Beckett And Death

Death is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the The Unnamable. A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work. Beckett and Death offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.

Three years ago, David Hunter moved to rural Norfolk to escape his life in London, his gritty work in forensics, and a tragedy that nearly destroyed him. Working as a simple country doctor, seeing his lost wife and daughter only in his dreams, David struggles to remain uninvolved when the corpse of a woman is found in the woods, a macabre sign from her killer decorating her body. In one horrifying instant, the quiet summer countryside that had been David’s refuge has turned malevolent—and suddenly there is no place to hide. The village of Manham is tight-knit, far from the beaten path. As a newcomer, Dr. Hunter is immediately a suspect. Once an expert in analyzing human remains, he reluctantly joins the police investigation—and when another woman disappears, it soon becomes personal. Because this time she is someone David knows, someone who has managed to penetrate the icy barrier around his heart. With a killer’s bizarre and twisted methods screaming out to him, with a brooding countryside beset with suspicion, David can feel the darkness gathering around him. For as the clock ticks down on a young woman’s life, David must follow a macabre trail of clues—all the way to its final, horrifying conclusion.

A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.

This is not just another book about crisis in Haiti. This book is about what it feels like to live and die with a crisis that never seems to end. It is about the experience of living amid the ruins of ecological devastation, economic collapse, political upheaval, violence, and humanitarian disaster. It is about how catastrophic events and political and economic forces shape the most intimate aspects of everyday life. In this gripping account, anthropologist Greg Beckett offers a stunning ethnographic portrait of ordinary people struggling to survive in Port-au-Prince in the twenty-first century. Drawing on over a decade of research, There Is No More Haiti builds on stories of death and rebirth to powerfully reframe the narrative of a country in crisis. It is essential reading for anyone interested in Haiti today.

Damned to Fame is the brilliant and insightful portrait of Nobel Prize-winning author Samuel Beckett, mysterious and reclusive master of twentieth-century literature. Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly re-creates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.

‘Masterful storytelling and macabre forensic details make his novels utterly chilling reads’ TESS GERRITSEN Once a busy hospital, St Jude’s now stands derelict, awaiting demolition. When a partially mummified corpse is found in the building’s cavernous loft, forensics expert Dr David Hunter is called in to take a look. He can’t say how long the body’s been there, but he is certain it’s that of a young woman. And that she was pregnant. Then part of the attic floor collapses, revealing another of the hospital’s secrets: a bricked-up chamber with beds inside. And some of them are still occupied. For Hunter, what began as a straightforward case is about to become a twisted nightmare. And it soon becomes clear that St Jude’s hasn’t claimed its last victim . . . Chilling, visceral and masterfully paced, Simon Beckett’s new crime thriller will leave you gasping.

In this psychological thriller from the author of The Chemistry of Death, a woman’s journey to motherhood leads her into deadly territory. Successful, single, and fiercely independent, Kate Powell has always taken charge of her own life. But lately she’s felt that something is missing. She wants a child—and she’s determined to have one on her own terms. Artificial insemination seems like the best option, but Kate doesn’t want to go through life not knowing who her child’s father is. After putting out an ad to find a suitable father, Kate finds the perfect candidate: Alex Turner seems to be the answer to all of Kate’s problems. But she’s about to learn that appearances can be deceiving. Soon Kate’s life is out of her hands . . . and dangerously out of control . . .

A dying man explores his imagination and begins to lose his identity.

This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.