Body Words And The Analysts Use Of Self

In this book, it becomes impossible to stand apart from the analytic field as abstract concepts, such as dissociation, intersubjectivity, and unconscious communication, as well as newly coined ones, like "Relational (K)not" and "Body Words," come alive through a vivid unfolding of analytic process. You are invited into the mind of the analyst as she draws from reverie, memory, and affect to inspire offerings that enliven the moment, moving the analytic pair forward in affective freedom and self-definition. Body Words identify the subjective linkages we make to describe experiencing within and between self and other that leads us to know whether we or our patient are delivering the message in a manner that feels real. Each chapter illustrates how Pizer arrived at this important concept and others in a way that is full of rich, experience-near clinical moments that posed significant challenges. Body Words and the Analyst's Use of Self is a rare window that allows readers—new and seasoned clinicians of various theoretical persuasions—to become intimate witnesses to the analyst's subjectivity and the creativity of the analytic partnership.

"In this book, it becomes impossible to stand apart from the analytic field as abstract concepts, such as dissociation, intersubjectivity, and unconscious communication, as well as newly coined ones, like "Relational (K)not" and "Body Words," come alive through a vivid unfolding of analytic process. You are invited into the mind of the analyst as she draws from reverie, memory, and affect to inspire offerings that enliven the moment, moving the analytic pair forward in affective freedom and self-definition. Body Words identify the subjective linkages we make to describe experiencing within and between self and other that leads us to know whether we or our patient are delivering the message in a manner that feels real. Each chapter illustrates how Pizer arrived at this important concept and others in a way that is full of rich, experience-near clinical moments that posed significant challenges. Body Words and the Analyst's Use of Self is a rare window that allows readers-new and seasoned clinicians of various theoretical persuasions-to become intimate witnesses to the analyst's subjectivity and the creativity of the analytic partnership"--

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

In The Analyst’s Experience of the Depressive Position: The Melancholic Errand of Psychoanalysis, Steven Cooper explores a subject matter previously applied more exclusively to patients, but rarely to psychoanalysts. Cooper probes the analyst’s experience of the depressive position in the analytic situation. These experiences include the pleasures and warmth of helping patients to bear what appears unbearable, as well as the poignant experiences of limitation, incompleteness, repetition and disappointment as a vital part of clinical work. He describes a seam in clinical work in which the analyst is always trying to find and re-find a position from which he can help patients to work with these experiences. The Analyst’s Experience of the Depressive Position includes an exploration of the analyst’s participation and resistance to helping patients hold some of the most unsettling parts of their experience. Cooper draws some analogies between elements of theory about aesthetic experience in terms of how we bear new and old experience. He provides an examination of the patient as an artist of sorts and the analyst as a form of psychic boundary artist. Just as the creative act of art involves the capacity to transform pain and ruin into the depressive position, so does the co-creation of how we understand the patient’s mind through the mind of the analyst. The Analyst’s Experience of the Depressive Position explores a rich, provocative and long overdue topic relevant to psychoanalysts, psycho-dynamically oriented psychotherapists, as well as students and teachers of both psychoanalysis and psychodynamic psychotherapy.

How are the implicit memory and the unrepressed unconscious related? Feeling the Words incorporates a thorough review of essential psychoanalytic concepts, a clear critical history of analytical ideas and an assessment of the contribution neuroscience has to offer. Mauro Mancia uses numerous detailed clinical examples to demonstrate how insights from neuroscience and infant development research can change how the analyst responds to his or her patient. Major topics such as the transference, the Oedipus complex, the interpretation of dreams and the nature of mental pain are reviewed and refined in the light of these recent developments. The book is divided into three parts, covering: Memory and the unconscious The dream: between neuroscience and psychoanalysis Further reflections on narcissism and other clinical topics Feeling the Words offers an original perspective on the connection between memory and the unconscious. It will be welcomed by all psychoanalysts interested in investigating new ways of working with patients.

Praise for the first volume: `It is very valuable to have [this collection of articles] all together in one place...a rich repository of insights and experiences for all the somatic disciplines. It is a wonderful collection of articles.' - Somatics 1999/2000 This second volume on Authentic Movement - a new discipline aiding the creative process in choreography, writing, theatre performance, dance, graphic and expressive arts, as well as spirituality - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge work on creative expression, meditative discipline and psychotherapeutic endeavour. Part I comprises five chapters written by the most prominent Authentic Movement practitioners and teachers and introducing the foundations and principles of Authentic Movement. In Part II, the contributors return to the source of Authentic Movement - the psychotherapeutic setting - and provide an in-depth examination of the personal processes in the therapeutic relationship and the potential of Authentic Movement to facilitate personal growth and change. Part III traces the development of Authentic Movement as a spiritual path and as interface with other spiritual practices. Part IV provides an overview of new developments in Authentic Movement, Part V offers inspiring personal accounts and Part VI provides guidelines drawn from practice as well as tools and resources. These latter chapters sow the seeds for a new understanding and directions for the developments of Authentic Movement. This authoritative text is indispensable for practitioners of Authentic Movement, students and teachers working in the field of dance therapy, art therapists, all creative arts therapists and body psychoanalysts.

