Beyond The White Shadow

Beyond the White Shadow combines the disciplines of history and philosophy to examine sports and its influence on American history. As professors of philosophy, the authors bring a unique and fresh critical approach to the study of sport. With this work, they have created a new and complex paradigm which combines both the philosophy of history and the philosophy of sport. Beyond the White Shadow's Marxist analysis will fundamentally reveal the material and historical basis for the dialectics of racial sport conflict, at both amateur and professional levels, and its hierarchy of exploitation based on white power and authority. Beyond the White Shadow features: A Marxist analysis of history. Marxism clarifies the political economy of sport and its capitalistic social relations, which commodify all athletes but Black athletes in particular. "Footnotes" - achievements/figures that were lost to history because of Jim Crow exclusion on the field of play and field of "selected history." An entire chapter addressing the triple burden of sexism, racism and class exploitation, which is gender history and revisionism at its best. Uses the television show "The White Shadow" to examine how pop culture misappropriated the field sociology of sport. The late 1970s series uses the sociological cultural deprivation model and applies it to the sociology of sport via a pop culture television series. Thought-provoking questions at the end of each chapter promote lively discussions and assignment opportunities. Extensive chapter-by-chapter references and a listing of influential African-American Sports Films.

On the eve of the Civil War, most people of color in the United States toiled in bondage. Yet nearly half a million of these individuals, including over 250,000 in the South, were free. In Beyond Slavery's Shadow, Warren Eugene Milteer Jr. draws from a wide array of sources to demonstrate that from the colonial period through the Civil War, the growing influence of white supremacy and proslavery extremism created serious challenges for free persons categorized as "negroes," "mulattoes," "mustees," "Indians," or simply "free people of color" in the South. Segregation, exclusion, disfranchisement, and discriminatory punishment were ingrained in their collective experiences. Nevertheless, in the face of attempts to deny them the most basic privileges and rights, free people of color defended their families and established organizations and businesses. These people were both privileged and victimized, both celebrated and despised, in a region characterized by social inconsistency. Milteer's analysis of the way wealth, gender, and occupation intersected with ideas promoting white supremacy and discrimination reveals a wide range of social interactions and life outcomes for the South's free people of color and helps to explain societal contradictions that continue to appear in the modern United States.

The highly anticipated sequel to International Booker and Dublin Impac Award-shortlisted The Unseen No-one can be alone on an island . . . But Ingrid is alone on Barrøy, the island that bears her name, and the war of her childhood has been replaced by a new, more terrible present: the Nazi occupation of Norway. When the bodies from a bombed vessel carrying Russian prisoners of war begin to wash up on the shore, Ingrid can’t know that one will not only be alive, but could be the answer to a lifetime of loneliness—nor can she imagine what suffering she will endure in hiding her lover from the German authorities, or the journey she will face, after being wrenched from her island as consequence for protecting him, to return home. Or especially that, surrounded by the horrors of battle, among refugees fleeing famine and scorched earth, she will receive a gift, the value of which is beyond measure. The highly anticipated follow-up to Roy Jacobsen’s International Booker and Dublin Impac Award-shortlisted The Unseen, a New York Times New and Noteworthy book, White Shadow is a vividly observed exploration of conflict, love, and human endurance.

Tinashe is a young Shona boy living in a small village in rural Rhodesia. The guerilla war of the late 1960s haunts the bushlands, but it only infrequently affects his quiet life; school, swimming in the river, playing with the other kids on the kopje. When his younger sister, Hazvinei, is born, Tinashe knows at once that there is something special about her. Their life in the village, once disturbed only by the occasional visits of his successful uncle and city cousin, Abel, now becomes entangled with the dual forces of the Shona spirit world and the political turmoil of the nation. As Tinashe, Hazvinei and Abel grow older, their destinies entangle in ways they never expected. Tinashe is prepared to follow his sister anywhere - but how far can he go to keep her safe when the forces threatening her are so much darker and more sinister than he suspected?Andrea Eames weaves together folklore and suspense in this compelling tale of a boy struggling to do the right thing in an unpredictable world.

