Benedict Xiv And The Enlightenment

Benedict XIV and the Enlightenment offers a comprehensive assessment of Benedict's engagement with Enlightenment art, science, spirituality, and culture.

"Whoever needs an act of faith to elucidate an event that can be explained by reason is a fool, and unworthy of reasonable thought." This line, spoken by the notorious 18th-century libertine Giacomo Casanova, illustrates a deeply entrenched perception of religion, as prevalent today as it was hundreds of years ago. It is the sentiment behind the narrative that Catholic beliefs were incompatible with the Enlightenment ideals. Catholics, many claim, are superstitious and traditional, opposed to democracy and gender equality, and hostile to science. It may come as a surprise, then, to learn that Casanova himself was a Catholic. In The Catholic Enlightenment, Ulrich L. Lehner points to such figures as representatives of a long-overlooked thread of a reform-minded Catholicism, which engaged Enlightenment ideals with as much fervor and intellectual gravity as anyone. Their story opens new pathways for understanding how faith and modernity can interact in our own time. Lehner begins two hundred years before the Enlightenment, when the Protestant Reformation destroyed the hegemony Catholicism had enjoyed for centuries. During this time the Catholic Church instituted several reforms, such as better education for pastors, more liberal ideas about the roles of women, and an emphasis on human freedom as a critical feature of theology. These actions formed the foundation of the Enlightenment's belief in individual freedom. While giants like Spinoza, Locke, and Voltaire became some of the most influential voices of the time, Catholic Enlighteners were right alongside them. They denounced fanaticism, superstition, and prejudice as irreconcilable with the Enlightenment agenda. In 1789, the French Revolution dealt a devastating blow to their cause, disillusioning many Catholics against the idea of modernization. Popes accumulated ever more power and the Catholic Enlightenment was snuffed out. It was not until the Second Vatican Council in 1962 that questions of Catholicism's compatibility with modernity would be broached again. Ulrich L. Lehner tells, for the first time, the forgotten story of these reform-minded Catholics. As Pope Francis pushes the boundaries of Catholicism even further, and Catholics once again grapple with these questions, this book will prove to be required reading.

Investigates the response of the Roman Catholic Church to European Enlightenment critiques of revealed religion and clerical governance through the lens of its art, architecture, urbanism, and material culture.

Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

This book present the first comprehensive overview of the Catholic Enlightenment in Europe by a group of leading international scholars.

The contributors to this book argue for a robust, frequently positive, often complex, relationship between Roman Catholicism and the Enlightenment.

The Enlightenment was a complex cultural movement that radically transformed both religion and society — a movement Christians fended off when, in the name of “reason,” the Church in France was dethroned in a most bloody and utterly unreasonable way. The Enlightenment also ushered in a wave of genuine Christian inspiration and reform, however, and it opened vast new avenues for the faith to flourish. In this compelling and edifying book, scholar Joseph Stuart investigates this paradox, masterfully exploring the tense interaction of the Enlightenment and Christianity as two cultures, two lived realities, and two overlapping ways of life. On page after page, you'll see that the “Age of Reason” was more than just merciless confrontation between reason and religion. Indeed, it brought forth many Christians — including “the Enlightenment Pope,” Benedict XIV, and groups of coffee-drinking monks — who embraced both faith and reason as powerful tools for strengthening Church and society. In other cases, culture-changing Christians such as John Wesley and St. Louis de Montfort opted simply to sidestep the Enlightenment by building up Christian culture from within — a strategy that led to the explosion of powerful evangelical movements across the world. In Rethinking the Enlightenment, Dr. Stuart demonstrates that the three primary strategies Christians employed during the Enlightenment — conflict, engagement, and retreat — are time-tested methods that should be employed in our own anti-Christian age. Conflict without engagement is senseless; engagement without conflict is weak; and without retreat, both strategies lack wisdom. If we pursue all three today with the help of the Holy Spirit, then a tough, intellectually sophisticated, and evangelically oriented Christianity can emerge — just as it did in the tumultuous Age of the Enlightenment

A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians—notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475—were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions. The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.