Bodies From The Library Lost Tales Of Mystery And Suspense From The Golden Age Of Detection

This anthology of rare stories of crime and suspense brings together 16 tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922.

This anthology of rare stories of crime and suspense brings together 18 tales from the Golden Age of Detective Fiction for the first time in book form, including uncollected stories by Ngaio Marsh and John Dickson Carr.

Bodies from the Library brings into the daylight the forgotten, the lost and the unknown, and the 2023 volume is another indispensable collection for crime fans.

This annual anthology of rare stories of crime and suspense brings together tales from the Golden Age of Detective Fiction for the first time in book form, including a short novel by Christianna Brand.

This anthology of rare stories of crime and suspense brings together 15 tales from the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Gervase Fen novella by Edmund Crispin that has never previously been published.

Bodies from the Library brings into the daylight the forgotten, the lost and the unknown, and the latest volume is another indispensable collection for any bookshelf. The sixth volume of Bodies from the Library includes the usual eclectic mix of pre- and post-war stories by classic crime and thriller writers. Unearthed from ephemeral publications, newspapers and magazines, some of these 'lost' stories are by authors who have appeared in previous volumes, with others who are new to the series: We welcome back to the Library familiar Golden Age detective writers in the form of stories by Christianna Brand, Alice Campbell, Joseph Commings and Cyril Hare, a previously unknown novella by Anthony Gilbert, a short novel by Margery Allingham, and a hitherto unpublished Detection Club radio play by John Rhode. We also welcome for the first time George Bellairs, Victor Whitechurch and Andrew Garve, with E. C. Bentley's 'Greedy Night' providing a humorous parody of Dorothy L. Sayers' Lord Peter Wimsey, before five thriller writers including Geoffrey Household and Dennis Wheatley round off the collection with an unusual and exciting round-robin novella. And, whether this is your first encounter with Bodies or a return to the Library, we welcome you, the reader. Complete with revealing biographies of all 16 featured authors by Tony Medawar, we hope you will find this to be an indispensable collection for your bookshelf.

Classic crime fiction's 'Indiana Jones' Tony Medawar unearths more unpublished and uncollected stories from the Golden Age of suspense, including John Bude, John Dickson Carr, Dorothy L. Sayers and Julian Symons.

Classic crime fiction's 'Indiana Jones' Tony Medawar unearths more unpublished and uncollected stories from the Golden Age of suspense, including John Bude, John Dickson Carr, Dorothy L. Sayers and Julian Symons. 'Five books in, and the selection here might well be the strongest yet. This series continues to delight with the high standard of forgotten gems that Medawar uncovers, and there's sufficient range to ensure that all fans of the genre will find something to enjoy. Book 6 can't come soon enough.' Jim Noy, author of The Red Death Murders The end of the First World War saw the rise of an insatiable public appetite for clever and thrilling mystery fiction and a new kind of hero - the modern crime writer. As the genre soared in popularity, so did the inventiveness of its best authors, ushering in a "Golden Age" of detective fiction - two decades of exemplary mystery writing: the era of the whodunit, the impossible crime and the locked-room mystery, with stories that have thrilled and baffled generations of readers. The Golden Age still casts a long shadow, with many of the authors who were published at that time still hugely popular today. Aside from novels, they all wrote short fiction - stories, serials and plays - and although many have been republished in books over the last 100 years, Bodies from the Library collects the ones that are impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author's archive when they died . . . Complete with fascinating biographies by Tony Medawar of all the featured authors, this latest volume in the annual Bodies from the Library series once again brings into the daylight the forgotten, the lost and the unknown, and is an indispensable collection for any bookshelf.

With the Golden Age of detective fiction shining ever more brightly with the increasing availability of many long forgotten classic crime novels from the first half of the twentieth century, the publication of Bodies from the Library in 2018 was an unexpected treat for fans of some of the genre's cleverest and most popular writers. With lost stories by authors including Georgette Heyer, A.A. Milne, Anthony Berkeley, Nicholas Blake, Cyril Hare and Roy Vickers, the book was surely a unique opportunity finally to fill the gaps in some of the greatest canons of detective and thriller fiction. This follow-up volume is a showcase for fifteen more popular names from the Golden Age, including Margery Allingham, Helen Simpson, Ethel Lina White, John Rhode, Agatha Christie and S.S. Van Dine - plus a few big surprises yet to be announced - with stories so rare that many don't yet appear on their writers' established bibliographies. Selected and introduced by Tony Medawar, who also writes a short essay about each contributor, Bodies from the Library 2 is a genuine treasure-trove of missing episodes from the work of some of the world's favourite classic crime writers.

In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have “cut the cord,” abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences. In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment. A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want.