Brandywine River Museum

The first book to celebrate the dramatic Chadds Ford, Pennsylvania, setting and renowned art collection of the Brandywine River Museum of Art and its historic homes, studios, and sites relating to three generations of the Wyeth family. The Brandywine River Museum of Art is home to one of the country’s renowned collections of American art. This stunning book reveals the beauty of the museum’s remarkable holdings, housed in a renovated nineteenth-century mill building with a steel- and-glass addition overlooking the Brandywine River, and of its three historic properties—the N. C. Wyeth home and studio, the Andrew Wyeth studio, and the Kuerner Farm, which inspired over 1,000 works by Andrew Wyeth—all National Historic Landmarks. This volume features fifty of the museum’s most beloved paintings, by artists such as John Kensett, Martin Johnson Heade, William Trost Richards, Horace Pippin, and Andrew Wyeth, along with immersive photographs of the 300-acre landscape surrounding the museum and historic structures. The introduction by curator Christine Podmaniczky includes a brief history of this unique institution, its art collection, and the intimate places where the Wyeth family lived and painted. This handsome volume will appeal not only to museum visitors but also to art lovers everywhere.

Contemporary artists probe the impact of human intervention on the environment Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in their art. Motivated by the inexorable rise of urban-industrial development and the subsequent deterioration of our planet, artists confront the vulnerability of our environment and the effects of global climate change to illustrate the continued relevance of ecology and nature conservation to contemporary artistic practice. In Fragile Earth: The Naturalist Impulse in Contemporary Art, leading artists Jennifer Angus, Mark Dion, Courtney Mattison, and James Prosek make natural elements their medium conceptually and literally, from prints created with eel bodies, to ceramic sculpture mimicking coral bleaching, cabinets filled with colorful plastic collected from oceans and rivers, and walls covered with shockingly beautiful, preserved insects. Bringing an artistic perspective to natural science, these essays and written conversations showcase the persuasive role artists can play in advocating for the preservation of our earth.

"Issued in conjunction with the exhibition Andrew Wyeth: Looking out, looking in, at the National Gallery of Art, May 4-November 30, 2014."--Title page verso.

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, when he started to form his own "war memories" through military props and documentary photography he discovered in his father's art studio; the change from his "theatrical" pictures of the 1940s to his own visceral responses to the landscape around Chadds Ford, Pennsylvania, and his family's home in Mai≠ his sudden turn, in 1968, into the realm of erotic art, including a completely new assessment of Wyeth's "Helga pictures"--a series of secret, nude depictions of his neighbor Helga Testorf--within his career as a who≤ and his late, self-reflective works, which includes the discussion of his previously unknown painting entitled Goodbye, now believed to be Wyeth's last work.

More than 300 four-color and black-and-white illustrations by one of America's preeminent painters are collected here, along with illuminating text from the artist's letters, magazine articles about his work, and many other sources. The result: a fully realized portrait of a golden age illustrator whose work appeared in then Saturday Evening Post, a classic edition of Treasure Island, and elsewhere for 42 years.

In journal entries to her mother, a gifted artist who died suddenly, thirteen-year-old Georgia McCoy reveals how her life changes after she receives an anonymous gift membership to a nearby art museum.

A poetic picture-book biography about artist N.C. Wyeth's daughter, Henriette, a talented painter in her own right And I think of the girl I am and the girl I'll be: A painter, like Pa. An actress (maybe). A fairy with wings. A father and daughter sneak away from their big, busy family to paint in the wild landscape. Together, they paint a lily, bright and white as a star; the green growing into the cap of a strawberry; the blue in the sky running pink. Henriette's father is N.C. Wyeth, the famous artist, who encourages her to paint what she sees, to awaken into her dreams, and she does, in this poetic picture book inspired by a famous American family of artists.

First catalogue raisonn, of N.C. Wyeth's work, compiled by the foremost historian on the subject.

Published in conjunction with an exhibition held at Brandywine River Museum of Art, June 23-September 15, 2019, Portland Museum of Art, October 4, 2019-January 12, 2020, and at the Taft Museum of Art, February 8-May 3, 2020.