A NEW YORK TIMES NOTABLE BOOK The long-awaited autobiography from Georgetown University’s legendary coach, whose life on and off the basketball court threw America’s unresolved struggle with racial justice into sharp relief. John Thompson was never just a basketball coach and I Came As A Shadow is categorically not just a basketball autobiography. After five decades at the center of race and sports in America, Thompson—the iconic NCAA champion, Black activist, and educator—was ready to make the private public at last, and he completed this autobiography shortly before his death in the historically tumultuous summer of 2020. Chockful of stories and moving beyond mere stats (three Final Fours, four-time national coach of the year, seven Big East championships, 97 percent graduation rate), Thompson’s book drives us through his childhood under Jim Crow segregation to our current moment of racial reckoning. We experience riding shotgun with Celtics icon Red Auerbach and coaching NBA Hall of Famers like Patrick Ewing and Allen Iverson. What were the origins of the the phrase “Hoya Paranoia”? You’ll see. And parting his veil of secrecy, Thompson brings us into his negotiation with a D.C. drug kingpin in his players’ orbit in the 1980s, as well as behind the scenes of his years on the Nike board. Thompson’s mother was a teacher who had to clean houses because of racism in the nation's capital. His father could not read or write. Their son grew up to be a man with his own larger-than-life statue in a building that bears his family’s name on a campus once kept afloat by the selling of 272 enslaved Black people. This is a great American story, and John Thompson’s experience sheds light on many of the issues roiling our nation. In these pages, he proves himself to be the elder statesman whose final words college basketball and the country need to hear. I Came As A Shadow is not a swan song, but a bullhorn blast from one of America’s most prominent sons.

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

One of the feature stories of the Cthulhu Mythos, "The Shadow Out of Time" is the tale of a professor of political economics that is thrown into a mind-shattering journey through time and space, while his body is held hostage by an alien mind. Horrified and panic-stricken by the implications of his experiences, he hopes against all reason and evidence that he has merely lost his mind.

Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. Today, Snoop Dogg shills for Chrysler and white kids wear Fubu, the black-owned label whose name stands for "For Us, By Us." This is not the first time that black music has been appreciated, adopted, and adapted by white audiences-think jazz, blues, and rock-but Jason Tanz, a white boy who grew up in the suburban Northwest, says that hip-hop's journey through white America provides a unique window to examine the racial dissonance that has become a fact of our national life. In such culture-sharing Tanz sees white Americans struggling with their identity, and wrestling (often unsuccessfully) with the legacy of race. To support his anecdotally driven history of hip-hop's cross-over to white America, Tanz conducts dozens of interviews with fans, artists, producers, and promoters, including some of hip-hop's most legendary figures-such as Public Enemy's Chuck D; white rapper MC Serch; and former Yo! MTV Raps host Fab 5 Freddy. He travels across the country, visiting "nerdcore" rappers in Seattle, who rhyme about Star Wars conventions; a group of would-be gangstas in a suburb so insulated it's called "the bubble"; a break-dancing class at the upper-crusty New Canaan Tap Academy; and many more. Drawing on the author's personal experience as a white fan as well as his in-depth knowledge of hip-hop's history, Other People's Property provides a hard-edged, thought-provoking, and humorous snapshot of the particularly American intersection of race, commerce, culture, and identity.

The highly anticipated third novel in a historical series that began with International Booker-shortlisted The Unseen The war is over, and Ingrid Barrøy leaves the island that shares her name to search for the father of her daughter. Alexander, the Russian POW who survived the sinking of the Rigel, has attempted to cross the mountains to Sweden, and now Ingrid follows, carrying their child in her arms, the girl’s dark eyes and a handwritten note her only mementoes of their relationship. Along the way she will encounter partisans and collaborators, refugees and deserters, sinners and servants in a country still bearing the scars of occupation—and before her journey’s end, she’ll be forced to ask herself how well she really knows the man she’s risking everything to find. Preceded by the International Booker Prize-shortlisted The Unseen and the critically acclaimed White Shadow, Eyes of the Rigel is an unforgettable odyssey and a captivating investigation of memory, guilt, and hope.

The dominant tradition in writing about U.S.–Latin American relations during the Cold War views the United States as all-powerful. That perspective, represented in the metaphor “talons of the eagle,” continues to influence much scholarly work down to the present day. The goal of this collection of essays is not to write the United States out of the picture but to explore the ways Latin American governments, groups, companies, organizations, and individuals promoted their own interests and perspectives. The book also challenges the tendency among scholars to see the Cold War as a simple clash of “left” and “right.” In various ways, several essays disassemble those categories and explore the complexities of the Cold War as it was experienced beneath the level of great-power relations.