Beyond The Turntables

As one of the most sought-after DJs in the world, Tiesto has been at the forefront of electronic dance music for nearly three decades. But what sets him apart from his contemporaries is his mastery of the turntables, a skill he has honed through countless hours of practice and experimentation.In Beyond the Turntables, author and music journalist Martin Gibbs takes readers behind the scenes of Tiesto's world-renowned career, delving deep into the art and science of DJing. Through interviews with Tiesto himself and other DJs, producers, and music industry insiders, Gibbs uncovers the secrets to Tiesto's success and delves into the technical aspects of his music, from beatmatching to mixing to creating unforgettable tracks. Beyond the Turntables is a must-read for anyone interested in the electronic dance music scene, as well as those looking to gain a deeper understanding of the creative process behind one of the industry's most iconic figures. Whether you're a seasoned DJ or a curious music fan, this book is sure to inspire and enlighten, offering a fascinating glimpse into the visionary mind of Tiesto and the incredible world of electronic dance music. So, get ready to uncover Tiesto's musical mastery like never before with Beyond the Turntables.

The untold story of how breaking – one of the most widely practiced dance forms in the world today – began as a distinctly African American expression in the Bronx, New York, during the 1970s. Breaking is the first and most widely practiced hip-hop dance in the world, with around one million participants in this dynamic, multifaceted artform – and, as of 2024, Olympic sport. Yet, despite its global reach and nearly 50-year history, stories of breaking's origins have largely neglected the African Americans who founded it. Dancer and scholar Serouj "Midus" Aprahamian offers, for the first time, a detailed look into the African American beginnings of breaking in the Bronx, New York. The Birth of Breaking challenges numerous myths and misconceptions that have permeated studies of hip-hop's evolution, considering the influence breaking has had on hip-hop culture. Including previously unseen archival material, interviews, and detailed depictions of the dance at its outset, this book brings to life this buried history, with a particular focus on the early development of the dance, the institutional settings where hip-hop was conceived, and the movement's impact on sociocultural conditions in New York City throughout the 1970s. By featuring the overlooked first-hand accounts of over 50 founding b-boys and b-girls alongside movement analysis informed by his embodied knowledge of the dance, Aprahamian reveals how indebted breaking is to African American culture, as well as the disturbing factors behind its historical erasure.

There are moments in a day when I need a place to forget how to be. And to write myself out of me. Bereft is my first collection of stories and life bytes. Some borrowed from reality, others imagined. Some short, others shorter. These are not all love stories, but they are all stories about lovesome kind of love. Love that keeps us going. And sometimes pause. I dedicate this book to every heart that has loved or wished it had. Or hadnt.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Scenic effects involving rotating turntables, tracking stage wagons, and the vertical movement of curtains and painted drops have become common in both Broadway and Regional theatre productions. The machines that drive these effects range from small pneumatic cylinders pushing loads of a few pounds an inch or two, to 40 horsepower winches running multi-ton scenery at speeds 6 feet per second or more. Usually this machinery is designed by theatre technicians specifically for a particular show's effect. Compared to general industry, this design process is short, often only a few days long, it is done by one person, design teams are rare, and it is done in the absence of reference material specifically addressing the issues involved. The main goal of this book is to remedy this last situation. Mechanical Design for the Stage will be a reference for you that will: * provide the basic engineering formulas needed to predict the forces, torques, speeds, and power required by a given move * give a technician a design process to follow which will direct their work from general concepts to specific detail as a design evolves, and * show many examples of traditional stage machinery designs. The book's emphasis will be on following standard engineering design and construction practices, and developing machines that are functional, efficient to build, easily maintained, and safe to use.

Patented in 1917, Piggly Wiggly was by far the most influential self-service store of the early twentieth century. Before 1940 it was the only self-service chain with a national distribution network, but it was neither the first nor the only version. Beyond Piggly Wiggly reveals the importance of Piggly Wiggly in the invention of self-service and goes beyond the history of a single firm to explore the role of small business entrepreneurs who invented the first self-service stores in a grassroots social process. During the 1920s and 1930s a minority of enterprising grocers experimented with a wide variety of (sometimes wacky) design ideas for automating shopping. They created specialized stores designed as enclosed retail systems that went far beyond open display techniques to construct unique physical and psychological advantages for automating salesmanship. Beyond Piggly Wiggly offers the first perspective on the national scale of experimentation and connects the southern Jim Crow origins of self- service to the national history of this mass retailing method. Empirical analysis of store arrangements demonstrates how small stores that have previously been overlooked or undervalued as quaint anomalies were integral to the creation of supermarkets. Ultimately, self-service was more than a business decision; it was a fundamentally new social practice.