Ballad Of The Anarchist Bandits

The thrilling story of the Bonnot Gang, a band of anarchist bank robbers whose crimes terrorized Belle Époque Paris, and whose escapades reflected the fast-paced, dizzyingly modern, and increasingly violent period on the eve of World War I. For six terrifying months in 1911-1912, the citizens of Paris were gripped by a violent crime streak. A group of bandits went on a rampage throughout the city and its suburbs, robbing banks and wealthy Parisians, killing anyone who got in their way, and always managing to stay one step ahead of the police. But Jules Bonnot and the Bonnot Gang weren't just ordinary criminals; they were anarchists, motivated by the rampant inequality and poverty in Paris. John Merriman tells this story through the eyes of two young, idealistic lovers: Victor Kibaltchiche (later the famed Russian revolutionary and writer Victor Serge) and Rirette Maîtrejean, who chronicled the Bonnot crime spree in the radical newspaper L'Anarchie. While wealthy Parisians frequented restaurants on the Champs-Élysées, attended performances at the magnificent new opera house, and enjoyed the decadence of the so-called Belle Époque, Victor, Rirette, and their friends occupied a vast sprawl of dank apartments, bleak canals, and smoky factories. Victor and Rirette rejected the violence of Bonnot and his cronies, but to the police it made no difference. Victor was imprisoned for years for his anarchist beliefs, Bonnot was hunted down and shot dead, and his fellow bandits were sentenced to death by guillotine or lifelong imprisonment. Fast-paced and gripping, Ballad of the Anarchist Bandits is a tale of idealists and lost causes--and a vivid evocation of Paris in the dizzying years before the horrors of World War I were unleashed.

"For six terrifying months in 1911-1912, the citizens of Paris were gripped by a violent crime streak. A group of bandits went on a rampage throughout the city and its suburbs, robbing banks and wealthy Parisians, killing anyone who got in their way, and always managing to stay one step ahead of the police. But Jules Bonnot and the Bonnot Gang weren't just ordinary criminals; they were anarchists, motivated by the rampant inequality and poverty in Paris. John Merriman tells this story through the eyes of two young, idealistic lovers: Victor Kibaltchiche (later the famed Russian revolutionary and writer Victor Serge) and Rirette Maîtrejean, who chronicled the Bonnot crime spree in the radical newspaper L'Anarchie. While wealthy Parisians frequented restaurants on the Champs-Élysées, attended performances at the magnificent new opera house, and enjoyed the decadence of the so-called Belle Époque, Victor, Rirette, and their friends occupied a vast sprawl of dank apartments, bleak canals, and smoky factories. Victor and Rirette rejected the violence of Bonnot and his cronies, but to the police it made no difference. Victor was imprisoned for years for his anarchist beliefs, Bonnot was hunted down and shot dead, and his fellow bandits were sentenced to death by guillotine or lifelong imprisonment. Fast-paced and gripping, Ballad of the Anarchist Bandits is a tale of idealists and lost causes--and a vivid evocation of Paris in the dizzying years before the horrors of World War I were unleashed."--Jacket flaps.

A top historian offers a new history of Paris’s Belle Époque, the luminous age of the Eiffel Tower and the Sacré-Cœur Basilica, but also of social unrest and violent clashes over what it meant to be French From the wrought ironwork of the Eiffel Tower to the flourishing art nouveau movement, the Belle Époque is remembered as a golden age for Parisian culture. Beneath the veneer of elegance, however, fin de siècle Paris was a city at war with itself. In City of Light, City of Shadows, Mike Rapport uncovers a Paris riven by social anxieties and plagued by overlapping epidemics of poverty, political extremism, and anti-Semitism. As the Sacré-Cœur and Eiffel Tower rose into the skies, redefining architecture and the Paris skyline, Paris’s slums were plagued by disease and gang violence. The era, now remembered as a high point of French art and culture, was also an age of intense political violence, including anarchist bombings, organized right-wing mobs, and assassinations. Weaving together these stories of splendor and suffering with the fabric of the city itself, the book offers a brilliant account of Paris’s Belle Époque—revealing the darkness that suffused the City of Light.

