H. P. Berlage, 1856 - 1934
Author | : Hendrik Petrus Berlage |
Publisher | : |
Total Pages | : 366 |
Release | : 1975 |
Genre | : |
ISBN | : |
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Author | : Hendrik Petrus Berlage |
Publisher | : |
Total Pages | : 366 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Hendrik Petrus Berlage |
Publisher | : |
Total Pages | : 54 |
Release | : 1934 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1990 |
Genre | : Architecture, Modern |
ISBN | : |
Author | : Hendrik Petrus Berlage |
Publisher | : Getty Publications |
Total Pages | : 350 |
Release | : 1996-01-01 |
Genre | : Architecture |
ISBN | : 0892363339 |
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
Author | : R. Stephen Sennott |
Publisher | : Taylor & Francis |
Total Pages | : 546 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 9781579584337 |
"A balance of sophistication and clarity in the writing, authoritative entries, and strong cross-referencing that links archtects and structures to entries on the history and theory of the profession make this an especially useful source on a century of the world's most notable architecture. The contents feature major architects, firms, and professional issues; buildings, styles, and sites; the architecture of cities and countries; critics and historians; construction, materials, and planning topics; schools, movements, and stylistic and theoretical terms. Entries include well-selected bibliographies and illustrations."--"Reference that rocks," American Libraries, May 2005.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1969 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : Hans van Dijk |
Publisher | : 010 Publishers |
Total Pages | : 196 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9789064503474 |
Author | : Anthony Sully |
Publisher | : Springer Nature |
Total Pages | : 290 |
Release | : |
Genre | : |
ISBN | : 3031514106 |
Author | : Jonathan Glancey |
Publisher | : Welbeck |
Total Pages | : 496 |
Release | : 2023-05-16 |
Genre | : Architecture |
ISBN | : 1802794581 |
A pocket-size visual guide to the great buildings and structures of the modern age from around the world
Author | : Trevor Garnham |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2013-04-26 |
Genre | : Architecture |
ISBN | : 1134052995 |
Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day. It reflects upon history in order to encourage and assist the reader in finding well-founded principles for architectural design. This is not simply another history of architecture, nor a ‘history of histories’. Setting buildings in their contemporaneous ideas about history, it spans from Fischer von Erlach to Venturi and Rossi, and beyond to architects working in the fallout from both the Modern Movement – Aalto, Louis Kahn, Aldo van Eyck – and Post-modernism – such as Rafael Moneo and Peter Zumthor. It shows how Soane, Schinkel and Stirling, amongst others, made a meaningful use of history and contrasts this with how a misreading of Hegel has led to an abuse of history and an uncritical flight to the future. This is not an armchair history but a lively discussion of our place between past and future that promotes thinking for making.