Black Gay British Christian Queer

If the church is ever tempted to think that it has its theology of grace sorted, it need only look at its reception of queer black bodies and it will see a very different story. In this honest, timely and provocative book, Jarel Robinson-Brown argues that there is deeper work to be done if the body of Christ is going to fully accept the bodies of those who are black and gay. A vital call to the Church and the world that Black, Queer, Christian lives matter, this book seeks to remind the Church of those who find themselves beyond its fellowship yet who directly suffer from the perpetual ecclesial terrorism of the Christian community through its speech and its silence.

In the course of his work as a vicar, Dave Tomlinson meets lots of people who describe themselves as "not good enough" to be a Christian, thinking that faith involves going to church a lot, or believing in a list of strange things, or following certain rules. But being a Christian isn't about any of that and actually, following Jesus is a lot easier, and more fun, than most people think. In this handbook to Christianity for people who describe themselves as spiritual but not necessarily religious, Dave sketches out some key practices for how to be a "bad" Christian, including how to talk to God without worrying about prayer, how to read the Bible without turning off your brain, and how to think with your soul rather than trying to follow rules. With beautiful illustrations from artist Rob Pepper, this is an accessible, light-hearted book, but one with a powerful invitation: to be the person you've always wanted to be, following a God you've always hoped is on your side."

A ground-breaking, provocative and diverse anthology of writing about black gay men's lives in the UK - essays, activist memoirs, (auto)biographies, poems and fiction, edited by multi-award-winning writers Rikki Beadle-Blair and John R Gordon. Contributors are: Adam Lowe, Ade Adeniji, Anu Olu, Bisi Alimi, Cheikh Traore, Cyril Nri, Daniel Fry, 'Danse Macabre', David McAlmont, Dean Atta, Diriye Osman, Donovan Christian-Carey, Donovan Morris, D'relle Wickham (Khan). Edd Muruako, Geoffrey Williams, Giles Terera, Jimmy Akingbola, John R Gordon, Keith Jarrett, Leee John, Leo Ofori, 'Merlin', Mickel Smithen, Paul J Medford, P J Samuels, Rhys Wright, Rikki Beadle-Blair, Dr Rob Berkeley, Robert Taylor, Rogue Scott, Reverend Rowland Jide Macaulay, Salawu Olajide, Tonderai Munyevu, Topher Campbell, Travis Alabanza, Z Jai Walsh

Considering the factors which help shape millennial belief, Changing Shape reflects on the challenges and opportunities that ‘missing generation’ bring to the Church, and considers what lessons the Church can learn from the Millennial mindset.

Beloved theologian and bishop Graham Kings has been writing poetry for thirty-five years, with many of his poems used in retreats and preaching throughout the Anglican Communion. This collection brings together Graham's poems on a range of devotional subjects.

Vicky Beeching, called “arguably the most influential Christian of her generation” in The Guardian, began writing songs for the church in her teens. By the time she reached her early thirties, Vicky was a household name in churches on both sides of the pond. Recording multiple albums and singing in America’s largest megachurches, her music was used weekly around the globe and translated into numerous languages. But this poster girl for evangelical Christianity lived with a debilitating inner battle: she was gay. The tens of thousands of traditional Christians she sang in front of were unanimous in their view – they staunchly opposed same-sex relationships and saw homosexuality as a grievous sin. Vicky knew if she ever spoke up about her identity it would cost her everything. Faced with a major health crisis, at the age of thirty-five she decided to tell the world that she was gay. As a result, all hell broke loose. She lost her music career and livelihood, faced threats and vitriol from traditionalists, developed further health issues from the immense stress, and had to rebuild her life almost from scratch. But despite losing so much she gained far more: she was finally able to live from a place of wholeness, vulnerability, and authenticity. She finally found peace. What’s more, Vicky became a champion for others, fighting for LGBT equality in the church and in the corporate sector. Her courageous work is creating change in the US and the UK, as she urges people to celebrate diversity, live authentically, and become undivided.

‘A fascinating and thoughtful exploration of faith in the modern world. If you’re wondering why it matters and how to make sense of it, read on.’ – Clare Balding

Generous Ecclesiology seeks to present a positive theological response to the issues raised by Mission-Shaped Church and For the Parish. The former reminds us that the church is to engage in creative and imaginative ways with our missionary calling. The latter affirms the place of inherited patterns and structures which cannot simply be discarded. Alert to the danger that discussion about tradition and innovation can become polarized; the editors recognize that living in relation to a generous God shapes our ecclesiology. This vocation is formed by a double constitution of worship and mission. This vocation is for the sake of the Kingdom of God. Generous Ecclesiology takes as its basis the uniqueness of the church's calling in God's world, a world embraced by the generosity of his love. This collection is a contribution to an ongoing conversation; to this end, it engages with a rich range of dialogue partners, historically, ecumenically and culturally as well as theologically. It seeks to offer a rigorous theological resource - inspiring us to drink deeply of the wells of our tradition and inherited patterns. Whether implicitly or explicitly, these essays reflect on or are shaped by the ordinary concerns, challenges and opportunities of ministry.

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom—closeted queer servitude to Christ—a concept that allowed a certain degree of latitude for the development of same-sex desire. Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire. Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.

Nominated for a 34th annual Lambda Literary Award • An essential and revelatory coming-of-age narrative from a thrilling new voice, Rainbow Milk follows nineteen-year-old Jesse McCarthy as he grapples with his racial and sexual identities against the backdrop of his Jehovah's Witness upbringing. "The kind of novel you never knew you were waiting for." —Marlon James In the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has immigrated to Britain with his wife and children to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient, but are all too aware that their family will need more than just hope to survive in their new country. At the turn of the millennium, Jesse seeks a fresh start in London, escaping a broken immediate family, a repressive religious community and his depressed hometown in the industrial Black Country. But once he arrives he finds himself at a loss for a new center of gravity, and turns to sex work, music and art to create his own notions of love, masculinity and spirituality. A wholly original novel as tender as it is visceral, Rainbow Milk is a bold reckoning with race, class, sexuality, freedom and religion across generations, time and cultures.