Backwater Blues

Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun, a MacArthur "Genius" Fellow, insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching—a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come.

The Mississippi River flood of 1927 was the most destructive river flood in U.S. history, reshaping the social and cultural landscape as well as the physical environment. Often remembered as an event that altered flood control policy and elevated the stature of powerful politicians, Richard M. Mizelle Jr. examines the place of the flood within African American cultural memory and the profound ways it influenced migration patterns in the United States. In Backwater Blues, Mizelle analyzes the disaster through the lenses of race and charity, blues music, and mobility and labor. The book’s title comes from Bessie Smith’s “Backwater Blues,” perhaps the best-known song about the flood. Mizelle notes that the devastation produced the richest groundswell of blues recordings following any environmental catastrophe in U.S. history, with more than fifty songs by countless singers evoking the disruptive force of the flood and the precariousness of the levees originally constructed to protect citizens. Backwater Blues reveals larger relationships between social and environmental history. According to Mizelle, musicians, Harlem Renaissance artists, fraternal organizations, and Creole migrants all shared a sense of vulnerability in the face of both the Mississippi River and a white supremacist society. As a result, the Mississippi flood of 1927 was not just an environmental crisis but a racial event. Challenging long-standing ideas of African American environmental complacency, Mizelle offers insights into the broader dynamics of human interactions with nature as well as ways in which nature is mediated through the social and political dynamics of race.Includes discography.

Folklorist, writer, editor, regionalist, cultural activist—Benjamin Albert Botkin (1901–1975) was an American intellectual who made a mark on the twentieth century, even though most people may be unaware of it. This book, the first to reevaluate the legacy of Botkin in the history of American culture, celebrates his centenary through a collection of writings that assess his influence on scholarship and the American scene. Through his work with the Federal Writers' Project during the New Deal, the Writers' Unit of the Library of Congress Project, and the Archive of American Folksong, Botkin did more to collect and disseminate the nation's folk-cultural heritage than any other individual in the twentieth century. This volume focuses on Botkin's eclectic but interrelated concerns, work, and vision and offers a detailed sense of his life, milieu, influences, and long-term contributions. Just as Botkin boldly cut across the boundaries between high and low, popular and folk, this book brings together reflections that range from the historical to the philosophical to the disarmingly personal. One group of articles looks at his career and includes the first extended analysis of Botkin's poetry; another probes the fruitful relationships Botkin had with leading musicologists, composers, poets, and intellectuals of his day. This is also the first book to bring together a collection of Botkin's best-known writings, giving readers an opportunity to appreciate his wide-ranging mind and clear, often memorable prose. For Botkin, the blurring of art and science, literature and folklore was not just a philosophy but a way of life. This book reflects that life and invites fans and those new to Botkin to appraise his lasting contributions.

The first of three volumes on the history and musical contribution of jazz.

Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 "gateways" addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? Students learn to listen to, explain, understand, and ultimately value all the music they encounter in their world. New to this edition is a broader selection of musical examples that reflect the values of diversity, equity, and inclusion advocated by North American universities. Eight gateways have been replaced. A timeline of gateways helps students see the book’s historical narrative at a glance. Features Values orientation—Diverse, equitable, and inclusive approach to music history. All genres of music—Presents all music as worthy of study, including classical, world, popular, and jazz. Global scope within a historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Recurring themes — Aesthetics, emotion, social life, links to culture, politics, economics, and technology. Modular framework—60 gateways—each with a listening example—allow flexibility to organize chronologically or by the seven themes. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. Anthology of scores—For those courses that use the textbook in a music history sequence. Gateways to Understanding Music continues to employ a website to host the audio examples and instructor’s resources.

So You Want to Sing the Blues: A Guide for Performers shines a light on the history and vibrant modern life of blues song. Eli Yamin explores those essential elements that make the blues sound authentic and guides readers of all backgrounds and levels through mastering this art form. He provides glimpses into the musical lives of the women and men who created the blues along with a listening tour of seminal recordings in the genre’s history. The blues presents many unique challenges for singers, who must shout, slide, and serenade around the accompanying music. By offering concrete explanations and exercises of key blues elements, this book guides singers to create authentic self-expressions informed by the style’s rich history and supported by strong technique. Teachers and singers of all levels will find this book a welcome guide to participating in this culturally diverse and uplifting style. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing the Blues features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

He was one of the most celebrated blues artists of his era, a visionary Chicago singer-songwriter in the 1930s; his overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. But Big Bill Broonzy has been virtually forgotten by the popular culture he helped shape. Riesman details Big Bill's complicated personal saga, and provides a definitive account of his life and music.

A richly nuanced cultural history of the Great Mississippi flood The Great Mississippi Flood of 1927 was the most destructive river flood in U.S. history, drowning crops and displacing more than half a million people across seven states. It was also the first environmental disaster to be experienced virtually on a mass scale. The Flood Year 1927 draws from newspapers, radio broadcasts, political cartoons, vaudeville, blues songs, poetry, and fiction to show how this event provoked an intense and lasting cultural response. Americans at first seemed united in what Herbert Hoover called a "great relief machine," but deep rifts soon arose. Southerners, pointing to faulty federal levee design, decried the attack of Yankee water. The condition of African American evacuees prompted comparisons to slavery from pundits like W.E.B. Du Bois and Ida B. Wells. And environmentalists like Gifford Pinchot called the flood "the most colossal blunder in civilized history." Susan Scott Parrish examines how these and other key figures—from entertainers Will Rogers, Miller & Lyles, and Bessie Smith to authors Sterling Brown, William Faulkner, and Richard Wright—shaped public awareness and collective memory of the event. The crises of this period that usually dominate historical accounts are war and financial collapse, but The Flood Year 1927 allows us to assess how mediated environmental disasters became central to modern consciousness.