Cajun Justice

This explosive standalone thriller from the world's #1 bestselling author follows ex-Secret Service agent Cain Lemaire as he uncovers dark secrets hidden beneath the Tokyo streets. The Bayou is a unique place to live and it provides a grit and passion to any who hail from it, including Cain Lemaire, an ex-Secret Service agent from New Orleans. Cain had the dream job he had always wanted, protecting the President, until a single night resulted in a scandal that lost him his post. Needing a new direction for his life and with help from his sister who works in Japan, Cain takes a job in Tokyo as head of security detail for a very successful and important CEO. What he thought was a simple security post unravels a tangled web of corruption, greed, and extortion, but now Cain is on his own and without the wealth of resources he had with the Secret Service. Years of training and international missions kick in as he races to find justice that only way a born and raised Cajun can do.

Eight dangerous convicts escape with two vital hostages, one who was illegally incarcerated by a crooked county sheriff and warden.They flee into the Louisiana Bayou, where an ill-fated decision unleashes the incredibly terrifying wrath of revengeful Cajuns out to exact their intensely horrific brand of justice. A 15-time Best Screenplay film festival winner.

Mr. Rogers becomes a tainted James Bond and descends the moral allegory of Dante’s Inferno. This is a novel of personal maturation, social vigilantism, and spiritual redemption all mixed in a pot of poetic justice and viewed through the lens of traditional literary fancy. Told through the artistry of dual story lines and montage with a little bit of romance and self-help reflection on the side, Raise Mine Ebenezer is a folksy Alfred Hitchcock style thriller, not so much about who done it as it is about the anxiety of wondering what will happen next and can justice ever be served.

White provides the most comprehensive scholarly compilation of fictional work of legal suspense in existence. Primarily a bibliography of novels, it also annotates plays, scripts for film and television, novelizations, and short-story collections about lawyers and the law. The idea behind the principal of selection is to disdain labels that reduce the variety of the legal thriller to a subgenre of mystery fiction. Novels that range from suspense thrillers through science fiction to the philosophical novel are included if justice is thematically important. It is therefore an eclectic reference source beyond a compilation of books about lawyers as protagonists. Its biographical and scholarly information about authors, major and minor, and their novels or works is traditionally encyclopedic and objective regardless of whether the work has been genre-defined, or worse—deified as a classic or denigrated as a bestseller. Many novels included are long out of print, but historically interesting for their contribution to the lineage of the courtroom drama, showing that the history of the legal thriller is one of the major branches of modern literature since the Age of Reason. The criterion of justice denoted moves beyond the fact of lawyers and courtrooms to select seminal novels like Robert Travers' Anatomy of a Murder as well as the romantic potboiler. Among the more than 2,000 works are the Perry Mason novels of Erle Stanley Gardner, John Mortimer's Rumpole series, along with a staple of fiction by major authors of the genre like John Lescroart, Lisa Scottoline, Margaret Maron, Scott Turow, and John Grisham. There are also individual works by Shakespeare, Goethe, Kafka, Camus, and Twain delineating humanity's obsession with the law as its shining prop of civilization and, alternative, béte-noire of the common individual caught up in its maw. The appendices include comments by lawyer-novelist Michael A. Kahn, a historical introduction to the legal thriller, craft notes by writers and prominent trial lawyers responding to author and lawyer questionnaires, bibliography of critical sources and articles, series characters, and the legal terminology found in courtroom dramas and novels. An essential reference tool for scholars, researchers as well as the occasional reader of legal thrillers.

A history of how Cajun culture coped with forces that threatened its uniqueness

Development Drowned and Reborn is a “Blues geography” of New Orleans, one that compels readers to return to the history of the Black freedom struggle there to reckon with its unfinished business. Reading contemporary policies of abandonment against the grain, Clyde Woods explores how Hurricane Katrina brought long-standing structures of domination into view. In so doing, Woods delineates the roots of neoliberalism in the region and a history of resistance. Written in dialogue with social movements, this book offers tools for comprehending the racist dynamics of U.S. culture and economy. Following his landmark study, Development Arrested, Woods turns to organic intellectuals, Blues musicians, and poor and working people to instruct readers in this future-oriented history of struggle. Through this unique optic, Woods delineates a history, methodology, and epistemology to grasp alternative visions of development. Woods contributes to debates about the history and geography of neoliberalism. The book suggests that the prevailing focus on neoliberalism at national and global scales has led to a neglect of the regional scale. Specifically, it observes that theories of neoliberalism have tended to overlook New Orleans as an epicenter where racial, class, gender, and regional hierarchies have persisted for centuries. Through this Blues geography, Woods excavates the struggle for a new society.

Taking Cajuns as a case study, Good God but You Smart! explores the subtle ways language bias is used in classrooms, within families, and in pop culture references to enforce systemic economic inequality. It is the first book in composition studies to examine comprehensively, and from an insider’s perspective, the cultural and linguistic assimilation of Cajuns in Louisiana. The study investigates the complicated motivations and cultural concessions of upwardly mobile Cajuns who “choose” to self-censor—to speak Standardized English over the Cajun English that carries their cultural identity. Drawing on surveys of English teachers in four Louisiana colleges, previously unpublished archival data, and Pierre Bourdieu’s theory of the legitimate language, author Nichole Stanford explores how socioeconomic and political pressures rooted in language prejudice make code switching, or self-censoring in public, seem a responsible decision. Yet teaching students to skirt others’ prejudice toward certain dialects only puts off actually dealing with the prejudice. Focusing on what goes on outside classrooms, Stanford critiques code switching and cautions users of code meshing that pedagogical responses within the educational system are limited by the reproductive function of schools. Each theory section includes parallel memoir sections in the Cajun tradition of storytelling to open an experiential window to the study without technical language. Through its explication of language legitimacy and its grounding in lived experience, Good God but You Smart! is an essential addition to the pedagogical canon of language minority studies like those of Villanueva, Gilyard, Smitherman, and Rose.

Combining both volumes of the original print editions, The Official Splatter Movie Guide, Volumes I & II is a dream come true for splatter aficionados: a film-by-film guide to more than eight hundred masterworks of blood and gore. Each listing contains the film's movie studio, date of release, running time, director, producer, writer, and actors, along with a synopsis and review of the film.

Meet the monsters in our midst, from bigfoot to Mothman and beyond! Welcome to the United States of Cryptids, where mysterious monsters lurk in the dark forests, deep lakes, and sticky swamps of all fifty states. From the infamous Jersey Devil to the obscure Snallygaster, travel writer and chronicler of the strange J. W. Ocker uncovers the bizarre stories of these creatures and investigates the ways in which communities embrace and celebrate their local cryptids. Readers will learn about: • Batsquatch of Washington, a winged bigfoot that is said to have emerged from the eruption of Mount Saint Helens • Nain Rouge of Michigan, a fierce red goblin that has been spotted before every major city disaster in Detroit • Flatwoods Monster of West Virginia, a robotic extraterrestrial that crash-landed in rural Appalachia • Lizard Man of South Carolina, a reptilian mutant that attacked a teenager in the summer of 1988 • Glocester Ghoul of Rhode Island, a fire-breathing dragon that guards a hoard of pirate treasure • And many more! Whether you believe in bigfoot or not, this fully illustrated compendium is a fun, frightening, fascinating tour through American folklore and history, exploring the stories we tell about monsters and what those stories say about us.