Beyond Paper Dolls

With nostalgic glances to the past and visionary gazes into the future, Lynne Perrella and the contributing artists follow inspiration rather than tradition to present dolls that are charismatic, colorful and full of surprises. Technique related details are provided in each chapter's details dossier, where we are invited to go behind the scenes, into the artists studios. Take an up close and personal look to get the inside story on how the artists used paper and other exciting mediums to create their dolls. Artists include Nina Bagley, Lesley Riley, Judi Riesch, Lynn Whipple, Teesha Moore, Karen Michel, Jane Cather, Akira Blount, Laurel Hall and Maria Moya who expolore the human form to create paper personas that are expressive, innovative and insightful.

A fun-house feast for the eyes that puts a sensual humorous twist on the age old art of paper dolls. Filled to the brim with funny, sexy and saucy little paper ladies, each with a full figured personality and an eclectic collection of garments and access

One doll with 8 costumes, including floor-length wool cloak, fur-trimmed leather cape, woolen dresses, skirts, bodices, white aprons, head scarves, more.

Paper dolls might seem the height of simplicity--quaint but simple toys, nothing more. But through the centuries paper figures have reflected religious and political beliefs, notions of womanhood, motherhood and family, the dictates of fashion, approaches to education, individual self-image and self-esteem, and ideas about death. This book examines paper dolls and their symbolism--from icons made by priests in ancient China to printable Kim Kardashians on the Internet--to show how these ephemeral objects have an enduring and sometimes surprising presence in history and culture.

Presents designs for paper dolls, their clothing, and other unique collage projects.

This delightful paper crafting book provides hours of imaginative play with nostalgic color-your-own paper doll characters from favorite fairy tales. Once Upon a Paper Doll features 19 cardstock dolls to color, cut out, and dress up in 46 colorable outfits. Send Cinderella to the Ball, explore Wonderland with Alice, and help Little Red Riding Hood escape the Big Bad Wolf. The dolls and outfits also include inspiration from Goldilocks and the Three Bears, Hansel and Gretel, Sleeping Beauty, Snow White, and Rapunzel. Color them, cut them out, dress them up, and start playing!

A beautifully designed, full-color collection of paper dolls created by Zelda Fitzgerald, lovingly compiled by her granddaughter, Eleanor Lanahan. Born in Montgomery, Alabama, Zelda Sayre Fitzgerald has long been an American cultural icon. A Southern belle turned flapper, Zelda was talented in dance, painting, and writing but lived in the shadow of her writer husband F. Scott Fitzgerald’s success. The golden couple of the Jazz Age, Zelda and her husband moved around—from hotels to rented villas to apartments in Paris—and Zelda always brought along her paints. Few people know she painted at all, and fewer still know she made paper dolls. But throughout her life, Zelda created dolls, whenever she could, in private. By design, paper dolls are delicate, fragile, and destined for destruction at the hands of children. Zelda’s dolls began as playthings for her daughter, Scottie, born in 1921. Fortunately, Zelda continued to make figures after Scottie outgrew them, first of their family and then of storybook characters—lavish, graceful, bold figures. These unique characters were a portable troupe, a colorful paper caravan that travelled inside her luggage. Zelda chose subjects she relished: society figures of the French Court, or Red Riding Hood’s predatory wolf, as vivacious as the girl. Whether they are cardinals, kings, or bears, the dolls are fashionably attired in ball gowns, armor, and capes. A gorgeous and unique keepsake and a perfect gift for book and art lovers, this delightful collection of Zelda’s paper dolls offers an intimate peek into the life of one of the Lost Generation’s most fascinating creative artists.

"The authors share detailed techniques for using surface embellishments, creating faces, heads, and limbs, using molds and molding products, and building and transforming disparate objects into whimsical, inspiring dolls. Starting with a variety of substrates--a wood block, a canvas, a tin can, a book, and a box construction--readers are guided step by step through five types of doll constructions."--Page 4 of cover.

I'm not, at heart, a jumper; it's not my sort of thing . . . I think I knew all the time I was sizing up the bridge that the strong possibility was I'd go home, attend my sister's wedding as invited, help hook-and-zip her into whatever she wore, take the bouquet while she received the ring, through the nose or on the finger, wherever she chose to receive it, and hold my peace when it became a question of speaking now of forever holding it.' It is the hottest June on record and the longest day of the year. Cassandra Edwards -tormented, intelligent, mordantly witty - leaves her graduate studies and her Berkeley flat to drive through the scorching heat to her family's ranch. There they are all assembled: her philosopher father, smelling sweetly of five-star Hennessy; her kind, fussy grandmother; her beloved, identical twin sister Judith, who is about to be married - unless Cassandra can help it.

These are the five rules Ariane Tucker has followed since the night she escaped from the genetics lab where she was created. Ariane's survival - and that of her adoptive father- depends on her ability to blend in among the full-blooded humans, to hide in plain sight from those who seek to recover their lost (and expensive) 'project'.