Becketts Birthright

Eli Chandler didn't need a redheaded wildcat to complicate his life. What with a fiancée gone missing and a wily gambler on the loose, the ranch manager had enough on his plate. So why did he hunger after the boss's daughter, with a newly whetted appetite for love? Delilah Jackson could appreciate that. Just as she could appreciate the shocking way he made her feel without even trying—reminding her she was a woman first and a rancher second!

The protagonist of this novel is an educated mulatto male who tries to survive in a small Southern town in the early twentieth century. In a biography of Stribling, William E. Smith states: "Many years after its publication, Stribling identified his work as 'the first realistic novel of Negroes written in this country since Opie Read produced My Young Master.'" In 1924, the famous black director Oscar Micheaux adapted Birthright into a silent film.

Great Shakespeareans offers a systematic account of thosefigures who have had the greatest influence on the interpretation,understanding and cultural reception of Shakespeare, both nationally andinternationally. In this volume, leading scholars assess the contribution ofJames Joyce, T.S. Eliot, W.H. Auden and Samuel Beckett to the afterlife andreception of Shakespeare and his works.Each essay assesses the double impact of Shakespeare on the figurecovered and of that figure on the understanding, interpretation andappreciation of Shakespeare, providing a sketch of its subject's intellectualand professional biography and an account of the wider cultural context.

The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Travel Diaries, presented by Beckett biographer James Knowlson, with permission from the Beckett estate. Renowned director and theatre theoretician Herbert Blau follows with his personal Beckett "thinking through." Others in Part I explore Beckett and philosophy (Abbott), the influences of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays in Part II recontextualize Beckett's works in relation to iconography (Moorjani), film theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary field (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and performance issues (Rodríguez-Gago). Part III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). Finally, Beckett himself becomes a character in other playwrights' works (Zeifman). Taken together these essays make a clear case for the challenges and rewards of thinking through Beckett in his second century.

A collection of original essays by a team of leading Beckett scholars and two of his biographers, Companion to Samuel Beckett provides a comprehensive critical reappraisal of the literary works of Samuel Beckett. Builds on the resurgence of international Beckett scholarship since the centenary of his birth, and reflects the wealth of newly released archival sources Informed by the latest in scholarly, critical, and theoretical debates A valuable addition to contemporary Beckett scholarship, and testament to the enduring influence of Beckett’s work and his position as one of the most important literary figures of our time

Secret heiress Liza Chandler didn't want the money—or the rugged millionaire who'd suddenly come into her life. But Beckett had made a vow to get the job done…and he wasn't the type to take no for an answer. Especially not when he discovered that beneath Liza's plain-Jane exterior hid a passionate woman just waiting to be protected. But would Liza trust Beckett enough to take his money…and let him into her heart?

ON THE WAY TO THE ALTAR… Police detective Carson Becketthad skirted the altar assmoothly as a sly criminalavoided handcuffs. Now thetime had come to settle downand fulfill his ailing mother'swish—and he was halfway there with an unofficialpromise to wed his childhood sweetheart. But first hehad to repay an old family debt to the last of theChandler heirs.When his search led him to the gray-eyed,mesmerizing Kit Chandler, his usual logic desertedhim. Instinctively, he changed from benefactor toprotector when Kit became the target of someoneelse's wrath. And when tension turned to passion,Carson realized he was in deep. He would get to thealtar, but with whom?

This all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre.

Published in association with the seminar series of the same name held by the University of Oxford, Samuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work. Among the subjects covered the volume includes studies of: ·Beckett and the influence of new media 1956-1960 ·the influence of silent film on Beckett's work ·death, loss and Ireland in Beckett's drama - tracing Irish references in Beckett's plays from the 1950s and 1960s, including Endgame, All That Fall, Krapp's Last Tape and Eh Joe ·a consideration of Beckett's theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice. ·the French text of the novel Mercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett's career and indicates a crucial development in his writing ·the matter of tone in Beckett's drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance