Boadiceas Legacy

Ela Montahue is a talented sorceress with the ability to heal, but distressed over a complicated ancestral legacy. Long ago, a mystical woman known as Boadicea, the famed queen of the Iceni tribe, issued a difficult decree. As her descendant, Ela must wed for love, not practicality, or she will forfeit her supernatural power. In medieval England this is not a socially acceptable order to follow. For her family’s sake, she should marry Lord Thomas de Havel, a vile landholder with a cruel streak and a desire to see slavery reinstated—a man with good connections to King John’s court. This arrangement would put the Montehues in a safe position in the new regime. The stakes are high—her dignity, her pride, and possibly her life in childbirth. When Ela refuses this repulsive marital transaction, Thomas de Havel abducts her and wages battle against her father in retaliation. Only Osbert Edyvean, a knight with the highest creed—honor, faith, and logic—can save her and preserve her gift. A businessman for the Earl of Norfolk, Osbert has been paid to find Boadicea’s spear. Rather than bring back this obscure artifact, he rescues Ela, intending to take her to the earl and obtain his parcel of land. Wary of the supernatural aura surrounding this woman, the admirable knight fights his overwhelming passion for a beautiful lady he wants to protect . . . and love. This is Boadicea’s true legacy. - See more at: http://medallionmediagroup.com/books/boadiceas-legacy/#sthash.wNqL4FUL.dpuf

The Legacy of Boadicea explores the construction of personal and national identities in early modern England. It highlights the problems and anxieties of national identity in a nation with no native classical past. Written in an accessible style, The Legacy of Boadicea: * offers powerful new readings of the ancient British past in Shakespeare's King Lear and Cymbeline * persuasively illuminates a 'Boadicean' heritage in royal iconography, drama, and the social symptoms of religious dissent * articulates parallels between the eventual domestication of Britain's warrior queen in Restoration drama, and the social, political and legal decline in the status of women.

In Love’s Magic, Celestia Montehue is the misfit in a family of flame-haired goddesses descended from notorious Queen Boadicea. Her only family likeness is her magical healing ability. An arranged marriage with Nicholas Le Blanc, who is haunted with the guilt of unspeakable actions on crusade, does not bode happiness for the two. Celestia begins to fall in love with him, but her new home, a broken-down keep, is haunted by the ghost of Nicholas’ suicidal mother. A maid is murdered, a curse is revealed, and the couple must discover if there is healing in love’s magic. In Beauty’s Curse, the beautiful, hallowed, and adored Galiana Montehue injures Lord Rourke Wallis, rendering him blind, unable to see the beauty she curses with vehemence. As she nurses the knight to health, she experiences a man’s sincere affection and integrity, and Rourke discovers a depth of fervor he cannot deny. Yet he must complete his mission to recover the stolen magical Breath of Merlin. Together, the passionate couple must unlock the secret to this dangerous, mystical gem or face a future without the love they so recently discovered. In Boadicea’s Legacy, Ela Montahue is a talented sorceress with the ability to heal. However, she must wed for love or forfeit her supernatural power. For her family’s sake, she should marry Lord Thomas de Havel. When Ela refuses, Thomas de Havel abducts her and wages battle against her father in retaliation. Only Osbert Edyvean, a knight with the highest creed, can save her and preserve her gift.

The Legacy of Boadicea explores the construction of personal and national identities in early modern England. It highlights the problems and anxieties of national identity in a nation with no native classical past. Written in an accessible style, The Legacy of Boadicea: * offers powerful new readings of the ancient British past in Shakespeare's King Lear and Cymbeline * persuasively illuminates a 'Boadicean' heritage in royal iconography, drama, and the social symptoms of religious dissent * articulates parallels between the eventual domestication of Britain's warrior queen in Restoration drama, and the social, political and legal decline in the status of women.

In this reversal of the Sleeping Beauty story, gorgeous Galiana Montehue--resisting her family's efforts at arranged marriage--scorns all her suitors and finds true love only after she awakens an injured knight from a deep sleep. Original.

While battling a cocaine addiction, Jake Helman starts a high-pressure position as the director of security at a controversial genetic-engineering company. As Jake delves deeper into this frightening laboratory, he unveils much more than unethical practices performed in the name of human progress. Original.

This diachronic study of Boudica serves as a sourcebook of references to Boudica in the early modern period and gives an overview of the ways in which her story was processed and exploited by the different players of the times who wanted to give credence and support to their own belief systems. The author examines the different apparatus of state ideology which processed the social, religious and political representations of Boudica for public absorption and helped form the popular myth we have of Boudica today. By exploring images of the Briton warrior queen across two reigns which witnessed an act of political union and a move from English female rule (under Elizabeth I) to British/Scottish masculine rule (under James VI & I) the author conducts a critical cartography of the ways in which gender, colonialism and nationalism crystallised around this crucial historical figure. Concentrating on the original transmission and reception of the ancient texts the author analyses the historical works of Hector Boece, Raphael Holinshed and William Camden as well as the canonical literary figures of Edmund Spenser, William Shakespeare and John Fletcher. She also looks at aspects of other primary sources not covered in previous scholarship, such as Humphrey Llwyd’s Breuiary of Britayne (1573), Petruccio Ubaldini’s Le Vite delle donne illustri, del regno d’Inghilterra, e del regno di Scotia (1588) and Edmund Bolton’s Nero Caesar (1624). Furthermore, she incorporates archaeological research relating to Boudica.