths of her struggles to the joys of acceptance. " Khmer Girl" is a captivating story detailing Peuo Tuy's struggles navigating life as a dark-skinned Asian girl to womanhood. She is a survivor of the Cambodian genocide whose family was annexed to the United States."I plotted to eliminate, erase, rid, burn, and kill her (my brown skin color). I used to hate myself... It took me a very long time to learn to love me"

In April 1975, Channy Chhi Laux was a happy thirteen-year-old girl who was excited to start a new school year. But as news reports announced that the Khmer Rouge was getting closer to taking control of Cambodia, Channy and her family were forced to relocate to Poipet, a border town to Thailand. From that point forward, Channy lived a life dictated by fear. In a moving narrative, Channy recounts the intimate details of her journey through four devastating years of the Cambodian genocide that killed more than two million of her people. From the first six months of starvation to the agonizing moments when the Khmer Rouge separated her from her parents, Channy details how she found friendship despite dire circumstances, learned to rely on her animal instincts, endured emotional pain, and found the courage to look past her misery and persevere for the sake of her mother. Through it all, Channy reminds all of us that it is possible to survive unforgiving conditions through faith in God, a fierce determination, and unwavering inner strength. Short Hair Detention shares the true story of a thirteen-year-old girls experiences as she struggled to survive the Cambodian genocide.

How do schools protect young people and call on the youngest citizens to respond to violent conflict and division operating outside, and sometimes within, school walls? What kinds of curricular representations of conflict contribute to the construction of national identity, and what kinds of encounters challenge presumed boundaries between us and them? Through contemporary and historical case studies—drawn from Cambodia, Egypt, Northern Ireland, Peru, and Rwanda, among others—this collection explores how societies experiencing armed conflict and its aftermath imagine education as a space for forging collective identity, peace and stability, and national citizenship. In some contexts, the erasure of conflict and the homogenization of difference are central to shaping national identities and attitudes. In other cases, collective memory of conflict functions as a central organizing frame through which citizenship and national identity are (re)constructed, with embedded messages about who belongs and how social belonging is achieved. The essays in this volume illuminate varied and complex inter-relationships between education, conflict, and national identity, while accounting for ways in which policymakers, teachers, youth, and community members replicate, resist, and transform conflict through everyday interactions in educational spaces.

Having fled Cambodia four years earlier to escape the Khmer Rouge Army, 17-year-old Sundara is torn between remaining faithful to the customs of her own people while enjoying life in her Oregon high school as a regular American.