Basic C6th Nonpedal Lap Steel Method

Made famous by the legendary Jerry Byrd, the C6 tuning [CEGACE] for the non- pedal lap steel guitar has many advantages due to its versatility. The tuning isespecially useful in playing two and three-string chord combinations and for easy single-string passages. Patience, dedication and many hours of practice areneeded to perfect the "slant" bar positions, especially the reverse slants, but the end result is well worth the effort. This excellent text, written by Steel Guitarand Country Music Hall of Fame member DeWitt Scott, is written in standard notation and tablature. Audio download available online.

Made famous by the legendary Jerry Byrd, the C6 tuning [CEGACE] for the non- pedal lap steel guitar has many advantages due to its versatility. The tuning isespecially useful in playing two and three-string chord combinations and for easy single-string passages. Patience, dedication and many hours of practice areneeded to perfect the slant bar positions, especially the reverse slants, but the end result is well worth the effort. This excellent text, written by Steel Guitarand Country Music Hall of Fame member DeWitt Scott, is written in standard notation and tablature

This time-honored method addresses the six-string lap steel guitar in E7 tuning. This approach incorporates both note reading and melody chord playing. The melody chord approach is the one utilized and made famous by New Orleans' great guitarist and teacher, Roger Filiberto. This book contitutes one of the most practical, well-written methods available for the lap steel guitar; it teaches techniques and chord harmony applicable to Hawaiian, bottleneck/slide and even resonator styles.

(Fretted). The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list.

First Lessons Lap Steel is a fun and easy approach to learning the lap steel guitar. Author Jay Leach explains the basics of the instrument including bar control, picking, and string groups, with fun exercises to play. This book also includes several catchy tunes and an accompanying CD with play-along tracks.

(Instructional). The Hal Leonard Lap Steel Guitar Method is designed for anyone just learning to play the six-string lap steel guitar. This comprehensive and easy-to-use beginner's guide by country music veteran Johnie Helms includes many fun songs and hot licks to learn and play. The accompanying audio features 95 demonstration and play along tracks. Topics include tunings, chords, scales, key positions, right- and left-hand techniques, vibrato, string pulls, slants, music reading, and much more!

This is the standard-bearer for pedal steel instruction books. It is extremely comprehensive in scope. Written by DeWitt Scott, founder of the International Pedal Steel Guitar Convention and member of the Pedal Steel Guitar Hall of Fame, this course teaches E9 tuning, Nashville set-up pedal steel with three floor and three knee levers. If you want to learn pedal steel, this book will show you how. the accompanying CD is in split-track format, allowing the student to play with the rhythm accompaniment, the pedal-steel solo parts, or both.

This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels.The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. the first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. the second section, meanwhile, provides an indispensible guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios.The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. the musical scores included in the method are accompanied by a CD of recorded exercises and a free audio download of repertoire played by recognized Chilean instrumentalists.

Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.