Battlesong

'A very promising historical adventure' - THE TIMES 'A terrific novel' - HISTORIA MAGAZINE *** 'There is a fury in England that none shall suppress - and when it breaks forth it will shake the throne' 1264 Storm clouds are gathering as Simon de Montfort and the barons of the realm challenge the power of Henry III. The barons demand reform; the crown demands obedience. England is on the brink of civil war. Adam de Norton, a young squire devoted to the virtues of chivalry, longs only to be knighted, and to win back his father's lands. Then a bloody hunting accident leaves him with a new master: the devilish Sir Robert de Dunstanville, who does not hesitate to use the blackest stratagems in pursuit of victory. Following Robert overseas, Adam is introduced to the ruthless world of the tournament, where knights compete for glory and riches, and his new master's methods prove brutally effective. But as England plunges into violence, Robert and Adam must choose a side in a battle that will decide the fate of the kingdom. Will they fight for the king, for de Montfort - or for themselves? Searingly vivid and richly evocative, Battle Song is tale of friendship and chivalry, rivalry and rebellion, and the medieval world in all its colour and darkness. *** Readers absolutely love BATTLE SONG: 'Another five star Ian Ross novel!' ***** 'Truly is a masterclass in historical fiction' ***** 'The best historical fiction I've read in years. Up there with Hilary Mantel!' ***** 'A great well researched novel' ***** 'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' ***** 'Well written and engaging characters' ***** 'Ian Ross writes with a class and style that leaves the reader or listener thirsting for more' ***** 'Brilliantly researched, gorgeously plotted and blessed with a terrific cast of exquisitely drawn characters' ***** 'A gripping tale of early England' ***** 'A really good story, brought to life by an excellent narrator' *****

Outraged by the Vietnam War and racism in America, a group of young American radicals announced their intention to "bring the war home." The Weather Underground waged a low-level war against the U.S. government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison, and evading one of the largest FBI manhunts in history. Sing a Battle Song brings together the three complete and unedited publications produced by the Weathermen during their most active period underground, 1970 to 1974: The Weather Eye: Communiqués from the Weather Underground; Prairie Fire: The Politics of Revolutionary Anti-Imperialism; and Sing a Battle Song: Poems by Women in the Weather Underground Organization. Sing a Battle Song is introduced and annotated by three of the Weather Underground’s original organizers—Bill Ayers, Bernardine Dohrn, and Jeff Jones—all of whom are all still actively engaged in social justice movement work. Idealistic, inspired, pissed-off, and often way-over-the-top, the writings of the Weather Underground epitomize the sexual, psychedelic, anti-war counterculture of the American 1960s and 1970s.

A guide to Final Cut Pro 5 discusses the basics of video editing, along with instructions on advanced techniques, covering such topics as marking and editing clips, inserting and adjusting edits, and creating transitions.

Assertive, tough, and idealistic, the Weatherwomen--members of the Weather Underground Organization (WUO) from the late 1960s--were determined to stamp out sexism and social injustice. They asserted that militancy was necessary in the pursuit of a socialist revolution that would produce gender, racial, and class equality. This book excavates their long buried history and reclaims the voices of the Weatherwomen. The Weatherwomen's militant feminism had many facets. It criticized the role of women in the home, was concerned with the subordination of women to men, attacked the gender pay gap, and supported female bodily integrity. The Weatherwomen also refined their own feminist ideology into an intersectional one that would incorporate multiple identity perspectives beyond the white, American, middle-class perspective. In shaping a feminist vision for the WUO, the Weatherwomen dealt with sexism within their own organization and were dismissed by some feminist groups of the time as inauthentic. This work strives to recognize the WUO's militant feminist efforts, and the agency, autonomy, and empowerment of its female members, by concentrating on their actions and writings.

During the 1970s in the United States, hundreds of feminist, queer, and antiracist activists were imprisoned or became fugitives as they fought the changing contours of U.S. imperialism, global capitalism, and a repressive racial state. In Fugitive Life Stephen Dillon examines these activists' communiqués, films, memoirs, prison writing, and poetry to highlight the centrality of gender and sexuality to a mode of racialized power called the neoliberal-carceral state. Drawing on writings by Angela Davis, the George Jackson Brigade, Assata Shakur, the Weather Underground, and others, Dillon shows how these activists were among the first to theorize and make visible the links between conservative "law and order" rhetoric, free market ideology, incarceration, sexism, and the continued legacies of slavery. Dillon theorizes these prisoners and fugitives as queer figures who occupied a unique position from which to highlight how neoliberalism depended upon racialized mass incarceration. In so doing, he articulates a vision of fugitive freedom in which the work of these activists becomes foundational to undoing the reign of the neoliberal-carceral state.