Contemporary psychoanalysis has devoted so much of its attention to relational and interpersonal aspects of psychic life that questions have begun to emerge regarding the place of the body and bodily experience in our psychological worlds. Relational Perspectives on the Body addresses these questions in exemplary fashion. Contemporary relational theorists synthesize a variety of theoretical trends and influences - including feminism and postmodernism - in order to provide innovative relational models of psyche-soma integration. Throughout the book, contributors pay attention to the analysand's and the analyst's experiences as they devise original technical responses to the multifaceted ways in which bodily experiences enter into the relational matrix of psychoanalytic treatment. In the process, contributors take up subjects that are seldom addressed in the clinical literature, including breast cancer in the analyst, psychoanalytic treatment of Munchausen's Syndrome, physical deformity, and musculoskeletal back pain. The final three chapters, by Looker, Balamuth, and Anderson, respectively, grew out of a study group that continues to investigate the relationship between somatic and symbolized experience. The editors are well equipped to undertake this project. Lewis Aron is a leading relational theorist and clinical analyst, and Frances Sommer Anderson has employed a psychoanalytically informed approach to treating musculoskeletal back pain and other somatic symptoms for 18 years. The editors have enlisted original contributions from an excellent group of colleagues, placing Relational Perspectives on the Body at the forefront of the revival of interest in the body and bodily experience in psychoanalytic theory and practice.

2015 Gradiva Award Winner The Embodied Analyst brings together the history of embodied analysis found in the work of Freud and Reich and contemporary relational analysis, particularly as influenced by infant research. By integrating the ‘old’ embodied and the ‘new’ relational traditions, the book contributes to a new clinical perspective focusing on form and process rather than content and structure – the ‘how’, rather than the ‘what’ and the ‘why’. This perspective is characterised by a focus on movement, emotional interaction and the therapists own bodily experience in the analytic encounter. Jon Sletvold presents a user-friendly approach to embodied experience, providing the history, theory, training and practice of embodied experience and expression as a way of expanding clinical attention. Starting with a Spinozan view of the embodied mind, Part One: History of Embodied Psychoanalysis presents an overview of the history of the field in the works of Freud and Reich as well as a look at the Norwegian Character Analytic tradition . Part Two: Conceptual Framework and Clinical Guidelines explains how clinical interaction can be navigated based on the embodied concepts of subjectivity, intersubjectivity and reflexivity. Part Three: Embodied Training and Supervision presents innovative approaches to training in emotional communication inspired by the performing arts. The book ends with a consideration of the embodied analyst in the 21st century consulting room. Capturing key aspects of a transitional movement in the development of psychoanalysis and psychotherapy, The Embodied Analyst is ideal for those working and training in psychoanalysis and psychotherapy.

In this sequel to Lichtenberg's Psychoanalysis and Motivation (TAP, 1989), the authors show how their revised theory of motivation provides the foundation for a new approach to psychoanalytic technique. The approach in Self and Motivational Systemsemphasizes a finely honed sensitivity to moment-to-moment analytic exchanges and an appreciation of which motivational system is dominant during that exchange. Throughout, the authors stress the creative power of psychoanalysis as a joint effort shaped by the intersubjective context of a particular analysand communicating and interacting with a particular analyst. At the heart of the analytic relationship is the analysand's expectation of evoking a vitalizing selfobject experience from the analyst and the analyst's expectation, in turn, of evoking a selfobject experience of efficacy from his or her work with the analysand.

On Being One’s Self emerges from discussions in John Steiner’s Workshop and investigates the meanings of self and identity, including the many ways in which the development of personal identity can be subverted, interrogating what can facilitate the development of a reasonably stable identity. The variety of problems that can arise in relation to the development of a unique identity is reflected in rich clinical material that vividly illustrates ‘identities’ felt to be weak, unformed, fluid or brittle, in many cases demonstrating how the sense of self is held together by pathological defences and organisations. The book examines several long-term adult analytic cases, suggesting that a mature personal identity involves not only ‘knowing who one is’ but also the capacity for empathic identification with the experience of others as separate human beings. The question of ‘having’ an identity, or the fear of losing it, is a central concern of individuals, and this volume, which will be of interest to psychoanalysts and psychotherapists alike, considers these issues by looking at the deepest conflicts around self and identity as they emerge and are relived in the transference relationship.