Beggars, outcasts, urchins, waifs, prostitutes, criminals, convicts, madmen, fallen women, lunatics, degenerates—part reality, part fantasy, these are the grotesque faces that populate the underworld, the dark inverse of our everyday world. Lurking in the mirror that we hold up to our society, they are our counterparts and our doubles, repelling us and yet offering the tantalizing promise of escape. Although these images testify to undeniable social realities, the sordid lower depths make up a symbolic and social imaginary that reflects our fears and anxieties—as well as our desires. In Vice, Crime, and Poverty, Dominique Kalifa traces the untold history of the concept of the underworld and its representations in popular culture. He examines how the myth of the lower depths came into being in nineteenth-century Europe, as biblical figures and Christian traditions were adapted for a world turned upside-down by the era of industrialization, democratization, and mass culture. From the Parisian demimonde to Victorian squalor, from the slums of New York to the sewers of Buenos Aires, Kalifa deciphers the making of an image that has cast an enduring spell on its audience. While the social conditions that created that underworld have changed, Vice, Crime, and Poverty shows that, from social-scientific ideas of the underclass to contemporary cinema and steampunk culture, its shadows continue to haunt us.

In this third edition of his widely acclaimed survey, historian Randall D. Law makes sense of the history of terrorism by examining it within its broad political, religious and social contexts from the ancient world to the present day. In Terrorism: A History, Law reveals how the very definition of the word has changed, how the tactics and strategies of terrorism have evolved, and how those who have used it have adapted to revolutions in technology, communications, and political ideologies. Terrorism: A History extensively covers topics as wide-ranging as jihadist violence, state terror, the Israeli/Palestianian conflict, Northern Ireland, anarcho-terrorism, and racist violence, plus lesser-known movements in Uruguay and Algeria, as well as pre-modern uses of terror in the ancient world, medieval Europe, and the French Revolution. This brand-new revision edition features up-to-the-moment analysis of: • The state of al-Qaeda, its franchises, and global jihad today • New incarnations of far-right extremism, including the Oathkeepers, Proud Boys, and conspiracy theorists • The continuing presence of religiously inspired terrorism in North America and across the world Law’s expert analysis also includes updated and expanded chapter bibliographies, even more scholarly citations, and a new conclusion exploring the future of terrorism. Terrorism: A History remains the go-to book for those wishing to understand the real nature and importance of this ubiquitous phenomenon.

Lively, incendiary, and inspiring No Harmless Power follows the life of Nestor Makhno, who organized a seven million strong anarchist polity during the Russian civil war, and who developed Platform-anarchism during his exile in Paris as well as advising other anarchists like Durruti on tactics and propaganda. Both timely and timeless, this biography reveals Makhno’s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader. Narrowly escaping Bolshevik Ukraine for Paris—this book also chronicles the friends and enemies he made along the way including: Lenin, Trotsky, Alexander Berkman, Kropotkin, Emma Goldman, Ida Mett, and others. No Harmless Power is the first text to fully delve into Makhno’s sympathy for the downtrodden, the trap of personal heroism, his improbable victories, unlikely friendships, and his alarming lack of gun-safety in meetings. Makhno and the movement he began are seldom mentioned in most mainstream histories—Western or Russian—mostly on the grounds that acknowledging anarchist polities calls into question the inevitability and desirability of the nation-state and unjust hierarchies. With illustrations by N.O. BONZO and Kevin Matthews, this is a fresh, humorous, and necessary look at an under-examined corner of history as well as a deep exploration of the meaning—and value, if any—of heroism as history.

