Bad News At Black Rock

**Inspiration for the 2012 award-winning film What Richard Did – from the author of White City, available for pre-order now** 'An excellent novel... It comes from the gut, it's raw, it's passionate' John Boyne, author of The Boy in Striped Pyjamas On a late August night a young man is kicked to death outside a Dublin nightclub and celebration turns to devastation. The reverberations of that event, its genesis and aftermath, are the subject of this extraordinary story, stripping away the veneer of a generation of Celtic cubs, whose social and sexual mores are chronicled and dissected in this tract for our times. The victim, Conor Harris, his killers - three of them are charged with manslaughter - and the trial judge share common childhoods and schooling in the privileged echelons of south Dublin suburbia. The intertwining of these lives leaves their afflicted families in moral free fall as public exposure merges with private anguish and imploded futures. Praise for Kevin Power: 'Kevin Power is an author of magnificent control, stirring the deepest compassion with restless anger in this piercing contemporary novel' Frank McGuinness 'This novel marks the debut of a deeply moral and probing writer - and a potentially great one' Sunday Post (Ireland) 'White City is a dark, hilarious and emotionally profound study of the toxic effects of greed and entitlement. Also, a story brilliantly and movingly told. Couldn’t stop reading it. Will read it again' Ed O'Loughlin, author of Not Untrue and Not Unkind and This Eden 'This is part thriller but mostly a look at what it means to grow up... full of ridiculously beautiful, polished, & often scathing sentences. This novel is pleasing on so many levels, both intellectually & emotionally... You'll laugh, you'll cry... Read it, read it, read it' Claire Hennessy, author, editor & publisher at Banshee Press

From the bestselling author of Suspicious Minds There was a time when the news came once a day, in the morning newspaper. A time when the only way to see what was happening around the world was to catch the latest newsreel at the movies. Times have changed. Now we're inundated. The news is no longer confined to a radio in the living room, or to a nightly half-hour timeslot on the television. Pundits pontificate on news networks 24 hours a day. We carry the news with us, getting instant alerts about events around the globe. Yet despite this unprecedented abundance of information, it seems increasingly difficult to know what's true and what's not. In Bad News, Rob Brotherton delves into the psychology of news, reviewing how the latest research can help navigate this supposedly post-truth world. Which buzzwords describe psychological reality, and which are empty sound bites? How much of this news is unprecedented, and how much is business as usual? Are we doomed to fall for fake news, or is fake news ... fake news? There has been considerable psychological research into the fundamental questions underlying this phenomenon. How do we form our beliefs, and why do we end up believing things that are wrong? How much information can we possibly process, and what is the internet doing to our attention spans? Ultimately this book answers one of the greatest questions of the age: how can we all be smarter consumers of news?

Celia's mother died bringing her into the world - when one soul flies in, another flies out, her aunt Tassi says. So she lives in Black Rock, Tobago, with her cousins and Tassi's second husband Roman, a man so sly he could crawl under a snake's belly on stilts. Celia thinks he's the devil, so when he does something that proves her right, she runs away to Trinidad and a new life in service.

That market forces drive the news is not news. Whether a story appears in print, on television, or on the Internet depends on who is interested, its value to advertisers, the costs of assembling the details, and competitors' products. But in All the News That's Fit to Sell, economist James Hamilton shows just how this happens. Furthermore, many complaints about journalism--media bias, soft news, and pundits as celebrities--arise from the impact of this economic logic on news judgments. This is the first book to develop an economic theory of news, analyze evidence across a wide range of media markets on how incentives affect news content, and offer policy conclusions. Media bias, for instance, was long a staple of the news. Hamilton's analysis of newspapers from 1870 to 1900 reveals how nonpartisan reporting became the norm. A hundred years later, some partisan elements reemerged as, for example, evening news broadcasts tried to retain young female viewers with stories aimed at their (Democratic) political interests. Examination of story selection on the network evening news programs from 1969 to 1998 shows how cable competition, deregulation, and ownership changes encouraged a shift from hard news about politics toward more soft news about entertainers. Hamilton concludes by calling for lower costs of access to government information, a greater role for nonprofits in funding journalism, the development of norms that stress hard news reporting, and the defining of digital and Internet property rights to encourage the flow of news. Ultimately, this book shows that by more fully understanding the economics behind the news, we will be better positioned to ensure that the news serves the public good.

The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.

"One of the more important, courageous and insightful books on the Troubles, all the more so because of the southern angle. I predict that it will be remembered for a long time." – Ed Moloney, journalist and author It's August 1969 and Northern Ireland is burning. Catholics are marching for civil rights and loyalist attacks have brought the British army onto the streets to quell the riots. In the middle-class suburbs of south Dublin, the political atmosphere that is transforming the North finds an unlikely convert in law student Kieran Conway. Determined to play his part, he goes to London to join the IRA. Following his training, he participates in gun fights, bank raids and intelligence-gathering sorties in England, on the Irish border and in Derry, where he encounters the young Martin McGuinness. Arrested during a British Army raid on a safe house, he is imprisoned in Crumlin Road prison, where he participates in the successful hunger strike for political status. He is transferred to Long Kesh, where he becomes adjutant to the legendary Billy McKee. On his release, he reports back to the IRA and is appointed to its general headquarters staff, where he serves during the controversial ceasefire of 1975. Profoundly disillusioned by the dysfunction within the movement, he resigns in late 1975 and returns to university, although he rejoins the IRA in 1981 before eventually leaving for good in 1993. Southside Provisional provides candid portraits of the leading IRA figures of the 1970s, alongside detailed accounts of the politics, organisation, training and operational methods of the IRA. Throughout the story, Conway's personal journey from teenage middle-class Anglophile to committed IRA activist is set against the political and military developments of the 1970s. He is not afraid to address difficult issues such as the IRA bombing campaign and its response to the loyalist killing of nationalists. Honest, fearless and frank, Southside Provisional is a fascinating first-hand account of Conway's time within Ireland's most secretive and notorious organisation.