Bon And Naxi Manuscripts

The present volume offers a dozen studies of manuscripts of the Tibetan Bon and Naxi Dongba traditions across time and space. While some of the contributions focus on particular features of manuscripts from either tradition, others explicitly bridge the two by considering common codicological and material aspects of selected examples or common themes in the content of the texts. This is the first primarily object-based study to deal with the cultural history and technology of books from the two traditions. It discusses collections of Bon and Naxi manuscripts, the concepts and history of both traditions, the science and technology of book studies as it relates to these collections, the relationship between text and image, writing materials, and the historical and archaeological context of the manuscripts' places of origin. The authors are specialists in different fields including philology, anthropology, art history, codicology and archaeometry. The contributions shed light on trade routes, materials and technologies as well as on reading practices and ritual usage of Bon and Naxi manuscripts.

This collective volume offers an insight into the Bon and Naxi manuscript cultures and their possible interconnections. This is the first primarily object-based study to deal with Bon and Naxi cultural history, book technology, collections of Bon and Naxi manuscripts, the relationship between text and image, writing materials, and the historical and archaeological context of the manuscripts' places of origin.

The Tibetan Gesar epic has known countless retellings, translations, and academic studies. The Many Faces of Ling Gesar, presents its historical, cultural, and literary aspects for the first time in a single volume for both general readers and specialists.

The BuddhistRoad project has been creating a new framework to understand the dynamics of cultural encounter and religious transfer across premodern Eastern Central Asia. This framework includes a new focus on the complex interactions between Buddhism and non-Buddhist traditions and a deepening of the traditional focus on Buddhist doctrines between the 6th and 14th centuries, as Buddhism continued to spread along an ancient, local political-economic-cultural system of exchange, often referred to as the Silk Roads. This volume brings together world renowned experts to discuss these issues including Buddhism and Christianity, Islam, Daoism, Manichaeism, local indigenous traditions, Tantra etc. Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota†, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.

This book focuses on the theme of magic in Tibetan contexts, encompassing both pre-modern and modern text-cultures as well as contemporary practices. It offers a new understanding of the identity and role of magical specialists in both historical and contemporary contexts. Combining the theoretical approaches of anthropology, ethnography, religious and textual studies, the book aims to shed light on experiences, practices and practitioners that have been frequently marginalized by the normative mainstream monastic Buddhist traditions and Western Buddhist scholarship, which focuses primarily on meditation and philosophy. The book explores the intersection between magic/folk practices and Tantra, a complex, socio-religious phenomenon associated not only with the religious and political elites who sponsored it, but also with 'marginal' ethnic groups and social milieus, as well as with lay communities at large, who resorted to ritual agents to fulfil their worldly needs.

Asian Horizons is published in honour of the great scholar of Asia, Professor Giuseppe Tucci (1894–1984). Through the work of present-day scholars, both senior and emerging, this volume represents their efforts to maintain the impetus of the profound legacy Tucci left. Renowned to this day as a founding scholar in an extraordinarily wide variety of disciplines, as well as being an explorer of hitherto largely unknown lands, such as Tibet, Tucci gained a deep knowledge of Asia through a familiarity with its people, places and literature. His contribution to modern scholarship is nothing less than remarkable. The volume reflects the broad variety of topics in which Tucci himself displayed deep interest and serves as an homage to his work.

Paper has become the most common writing material worldwide in the course of a two millennia history. This study provides a magisterial synthesis of recent scholarship and original insights into the origins of papermaking and its subsequent history in imperial China, including a wide range of archaeological evidence and literary sources. The volume introduces the materials and technologies of paper production and presents the cultural history of paper in traditional China. A comprehensive survey of literary sources on the production and use of paper is undertaken starting with the ongoing debate about the origin and genesis of paper, which was fuelled by recent archaeological discoveries of paper or proto-paper from the last two centuries BCE. In addition to its having become a popular writing material produced in many different qualities for both handwriting and printing, it also served as a material for wrapping or decorating, money and numerous uses in everyday life, such as umbrellas, windows, clothing, wallpapers, curtains and kites. Precious paper contributed to the aesthetics of calligraphy and painting, catering to the taste of the educated elite and artists.

This book is a study of European-language translations of Naxi ritual manuscripts, the ritual literature of a small ethnic group living in southwest China’s Yunnan Province. The author discusses the translations into European languages (in English, French and German) from the late nineteenth century to the second half of the twentieth century, revealing a history of fragmentary yet interconnected translation efforts in the West. By exploring this network, he shows how translation can be understood as a metonymic “recreation” of textual worlds. As Naxi manuscripts are semi-oral texts representing an oral-formulaic tradition, their translation involves a metonymic relay of partial incorporations from manuscript/image to reading/spoken language. Therefore, the book engages in a series of textual excavations to uncover the previously occluded contemporaneous readings that would have led to the translations we can consult today, particularly in an attempt to understand how the Naxi literature came to be part of Ezra Pound’s Cantos. Scholars in the field of ethnic minority literature in China and translation studies will find this book beneficial, and it will make new contributions to comparative literature between the East and West.