Brass Buttons Blue Coats

Brass Buttons, Blue Coats “Remembering All Who Served 1871 to 1971” By: George E. Rutledge As a young police sergeant in 1976, George E. Rutledge met a veteran who told him, “I served 35 years in our police department and the day I retired was the very last time I ever heard from anyone in the police department. And the same thing will happen to you.” Rutledge has dedicated his life to making sure all who served in the Yonkers Police Department are remembered and honored. Brass Buttons – Blue Coats is a thorough documentation of all individuals who have served from the beginning of the Yonkers Police Department to 1971. Personal profiles and photographs create a lasting memorial of service. In 1866, still suffering from the turmoil of the Civil War, the town of Yonkers voted to hire fourteen Metropolitan Policemen from New York, creating the first Yonkers police force. From this humble beginning, the Yonkers police force has grown to over 600 dedicated men and women. From foot patrols to squad cars, notebooks to computers, the Yonkers police force has grown and adapted with the times. But the purpose has never wavered: to Serve and Protect. Civil War veterans, Vietnam veterans, rescue workers after 9/11, and Special Olympic volunteers – the Yonkers force is filled with people who have dedicated their lives to their country and their community. Rich with details of service and crimes over 100 years, Brass Buttons – Blue Coats is both a fitting tribute to brave men and women as well as a fascinating look at the history of Yonkers and the history of crime.

When Fred Cook, aka Cookie, receives information that Chris Foster, his old friend and partner in the NYPD, has died in Florida, he looks back at his life, recalling his years as a cop in one of New York City's toughest neighborhoods. Cookie, who entered the NYPD in 1946, revisits some of the cases, the men he knew, the good times, the bad times, and the one big case - the unofficial investigation into the JFK Assassination. Through Cookie's eyes, Brass Buttons, Blue Coat offers a compelling inside look at the life of a New York City cop and at the changing culture of the NYPD.

This book is a continuation of the special series devoted to the Swedish Army from the time of Charles XII. It examines in detail the uniforms and equipment of the Swedish cavalry during the Great North War. Based on iconographic and written sources, the development, changes, and differences in the uniforms and equipment of officers, non-commissioned officers, troopers and musicians, of both the Horse and the Dragoon regiments, as well as their horse furniture are covered. A separate chapter examines changes in the uniform of the Royal Drabant Corps. The book uses material from published studies and articles, as well as previously unpublished documents and other little-known illustrated material. The text is complemented by paintings, details of paintings, and engravings of Swedish cavalrymen created during the period of the Great Northern War. Many of the details from the paintings are shown here for the first time. The author has used numerous artifacts and portraits, as well as archive sources, on the theme of the Swedish army during the Great North War from the collections of Swedish museums as well as those of museums in both Russia and the Ukraine. As in the first volume dedicated to the Swedish infantry and artillerymen, the book presents photographs of various finds of items of Swedish equipment found on the battlefields of the Great North War. Additionally, the book presents many of the author's reconstructions of uniform items of the Swedish cavalry, in both color and black and white, especially created for this book. The presented information will prove invaluable to professional historians, museum staff, artists, participants in the various military-historical re-enactment societies, as well as to those enthusiasts who reconstruct the armies and battles of the Great North War on their wargaming tables.

This book traces the evolution of the style of men's dress through a sequence of diagrams accurately scaled down from patterns of actual garments, many of them rare museum specimens. The plates have been selected with the same purpose. Some are photographs of suits for which diagrams have also been given; others, reproduced from paintings and old prints, show the costume complete with its accessories. Quotations from contemporary sources--from diaries, travelers' accounts and tailors' bills--supplement Norah Waugh's text with comments on fashion and lively eyewitness descriptions.