Black Garden

"In Black Garden, Thomas de Waal tells the full story of this tragic quarrel and its aftermath for the first time. He travels the length and breadth of Armenia and Azerbaijan, talking to veterans, refugees and the inhabitants of ruined towns and villages. He recreates the story of the descent into conflict of two former Soviet neighbors, its disastrous consequences and the confused efforts of the "Great Powers" - Russia, France and the United states - to bring peace to the Caucasus."--BOOK JACKET.

These are all words that describe the singular appeal of plants with black (or near-black) foliage, flowers, or fruit. For some gardeners, they are curiosities that yield a special thrill when closely examined. For others, they are invaluable for creating sophisticated designs in which dark leaves and foliage provide essential contrast with brighter elements. Whatever the source of their somber magic, these dusky denizens of the plant kingdom are irresistible to gardeners-or indeed to anyone drawn to nature's more unusual manifestations.

"This collection of articles from the Soviet and Russian press paints an intriguing portrait of the Nagorno-Karabakh conflict. Unlike Western media outlets, this conflict has been a mainstay in the Soviet, then Russian press. The present collection of articles--carefully translated, edited, and culled from a vast repository of Russian-language press curated by East View--presents in book form for the first time in English some of the most important material that has appeared from 1988 to the present. By bringing together this unique collection, East View Press aims to provide readers with the immediate context of the Nagorno-Karabakh conflict through the lens of Moscow, along with some insight into its complex historical, political and ethnic underpinnings. Black Garden Aflame will be of interest to specialists and general readers alike"--

“Brilliant.”—Time “Admirable, rigorous. De Waal [is] a wise and patient reporter.”—The New York Review of Books “Never have all the twists and turns, sad carnage, and bullheadedness on all side been better described—or indeed, better explained...Offers a deeper and more compelling account of the conflict than anyone before.”—Foreign Affairs Since its publication in 2003, the first edition of Black Garden has become the definitive study of how Armenia and Azerbaijan, two southern Soviet republics, were pulled into a conflict that helped bring them to independence, spell the end the Soviet Union, and plunge a region of great strategic importance into a decade of turmoil. This important volume is both a careful reconstruction of the history of the Nagorny Karabakh conflict since 1988 and on-the-spot reporting of the convoluted aftermath. Part contemporary history, part travel book, part political analysis, the book is based on six months traveling through the south Caucasus, more than 120 original interviews in the region, Moscow, and Washington, and unique historical primary sources, such as Politburo archives. The historical chapters trace how the conflict lay unresolved in the Soviet era; how Armenian and Azerbaijani societies unfroze it; how the Politiburo failed to cope with the crisis; how the war was fought and ended; how the international community failed to sort out the conflict. What emerges is a complex and subtle portrait of a beautiful and fascinating region, blighted by historical prejudice and conflict. The revised and updated 10th-year anniversary edition includes a new forward, a new chapter covering developments up to-2011, such as the election of new presidents in both countries, Azerbaijan’s oil boom and the new arms race in the region, and a new conclusion, analysing the reasons for the intractability of the conflict and whether there are any prospects for its resolution. Telling the story of the first conflict to shake Mikhail Gorbachev's Soviet Union, Black Garden remains a central account of the reality of the post-Soviet world.

NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times). “Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father—also a writer—in the iconic passage that gives the book its title: “Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

This new edition of The Caucasus is a thorough update of an essential guide that has introduced thousands of readers to a complex region. Armenia, Azerbaijan, Georgia and the break-away territories that have tried to split away from them constitute one of the most diverse and challenging regions on earth, impressing the visitor with their multi-layered history and ethnic complexity. Over the last few years, the South Caucasus region has captured international attention again because of disputes between the West and Russia, its unresolved conflicts, and its role as an energy transport corridor to Europe. The Caucasus gives the reader a historical overview and an authoritative guide to the three conflicts that have blighted the region. Thomas de Waal tells the story of the "Five-Day War" between Georgia and Russia and recent political upheavals in all three countries. He also finds time to tell the reader about Georgian wine, Baku jazz and how the coast of Abkhazia was known as "Soviet Florida." Short, stimulating and rich in detail, The Caucasus is the perfect guide to this fascinating and little-understood region.

Günther Wizemann's series The Black Garden comprises forty-three paintings created between 2003 and 2013. Strongly influenced by the Russian modernists Kazimir Malevich and Aleksander Rodchenko, Wizemann has long mulled the question of what one could possibly paint in the aftermath of the modernists. Italian artist Mario Merz's statement-making installation, Che Fare?, which sought to push the boundaries of art beyond traditional painting and sculpture, has been equally influential on Wizemann's practice. The Black Garden was created as a possible response to these questions. Published as a collection for the first time, the paintings that make up The Black Garden are the result of long artistic processes that involves layering oil and resin to produce an inner and an outer image on the canvas. They are accompanied here by essays that place the series--Wizemann's largest to date--within art historical context and reveal literary connotations along with formal and conceptual relations, ranging from the Renaissance to Wizemann's contemporaries. Wizemann is a fascinating figure on Switzerland's art scene, and this richly illustrated book offers an accessible introduction to his most recent work.

Slave family could assert some measure of independence and perhaps find some degree of spiritual refreshment. Since slavery, working the garden for the survival of the family has become less urgent, but now pleasure is taken from growing flowers and produce and in welcoming friends to the yard. Similarities in attitude between rural southern blacks and whites are reflected in the expression of such values as the importance of the agrarian lifestyle, self-reliance, and.

Sometimes it takes a stranger to see what the residents have overlooked for years. The sleepy town of Winter Haven holds a secret that has been buried for nearly twenty years. At the heart of the controversy is George O’Briens, who, along with his granddaughter, has been outcast by the community. When Mitchell Sanders, a college student from Boston, arrives to help renovate the O’Brien home, he finds himself entrenched in the family’s dirty little secrets, putting him at odds with his new employers and the citizens of Winter Haven.