The Invention of Terrorism in France, 1904-1939 investigates the political and social imaginaries of "terrorism" in the early twentieth century. Chris Millington traces the development of how the French conceived of terrorism, from the late nineteenth-century notion that terrorism was the deed of the mad anarchist bomber, to the fraught political clashes of the 1930s when terrorism came to be understood as a political act perpetrated against French interests by organized international movements. Through a close analysis of a series of terrorist incidents and representations thereof in public discourse and the press, the book argues that contemporary ideas of terrorism in France as "unFrench"—that is, contrary to the ideas and values, however defined, that make up "Frenchness"—emerged in the interwar years and subsequently took root long before the terrorist campaigns of Algerian nationalists during the 1950s and 1960s. Millington conceptualizes "terrorism" not only as the act itself, but also as a political and cultural construction of violence composed from a variety of discourses and deployed in particular circumstances by commentators, witnesses, and perpetrators. In doing so, he argues that the political and cultural battles inherent to perceptions of terrorism lay bare numerous concerns, not least anxieties over immigration, antiparliamentarianism, representations of gender, and the future of European peace.

New York Times Book Review Editor’s Choice; Real Simple Best of the Month; Library Journal Editors’ Pick In the spirit of Battle Hymn of the Tiger Mother, Bringing up Bébé, and The Smartest Kids in the World, a hard-hitting exploration of China’s widely acclaimed yet insular education system that raises important questions for the future of American parenting and education When students in Shanghai rose to the top of international rankings in 2009, Americans feared that they were being "out-educated" by the rising super power. An American journalist of Chinese descent raising a young family in Shanghai, Lenora Chu noticed how well-behaved Chinese children were compared to her boisterous toddler. How did the Chinese create their academic super-achievers? Would their little boy benefit from Chinese school? Chu and her husband decided to enroll three-year-old Rainer in China’s state-run public school system. The results were positive—her son quickly settled down, became fluent in Mandarin, and enjoyed his friends—but she also began to notice troubling new behaviors. Wondering what was happening behind closed classroom doors, she embarked on an exploratory journey, interviewing Chinese parents, teachers, and education professors, and following students at all stages of their education. What she discovered is a military-like education system driven by high-stakes testing, with teachers posting rankings in public, using bribes to reward students who comply, and shaming to isolate those who do not. At the same time, she uncovered a years-long desire by government to alleviate its students’ crushing academic burden and make education friendlier for all. The more she learns, the more she wonders: Are Chinese children—and her son—paying too high a price for their obedience and the promise of future academic prowess? Is there a way to appropriate the excellence of the system but dispense with the bad? What, if anything, could Westerners learn from China’s education journey? Chu’s eye-opening investigation challenges our assumptions and asks us to consider the true value and purpose of education.

What connects political violence in Classical Athens and state terrorism in the Roman republic to the Easter Sunday attacks in Sri Lanka and the modern destruction of monuments? Using 9/11 as a lens through which to examine past instances of terrorism, this book presents a wide global view of the use of terror and its impact throughout history. Contributors are: Jaime A. González-Ocaña, Aaron L. Beek, Francesco Mori, Gaius Stern, Timothy Smith, João Nisa, Ölbei Tamás, James Crossland, Paul J. Cook, Chris Millington, Vineeth Mathoor, Dmitry Shlapentokh, Kalinga Tudor Silva, Cserkits Michael, Katty Cristina Lima Sá, Tatiana Konrad, Daniel Leach, Paul J. Cook, Mark Briskey, Silke Zoller, Elizabeth L. Miller, and William V. Hudon.

A thrilling account of the 1911 Siege of Sidney Street—when a young Winston Churchill allowed two immigrant revolutionaries to burn to death in London’s East End. On January 3, 1911, police discovered Latvian revolutionaries on the lam in London’s East End. A six-hour gunfight ensued until fire consumed the building where the radicals had taken refuge. When a not-yet-prime-minister Winston Churchill arrived at the scene, he ordered officials to let the fire run its course. At least two people burned to death in the blaze, but the Latvian ringleader, Peter the Painter, remained at large. Known as the Siege of Sidney Street, the event was a nationwide sensation and ignited fierce debates about immigration, extremism, and law enforcement. This book unravels the full story of the siege, the Latvian expatriates, and London’s vibrant anarchist movement in the early twentieth century.