Bear With Me Amma

MT, as he is popularly known, is one of the most illustrious writers and film-makers from modern Kerala. His life’s work has won him the Jnanpith Award, the Sahitya Akademi Award, the National Film Award and the Padma Bhushan, among others. MT grew up in the village of Kudallur in Kerala and his writings constantly evoke the landscape of the years he spent there. Many of the characters in his stories are based on people who lived in this region and the stories themselves often retell incidents that happened there. The memoirs as well as the stories in this volume were chosen by MT himself. They pay homage to his childhood, his craft and most importantly, his Amma, whose restful presence they beautifully and poignantly capture.

A masterpiece of British Indian literature in a vibrant modern English translation

In a world where family expectations outweigh personal desires, tradition isn't simply a guide—it's an ironclad rule. Madhav is a young man with an engineering job that pays rather well. He also has: · A mother who doesn’t understand why it is so wrong to demand dowry for her son. Especially when she paid out a generous dowry for her daughter. · A father who feels so obligated to his beautiful wife for consenting to marry him, he will not deny her. · A grandfather whose wacky schemes occupy his own time and Madhav’s. · A grandmother whose sharp tongue hides a kind heart. · A girl who has possession of his heart but not of the dowry his mother so desires. Traditionally, as the eldest son, Madhav must marry a woman who will perform his ancestors’ afterlife rituals—a responsibility he’s ready to shoulder. Yet, when it comes to selecting a bride, he'd rather deviate from tradition and choose his own partner—an idea his parents are not willing to accept. Set in rural India, where old traditions and new ideas often collide, Talking Is Wasted Breath is a compelling drama about the challenges of generational differences, societal pressures, and the power of love. In a world where family ties are both valued and limiting, the story follows one man’s search for happiness as he disrupts long-standing traditions. Engaging and insightful, this novel explores themes of change, hope, and the complexities of human relationships. ◆ This book was previously called 28 Years A Bachelor. ◆ Spellings used in this book are British/Indian. ◆ All books in this series may be read independently.

'If you have ever wondered how you might have felt and reacted had you lived in Palestine and heard tales about a wonderful 'Teacher' performing miracles down in Galilee, you will definitely enjoy this book.' Farifteh V. Robb, author of In the Shadow of the Shahs “When a pot breaks, it’s useless; at best there might be a shard that you can use to scoop grain. But what about a broken life? What about me? I feel so fragmented. Can I be repaired somehow? How do I live with the hate I feel towards those I’m supposed to be closest to? My life is in pieces and I don’t know what to do…” Will one tragic event leave friendship and family ties irrevocably broken? And how will a historical Middle Eastern mountain community deal with news of a miracle worker? Is he too good to be true?

For The Past 30 Years, Amma Has Dedicated Her Life To The Uplift Of Suffering Humanity Through The Simplest Of Gestures, An Embrace. In This Intimate Manner, Amma Has Blessed And Consoled More Than 30 Million People Throughout The World. Wherever She Travels, Be It In India, America Or Europe, Thousands Flock To See Her. They Seek Her Boundless Love And Compassion, Her Comfort And Her Advice. This Book Is A Collection Of Amma’s Answers To Questions Asked During Her Programs In The West Since 1999. Some Were Put To Her In A Formal Setting, But Most Were Asked As She Was Giving Darshan, By Those Sitting At Her Side And Those Resting In Her Arms. Here, Amma Speaks On A Vast Range Of Topics, Including The Nature Of Birth And Death, Worldly Relationships, War And Peace, And Spiritual Practices And Philosophy. No Matter The Question, Amma Answers In Her Own Inimitable Earthy Style, Full Of The Love Of A Mother And The Wisdom Of A True Spiritual Master. She Presents The Most Esoteric Of Spiritual Truths In A Manner So Simple That Even A Child Could Understand. Published By The Disciples Of Mata Amritanandamayi Devi, Affectionately Known As Mother, Or Amma The Hugging Saint.

Commentary By T.V. Narayana Menon. Sri Lalita Sahasranama With Commentary. The Thousand Names Of The Divine Mother Is An In-Depth Exploration Of One Of The Most Sacred And Powerful Of Chants: In This Scholarly, Yet Devotional Book, Each Of The 1,000 Mantras That Compose The Chant Are Mused Upon And Explained. The Book Also Explains Some Of The History, Benefits As Well As The Powers Of This Great Hymn. A Wonderful Way To Improves One's Understanding And Feel For The Lalita Sahasranama. Devi Will Always Protect Those Who Chant The Lalita Sahasranama With Devotion Each Day, Amma Says In Regards To This Chant. She Also Advises That This Chant Be Recited Daily For The Relief Of Suffering. Published By The Disciples Of Mata Amritanandamayi Devi, Affectionately Known As Mother, Or Amma The Hugging Saint.

"Our lives will always be in the hands of our mothers, whether we like it or not." Nazia doesn't mind when her friends tease and call her a good beti, a dutiful daughter. Growing up in a working-class family in Karachi, Pakistan, Nazia knows that obedience is the least she can give to her mother, who has spent years saving and preparing for her dowry. But every daughter must grow up, and for fourteen-year-old Nazia that day arrives suddenly when her father gets into an accident at work, and her family finds themselves without money for rent or food. Being the beti that she is, Nazia drops out of school to help her mother clean houses, all the while wondering when she managed to lose control of her life that had been full of friends and school. Working as a maid is a shameful obligation that could be detrimental to her future -- after all, no one wants a housekeeper for a daughter-in-law. As Nazia finds herself growing up much too quickly, the lessons of hardship that seem unbearable turn out to be a lot more liberating than she ever imagined.

In a high-energy sequel to I Am Bear, the dance-loving star rolls out a variety of dance moves and inspires kids to try some of their own. Get up, get down, hit the ground . . . Bear’s in a dancing mood, and his friend Bunny is happy to help out with the boom box. With moves like Furry Breaking, Running Bear (you run but don’t go anywhere), and the classic back spin, who could blame observers who might want to bust a move of their own? Actor/rapper Ben Bailey Smith (aka Doc Brown) and artist Sav Akyuz team up again for a lively two-step with the multitalented Bear.

Thi Jaa weaves a lyrical story of a vedapadasalai by the Kaveri and an orthodox household in Madras with an array of vivid, lifelike characters. His portrayal of women who pursue their passions with calm self-assurance is bold and uncritical.

“A carefully crafted ethnography on the South Indian festival of the village goddess Gangamma in the pilgrimage town of Tirupati” (Choice). During the goddess Gangamma’s festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights into Gangamma’s traditions and the nature of Hindu village goddesses. “Flueckiger’s rich and colorful descriptions of the stories, festivals, and worshipers connected with the goddess Gangamma evoke a world that previously had been accessible to very few living outside southern India. This work makes available to readers a close-up view of an extremely fascinating aspect of living Hinduism.” —David L. Haberman, Indiana University “Carefully crafted. . . . Through these rituals, stories and lives, the author reveals new ways of comprehending gender both at the cosmological and human level.” —Ann Grodzins Gold, Syracuse University