Ballroom

A searing novel of forbidden love on the Yorkshire moors—“a British version of One Flew Over the Cuckoo’s Nest” (The Times U.K.)—from the author of the critically acclaimed debut Wake England, 1911. At Sharston Asylum, men and women are separated by thick walls and barred windows. But on Friday nights, they are allowed to mingle in the asylum’s magnificent ballroom. From its balconies and vaulted ceilings to its stained glass, the ballroom is a sanctuary. Onstage, the orchestra plays Strauss and Debussy while the patients twirl across the gleaming dance floor. Amid this heady ambience, John Mulligan and Ella Fay first meet. John is a sure-footed dancer with a clouded, secretive face; Ella is as skittish as a colt, with her knobby knees and flushed cheeks. Despite their grim circumstances, the unlikely pair strikes up a tenuous courtship. During the week, he writes letters smuggled to her in secret, unaware that Ella cannot read. She enlists a friend to read them aloud and gains resolve from the force of John’s words, each sentence a stirring incantation. And, of course, there’s always the promise of the ballroom. Then one of them receives an unexpected opportunity to leave Sharston for good. As Anna Hope’s powerful, bittersweet novel unfolds, John and Ella face an agonizing dilemma: whether to cling to familiar comforts or to confront a new world—living apart, yet forever changed. Praise for The Ballroom “The Ballroom successfully blends historical research with emotional intelligence to explore the tensions and trials of the human condition with grace and insight.”—New York Times Book Review “Part historical novel and part romance, The Ballroom paints an incredibly rich portrait of the mentally stable forced to live in an asylum. [Anna] Hope transports readers inside the asylum, to feel the thick humidity of the stale summer air of the day room, and the gritty and brutal reality inside those walls.”—Booklist “A compelling cast of emotionally resonant characters, as well as a bittersweet climax, render Hope’s second novel a powerful, memorable experience.”—Publishers Weekly “Hope’s writing is consistently beautiful. . . . Recommended for readers who enjoy historical fiction by Sarah Waters or Emma Donoghue.”—Library Journal “A beautifully wrought novel, a tender, heartbreaking and insightful exploration of the longings that survive in the most inhospitable environments.”—Sunday Express “The Ballroom has all the intensity and lyricism of [Anna] Hope’s debut, Wake. At its heart is a tender and absorbing love story.”—Daily Mail “Compelling and masterful . . . Anna Hope has proven once again that she is a luminary in historical fiction. . . . She delivers profound, poignant narratives that stir the emotions.”—Yorkshire Post “As with Hope’s highly acclaimed debut novel, Wake, the writing is elegant and insightful; she writes beautifully about human emotion, landscape and weather.”—The Observer “A brilliantly moving meditation on what it means to be ‘insane’ in a cruel world . . . All the characters are vividly and sensitively drawn. . . . Deeply moving.”—The Irish Times

Told in interconnecting stories, Ballroom is a beautifully crafted debut novel—reminiscent of the works of Elizabeth Strout and Jennifer Haigh—about a group of strangers united by a desire to escape their complicated lives, if only for a few hours each week, in a faded New York City dance hall. Time has eroded the glamour of the Ballroom, but at the end of the 1990s, a small crowd of loyal patrons still makes its way past the floor-to-ceiling columns which frame the once grand hall each Sunday evening. Sweeping across the worn parquet floor under a peeling indigo ceiling, these men and women succumb to the magic of the music, looking for love and connection, eager to erase the drab reality of their complicated lives. Nearly forty and still single, Sarah Dreyfus is desperate for love and sure she’ll find it with debonair Gabriel Katz, a dazzling peacock who dances to distract himself from his crumbling marriage. Tired of the bachelor life, Joseph believes that his yearning for a wife and family will be fulfilled—if only he can get Sarah to notice him. Besotted with beautiful young Maria Rodriguez, elderly dance instructor Harry Korn knows they can find happiness together. Maria, one of the Ballroom’s stars, has a dream of her own, a passion her broken-hearted father refuses to accept or understand. As the rhythms of the Ballroom ebb and flow through these characters’ hearts, their fates come together in touching, unexpected ways.

A guide to general dancing skills accompanies sequential photographs and foot-pattern diagrams illustrating the fundamentals of the fox-trot, waltz, cha-cha, tango, polka, and other popular ballroom dances.

Legendary features Gerard H. Gaskin's radiant color and black-and-white photographs of house balls, underground pageants where gay and transgender men and women, mostly African American and Latino, come together to see and be seen.

Butch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

The dramatic and deadly conclusion to the thrilling YA mystery series inspired by the classic board game CLUE—now in paperback! After a tragic accident at Blackbrook Academy kills one of their own, Orchid, Scarlett, Peacock, Mustard, and Plum are desperate to put the pieces back together and finish out the year. The Murder Crew may have earned their nickname, but the last of their secrets are still coming to light and threatening to destroy friendships, futures, and more. And when another suspicious death rocks the campus and Blackbrook's dark past crashes into its present, they have a choice: Band together or turn on each other. Because this year's prom? It's to die for.

An insider explores the transformation of ballroom dance into an Olympic sport.

A 2023 Lambda Literary Award Finalist in Nonfiction An Electric Literature “Most Anticipated LGBTQ+ Book of 2022” Selection A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture. What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose lives, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

At the end of the 1980s, 'Voguing' suddenly entered the mainstream when featured in Madonna's 'Vogue' video, Malcolm McClaren's 'Deep in Vogue' single and the 1990 documentary 'Paris is Burning' won the Grand Jury Prize at the Sundance Film Festival. Photographer Chantal Regnault spent many years capturing the emergent underground gay ballroom scene in Harlem at the end of the 1980s, from where Voguing emerged. A riot of fashion, image, poly-sexuality and a radical subversion of style, sexuality and race is vividly captured in the hundreds of amazing, never before seen, photographs in this deluxe book. The book also features interviews with key figures from the movement, essays, flyers and documents from this momentous era.