Bartok Romanian Folk Dances Sz 56 For The Piano Book Cd With Cd Audio

This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bartók. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds. Included is an outstanding CD recording from the Naxos label.

This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bartók. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds.

The Two Romanian Folk Dances, Opus 8A, are a piano work written by Béla Bartók, based on Romanian folk music. Written in 1910, they date from the beginning of his interest in folk music.

This is a new edition of Béla Bartók’s Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer. When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work, while initiating the field of ethnomusicology. Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Newly and beautifully engraved, the notation includes fingering guidance throughout, while a specially-written introduction tells the story of the young composer and the intriguing backstory of this work. Songlist: - Stick Dance - Joc cu bâtă - Waistband Dance - Brâul - In One Spot - Pe loc - Dance From Butschum - Horn Dance - Buciumeana - Romanian Polka - Poargă Românească - Fast Dance - Mărunțel

Dvořák's Slavonic Dances, Op. 72 is the second of two sets of dances inspired by the composer's Bohemian folk-music roots. There are eight duets in this volume, each one displaying rhythmic energy and lyricism. Based on the original edition, this volume includes performance notes, editorial fingering, and suggested metronome marks.

Granados's 12 Spanish Dances is a cycle of keyboard vignettes depicting Spanish life. This is the first critical edition published in the United States that includes Granados's final revisions. Performance notes, historical information and a glossary of Spanish terms are included. This edition aids in interpretation through added fingerings, editorial pedal, and indications for subtle changes in tempo, which are integral to the performance of Spanish music. Dr. Kuehl-White studied in Barcelona with legendary Spanish pianist Alicia de Larrocha, who provided a tremendous legacy regarding the performance practice traditions of Granados's music. Titles: * Galante * Oriental * Fandango * Villanesca * Andaluza * Rondalla Aragonesa * Valenciana * Asturiana * Romántica * Melancólica * Arabesca * Bolero

The Fantasie in F Minor, Op. 103, is Franz Schubert's most-often performed piano duet and is considered one of the great masterpieces of ensemble piano repertoire. Schubert completed the Fantasie in 1828, just a short time before his death later that year. The work demonstrates his mature style and is filled with some of his best writing. Its four connected movements contain lovely and enticing melodies, dramatic gestures in French overture style, a brilliant scherzo and trio, and a virtuosic fugue.

Franz Schubert was one of the most prolific composers of ensemble piano music, and the Allegro in A Minor, Op. 144, demonstrates his mastery at writing for one piano, four hands. This large and passionate work was composed in 1828, the year of Schubert's death. It is written in sonata-allegro form and may have been intended as the first movement of a sonata. It was first published by Anton Diabelli in 1840 with the title Lebensstürme: Characterischeres Allegro (Life's Storms: Characteristic Allegro). The Allegro makes extensive use of chromaticism, Neapolitan sixth chords, and contrasts of moods.

Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartok's highly individual style.