Boxing Is

Thomas Hauser has become “must reading” in the boxing community, and his latest book demonstrates why. Boxing Is . . . brings together all of Hauser’s 2009 articles. In them, Hauser illuminates the behind-the-scenes stories of the year’s most memorable personalities and events. He takes us from Manny Pacquiao’s dressing room in the tense moments before 2009’s biggest fight to an in-depth portrait of the incomparable Sugar Ray Robinson, all the while continuing to show why his annual collections, avidly anticipated by fans and critics alike, have become, according to columnist Bart Barry, “an essential part of boxing’s official record and the chronicles of this era most likely to endure.”

Boxing is no cakewalk! Azumah ‘Ring Professor’ Nelson in the Social History of Ghanaian Boxingexplores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghana’s most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence people’s lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to ‘enlightened’ human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The book’s analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghana’s historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.

Throughout its history, boxing has thrilled, outraged and elevated fans with its intoxicating combination of primal violence, gutwrenching drama and stirring courage. That potent mix has attracted many of the world's finest writers. The Book of Boxing is a collection of their most powerful efforts.

The author reports on the many young Jewish fighters who began boxing for the money. In the 1920s and 1930s, "Jews were represented in almost every aspect of the sport, from manufacturing equipment to management."--Jacket.

Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

It's no wonder that photographer Howard Schatz, trained as an ophthalmologist, has an unwavering eye for the human form. Well known for his series of improvisional portraits of actors for Vanity Fair, the acclaimed photographer now takes on the ultimate theatre of sport and physique in At the Fights. Over the last six years Schatz has entrenched himself in the world of boxing, photographing and interviewing the game's biggest stars and newest players as well as managers, trainers, promoters, club fighters and many others. In 256 oversized pages, Schatz's remarkably powerful images are paired with insightful commentary to provide a truly unique look into the sport. As promoter Lou DiBella tells Schatz, "Boxing is a sport in its purest, most basic form. No sport is more theatrical, dramatic or real." At the Fights beautifully captures all of those aspects in a striking, deluxe package that includes introductory comments by HBO commentator Jim Lampley. Howard Schatz's award-winning photography has been featured in Sports Illustrated, ESPN Magazine, The Ring magazine, The New York Times Magazine and Vanity Fair. He is a well-known and regular ringside presence. At the Fights will be his 19th book.

Kicking ass and taking notes—what it’s like to be a woman in the ring. Alison Dean teaches English literature. She also punches people. Hard. But despite several amateur fights under her belt, she knows she will never be taken as seriously as a male boxer. “You punch like a girl” still isn’t a compliment — women aren’t supposed to choose to participate in violence. Her unique perspective as a 30-something university lecturer turned amateur fighter allows Dean to articulately and with great insight delve into the ways martial arts can change a person’s — and particularly a woman’s — relationship to their body and to the world around them, and at the same time considers the ways in which women might change martial arts. Combining historical research, anecdotal experience, and interviews with coaches and fighters, Seconds Out explores our culture’s relationship with violence, and particularly with violence practiced by women. "An important addition to women’s martial arts scholarship, Dean provides personal insight into the radical space women occupy in sport fighting. Seconds Out is a must-read for all fighters looking for mentors in the complicated world of martial arts." —L.A. Jennings, author of Mixed Martial Arts: A History from Ancient Fighting Sports to the UFC "Dean brings a fresh new female voice to the topic of combat sports." —Trevor Wittman, renowned MMA trainer, UFC analyst, and founder of ONX Sports "Trained in the discipline and art of both fighting and literature, Dean combines both with style. She honors the fighters, writers, and historians who have come before her and definitively ends the idea of women fighters as a novelty. Seconds Out is a must-read for anyone who feels the call of the bell and reverence for a good fight." —Sue Jaye Johnson

"The Text Book of Boxing" is one of the most important boxing books of all time. First published in 1914 and written by England's finest fighter, "The Text Book of Boxing" is a master class in the manly art of pugilism. This boxing manual contains over 40 photographs and detailed instructions on the proper execution of boxing techniques for both offense and defense. ***** This deluxe edition contains a newspaper report of the 1909 fight between Jim Driscoll and Abe Attell. ***** "Peerless" Jim Driscoll was born in Cardiff, Wales in 1881 and began his boxing career in 1901. He is considered by many to be the best pound-for-pound fighter of all time. During his illustrious boxing career, he earned the title of featherweight champion of the world and won the coveted Lonsdale Belt. ***** "Driscoll was the king of all boxers. From Driscoll, by a close study of his ways, I learned the wisdom of always leading with the left hand; he taught me much about stance, and how to time my blows so that they would have all the weight of my body behind them." Georges Carpentier

For much of the twentieth century, boxing was one of America’s most popular sports, and the heavyweight champions were figures known to all. Their exploits were reported regularly in the newspapers—often outside the sports pages—and their fame and wealth dwarfed those of other athletes. Long after their heyday, these icons continue to be synonymous with the “sweet science.” In The Boxing Kings: When American Heavyweights Ruled the Ring, Paul Beston profiles these larger-than-life men who held a central place in American culture. Among the figures covered are John L. Sullivan, who made the heavyweight championship a commercial property; Jack Johnson, who became the first black man to claim the title; Jack Dempsey, a sporting symbol of the Roaring Twenties; Joe Louis, whose contributions to racial tolerance and social progress transcended even his greatness in the ring; Rocky Marciano, who became an embodiment of the American Dream; Muhammad Ali, who took on the U.S. government and revolutionized professional sports with his showmanship; and Mike Tyson, a hard-punching dynamo who typified the modern celebrity. This gallery of flawed but sympathetic men also includes comics, dandies, bookworms, divas, ex-cons, workingmen, and even a tough-guy-turned-preacher. As the heavyweight title passed from one claimant to another, their stories opened a window into the larger history of the United States. Boxing fans, sports historians, and those interested in U.S. race relations as it intersects with sports will find this book a fascinating exploration into how engrained boxing once was in America’s social and cultural fabric.

Boxing is one of the most popular sports in Cuba and its fighters are recognized the world over for their skills and finesse. The Cuban national team holds more Olympic medals in the sport than any other country, making the nation a hotbed of emerging global champions. State-sanctioned and promoted since the revolution, amateur boxing's potential for fame and relative wealth makes it a beacon for impoverished youth yearning for a better life. Shot all across the Republic of Cuba,Havana Boxing Clubdocuments amateur boxing schools and the aspiring, determined boys studying the sweet science. Compiled over the course of eight years, French photographer Thierry Le Goues spent countless hours in the complex network of training facilities that abound in the island nation, developing relationships with the coaches and their young progeny, following the rise and fall of countless talents and wannabes. The resulting images are of young fighters struggling, sweating, and fighting to overcome anything thrown in their way--inside the ring and out. Le Goues' luscious tritone black and white photographs depict rigorous training camps, boxing rings erected in the streets of small villages in the Cuban countryside, the lows of these young boxers struggling with abject poverty and crushing defeat, and the ultimate highs of rising up victorious over all obstacles and challengers. The pure instinct to survive against overwhelming odds and to realize their dreams of boxing on the national team is both startling and beautiful.Havana Boxing Clubcaptures the sport's arresting beauty and unrelenting brutality.