Calhoun

A new biography of the intellectual father of Southern secession—the man who set the scene for the Civil War, and whose political legacy still shapes America today. John C. Calhoun is among the most notorious and enigmatic figures in American political history. First elected to Congress in 1810, Calhoun went on to serve as secretary of war and vice president. But he is perhaps most known for arguing in favor of slavery as a "positive good" and for his famous doctrine of "state interposition," which laid the groundwork for the South to secede from the Union—and arguably set the nation on course for civil war. Calhoun has catapulted back into the public eye in recent years, as some observers connected the strain of radical politics he developed to the tactics and extremism of the modern Far Right, and as protests over racial injustice have focused on his legacy. In this revelatory biographical study, historian Robert Elder shows that Calhoun is even more broadly significant than these events suggest, and that his story is crucial for understanding the political climate in which we find ourselves today. By excising Calhoun from the mainstream of American history, he argues, we have been left with a distorted understanding of our past and no way to explain our present.

A book that became an instant classic when it first appeared in 1995, Old Southern Apples is an indispensable reference for fruit lovers everywhere, especially those who live in the southern United States. Out of print for several years, this newly revised and expanded edition now features descriptions of some 1,800 apple varieties that either originated in the South or were widely grown there before 1928. Author Lee Calhoun was one of the foremost figures in apple conservation in America. This masterwork reflects his knowledge and personal experience over more than thirty years, as he sought out and grew hundreds of classic apples, including both legendary varieties (like Nickajack and Magnum Bonum) and little-known ones (like Buff and Cullasaga). Representing our common orchard heritage, many of these apples are today at risk of disappearing from our national table. Illustrated with more than 120 color images of classic apples from the National Agricultural Library’s collection of watercolor paintings, Old Southern Apples is a fascinating and beautiful reference and gift book. In addition to A-to-Z descriptions of apple varieties, both extant and extinct, Calhoun provides a brief history of apple culture in the South, and includes practical information on growing apples and on their traditional uses.

A vibrant narrative history of three hallowed Manhattan blocks—the epicenter of American cool. St. Marks Place in New York City has spawned countless artistic and political movements. Here Frank O’Hara caroused, Emma Goldman plotted, and the Velvet Underground wailed. But every generation of miscreant denizens believes that their era, and no other, marked the street’s apex. This idiosyncratic work of reportage tells the many layered history of the street—from its beginnings as Colonial Dutch Director-General Peter Stuyvesant’s pear orchard to today’s hipster playground—organized around those pivotal moments when critics declared “St. Marks is dead.” In a narrative enriched by hundreds of interviews and dozens of rare images, St. Marks native Ada Calhoun profiles iconic characters from W. H. Auden to Abbie Hoffman, from Keith Haring to the Beastie Boys, among many others. She argues that St. Marks has variously been an elite address, an immigrants’ haven, a mafia warzone, a hippie paradise, and a backdrop to the film Kids—but it has always been a place that outsiders call home. This idiosyncratic work offers a bold new perspective on gentrification, urban nostalgia, and the evolution of a community.

The acclaimed author explores the hidden crises of Gen X women in this “engaging hybrid of first-person confession, reportage [and] pop culture analysis” (The New Republic). Ada Calhoun was married with children and a good career—and yet she was miserable. She thought she had no right to complain until she realized how many other Generation X women felt the same way. What could be behind this troubling trend? To find out, Calhoun delved into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw that Gen X women were facing new problems as they entered middle age—problems that were being largely overlooked. Calhoun spoke with women across America who were part of the generation raised to “have it all.” She found that most were exhausted, terrified about money, under-employed, and overwhelmed. And instead of being heard, they were being told to lean in, take “me-time,” or make a chore chart to get their lives and homes in order. In Why We Can’t Sleep, Calhoun opens up the cultural and political contexts of Gen X’s predicament. She offers practical advice on how to ourselves out of the abyss—and keep the next generation of women from falling in. The result is reassuring, empowering, and essential reading for all middle-aged women, and anyone who hopes to understand them.

Like most Black kids who grew up without diverse representation, Jordan Calhoun learned the skill of assigning race to fictional characters. Piccolo, Panthro, Demona, Ursula...he could recognize a Black character when he saw one. He lived in an all-Black city, went to an all-Black school, and could identify characters whose struggles informed his understanding of the Black experience in America. Piccolo Is Black: A Memoir of Race, Religion, and Pop Culture chronicles Calhoun's journey from his childhood in Detroit, Michigan as a Seventh-day Adventist to being transferred to private, predominantly white, deeply religious, Seventh-day Adventist schools. He tells his story through the lens of the pop culture he loved and the common adaptations he made while navigating his religious, non-religious, and racial identities. Calhoun reminds us that entertainment has value in forming our identities, and that we have something to gain by looking back at our childhood entertainment and pop culture experiences. Part homage to the characters he identified with and loved, part celebration of the pop culture-television, movies, music, video games-that influenced his childhood, Piccolo Is Black: A Memoir of Race, Religion, and Pop Culture is an honest, thought-provoking, and often hilarious coming-of-age memoir that celebrates Black identity in America.

In The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay. Combining environmental and bibliographical research with deft literary analysis, Calhoun reveals how much we have left to discover in familiar texts. He describes the transformation of plant material into a sheet of paper, details how ecological availability or scarcity influenced literary output in the sixteenth and seventeenth centuries, and examines the impact of the various colors and qualities of paper on early modern reading practices. Through a discussion of sizing—the mixture used to coat the surface of paper so that ink would not blot into its fibers—he reveals a surprising textual interaction between animals and readers. He shows how we might read an indistinct stain on the page of an early modern book to better understand the mixed media surfaces on which readers, writers, and printers recorded and revised history. Lastly, Calhoun considers how early modern writers imagined paper decay and how modern scholars grapple with biodeterioration today. Exploring the poetic interplay between human ideas and the plant, animal, and mineral forms through which they are mediated, The Nature of the Page prompts readers to reconsider the role of the natural world in everything from old books to new smartphones.

"A Liberty Classics edition"--T.p. verso.Selected speeches: p. [401]-601. Includes bibliographical references and index.

An inspiring and witty guide to landscape design in dry climates.

For fans of The Age of Miracles and The Dog Stars, Black Moon is a hallucinatory and stunning debut that Charles Yu calls “Gripping and expertly constructed.” Insomnia has claimed everyone Biggs knows. Even his beloved wife, Carolyn, has succumbed to the telltale red-rimmed eyes, slurred speech and cloudy mind before disappearing into the quickly collapsing world. Yet Biggs can still sleep, and dream, so he sets out to find her. He ventures out into a world ransacked by mass confusion and desperation, where he meets others struggling against the tide of sleeplessness. Chase and his buddy Jordan are devising a scheme to live off their drug-store lootings; Lila is a high school student wandering the streets in an owl mask, no longer safe with her insomniac parents; Felicia abandons the sanctuary of a sleep research center to try to protect her family and perhaps reunite with Chase, an ex-boyfriend. All around, sleep has become an infinitely precious commodity. Money can’t buy it, no drug can touch it, and there are those who would kill to have it. However, Biggs persists in his quest for Carolyn, finding a resolve and inner strength that he never knew he had. Kenneth Calhoun has written a brilliantly realized and utterly riveting depiction of a world gripped by madness, one that is vivid, strange, and profoundly moving.

God's invitations to rest, follow, remember or repent may seem less compelling than your to-do list. But Adele Calhoun believes invitations like these can heal, restore and shape where we go, what we do and who we become. Here she includes reflection questions, exercises and disciplines to help you attend to the quiet voice of the Great Inviter.