Bronze Behaving Badly

Learn The Principles of Bronze Conservation Lucy Branch runs a bronze conservation company, Antique Bronze Ltd, in London and has worked on some of the most well-known bronze statues, monuments and architectural features in the UK. In this book, she teaches the principles of bronze conservation for those who have had no formal training in the field. She brings her practical expertise together with academic knowledge in an easy and relatable way that will guide you towards a better understanding of how to care for outdoor bronze. This book is for you if: You want to be confident about bronze conservation so that you don’t have to rely on others to advise you You’d like to be able to write specifications and guide conservation contractors You’d like to be able to use the right language and ask the right questions of contractors and discern whether they know their subject You need to understand why your bronze is behaving badly and be able to shape a plan to do something about it You want to build your professional development You want to ensure you are doing the best for the bronzes in your care Areas covered in the book: Key definitions The Significance of Bronze Bronze in Context How Bronze Features are Made Science around bronze and its degradation Corrosion: The ways bronze corrodes Common Causes of Degradation Ethics of Bronze Conservation Ethics of Repatination Practical Techniques Protective Coatings Preventive Conservation Conservation Reports & Documentation

Care and Protect Your Bronze Sculpture If you own a bronze sculpture, it's essential to understand this complex material to prevent its condition from declining. Advice on the internet about bronze cleaning can yield disastrous results, often causing irreversible damage to your bronze. Lucy Branch, an expert who has worked on many of the most famous bronze statues and monuments in the UK, will ensure this is not the fate of your treasured sculpture. This guide is designed to be user-friendly and is packed with easy-to-follow advice you can trust. It covers both indoor and outdoor sculptures and provides clear instructions on maintenance and cleaning. It also includes tips on what to watch out for and how to prevent damage. This book is for you if you want answers to questions like these: Which Protective Coating Should I Use? Should I Be Worried About This Corrosion? When Is Restoration Necessary? Is this Patina Original? Why Does My Bronze Keep Tarnishing? Should I Use Smart Water To Protect My Sculpture? Do I Need To Worry About Ultra-violet Light? Is It Normal For Patina To Flake? What Materials Should I Use To Clean My Bronze? What Time of Year Should My Sculpture Be Maintained? How Often Should My Sculpture Be Maintained?

Cups are the least studied of all Bronze Age funerary ceramics and their interpretations are still based on antiquarian speculation. This book presents the first study of these often highly decorated items including a fully referenced and illustrated national corpus that will form the basis for future studies.

“Style” in Chinese art and archaeology encompass complex meanings that beyond studies of decorative motifs, design and traditional sense on artistic style. This anthology considers function, behavior, manufacture, usage, design, material and context are expanded definition of “style”. Examine style in a larger context assists in investigating the aspects of life-style, gender, social structure, labor division, and craft specialization in a society, explains the social strata, rituals, and technical traditions. Scholars of this volume come from varied backgrounds, intends to achieve an understanding of the concept of material and style of Bronze Age while current excavated data are updated everyday in this particular field.

This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.

"[A] tart, funny, lurid little bomb of a book. It's all p.c., of course, but not at all predictable, and a lot of righteous information gets dispersed in record time." -- BUST Magazine We were Guerillas before we were Gorillas. From the beginning, the press wanted publicity photos. We needed a disguise. No one remembers, for sure, how we got our fur, but one story is that at an early meeting, an original Girl, a bad speller, wrote 'Gorilla' instead of 'Guerilla.' It was an enlightening mistake. It gave us our mask-ulinity. Ever wonder about the abundance of naked male statues in the Classical section of your favorite museum? Did you know medieval convents were hotbeds of female artistic expression? And how did those "bad boy" artists of the twentieth century make it even harder for a girl to get a break? Thanks to the Guerrilla Girls, those masked feminists whose mission it is to break the white male stronghold over the art world, art history--as we know it--is history. Taking you back through the ages, the Guerrilla Girls demonstrate how males (particularly white males) have dominated the art scene, and discouraged, belittled, or obscured women's involvement. Their skeptical and hilarious interpretations of "popular" theory are augmented by the newest research and the expertise of prominent feminist art historians. "Believe-it-or-not" quotations from some of the "experts" are sprinkled throughout, as are the Guerrilla Girls' signature masterpieces: reproductions of famous art works, slightly "altered" for historic accuracy and vindication. This colorful reinterpretation of classic and modern art, as outrageous as it is visually arresting, is a much-needed corrective to traditional art history, and an unabashed celebration of female artists.