By The North Gate

Magic of the North Gate: Powers of the Land, the Stones, and the Ancients takes a highly original and detailed look at the magic that involves the land, the body, the living, and the dead. Written by one of the world's leading adepts who specializes in magic and the environment, Magic of the North Gate offers occultists, pagans, witches, and environmental magicians many powerful, natural, and interesting ways to magically connect with the land and nature. This book moves away from a heavily ritualized system of magic, and instead delves into the powers that flow all around us: the winds, the power of the land, the voices of the dead, and the many spirits that we find in nature. It introduces the concept of fellowship and cooperation with nature, and offers detailed insight into the practicalities of making friends with the landscapes that surround us. Magic of the North Gate takes us on a journey through earth magic. It covers methods for working with land spirits and faery beings, as well as for building nature shrines, living in a magical home, working with the magical elements, and connecting with ancient burials. The book also reaches deeper into nature magic, looking at the powers of creation and destruction, the weaving of power and fate, and how to connect to, and work with, storms. Author Josephine McCarthy is a Western magical adept living in the Southwest of England. An esoteric practitioner, teacher, and author, she has written twenty-six books on the theory and practice of Western magic, and four works of magical fiction. Josephine has taught extensively in the USA and UK since the early 1990s, and has lectured at various occult, esoteric, and hermetic conferences in the UK and USA. Her work has always put particular emphasis on the magician's relationship with the land and the environment. More recently her research interests have expanded into the magical analysis of New Kingdom Egyptian funerary texts, exploring their living use and working with their deities as forces of nature. She is also the author of Quareia, an extensive, in-depth, open source online training course in the theory, practice, and history of Western magic, which seeks to move Western magical practice into a deeper, more cooperative relationship with nature.

Through the Garden Gate is a collection of 144 of the popular weekly articles that Elizabeth Lawrence wrote for The Charlotte Observer from 1957 to 1971. With those columns, a delightful blend of gardening lore, horticultural expertise, and personal adventures, Lawrence inspired thousands of southern gardeners. "[A] fine contribution to the green-thumb genre.--Publishers Weekly

Orson Scott Card's The Lost Gate is the first book in the Mithermages series from the New York Times bestselling author of Ender's Game. Danny North knew from early childhood that his family was different, and that he was different from them. While his cousins were learning how to create the things that commoners called fairies, ghosts, golems, trolls, werewolves, and other such miracles that were the heritage of the North family, Danny worried that he would never show a talent, never form an outself. He grew up in the rambling old house, filled with dozens of cousins, and aunts and uncles, all ruled by his father. Their home was isolated in the mountains of western Virginia, far from town, far from schools, far from other people. There are many secrets in the House, and many rules that Danny must follow. There is a secret library with only a few dozen books, and none of them in English — but Danny and his cousins are expected to become fluent in the language of the books. While Danny's cousins are free to create magic whenever they like, they must never do it where outsiders might see. Unfortunately, there are some secrets kept from Danny as well. And that will lead to disaster for the North family. The Mithermages series The Lost Gate The Gate Thief Gatefather At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Chinese Exclusion Act of 1882, which barred practically all Chinese from American shores for ten years, was the first federal law that banned a group of immigrants solely on the basis of race or nationality. By changing America's traditional policy of open immigration, this landmark legislation set a precedent for future restrictions against Asian immigrants in the early 1900s and against Europeans in the 1920s. Tracing the origins of the Chinese Exclusion Act, Andrew Gyory presents a bold new interpretation of American politics during Reconstruction and the Gilded Age. Rather than directly confront such divisive problems as class conflict, economic depression, and rising unemployment, he contends, politicians sought a safe, nonideological solution to the nation's industrial crisis--and latched onto Chinese exclusion. Ignoring workers' demands for an end simply to imported contract labor, they claimed instead that working people would be better off if there were no Chinese immigrants. By playing the race card, Gyory argues, national politicians--not California, not organized labor, and not a general racist atmosphere--provided the motive force behind the era's most racist legislation.

Prepared in cooperation with the Colorado State Geological Survey Board and the Colorado Metal Mining Fund Board.

In 1971 a young French ethnologist named Francois Bizot was taken prisoner by forces of the Khmer Rouge who kept him chained in a jungle camp for months before releasing him. Four years later Bizot became the intermediary between the now victorious Khmer Rouge and the occupants of the besieged French embassy in Phnom Penh, eventually leading a desperate convoy of foreigners to safety across the Thai border. Out of those ordeals comes this transfixing book. At its center lies the relationship between Bizot and his principal captor, a man named Douch, who is today known as the most notorious of the Khmer Rouge’s torturers but who, for a while, was Bizot’s protector and friend. Written with the immediacy of a great novel, unsparing in its understanding of evil, The Gate manages to be at once wrenching and redemptive.